May 8, 2026

Mike and Nick and Nick and Alice Review: Vince Vaughn’s Time Travel Chaos

Mike and Nick and Nick and Alice Review: Vince Vaughn’s Time Travel Chaos
Mike and Nick and Nick and Alice Review: Vince Vaughn’s Time Travel Chaos
Parallel Frequencies with Just Blane and Coco
Mike and Nick and Nick and Alice Review: Vince Vaughn’s Time Travel Chaos
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Parallel Frequencies: Time Loops, Crystal Lake, and the "iPhone Villain" Rule

Ever wonder why the bad guy in your favorite thriller is never holding an iPhone? This week on Parallel Frequencies, Just Blane and Coco explore the hidden corporate rules of Hollywood and the neon-soaked chaos of the new Vince Vaughn and James Marsden flick, Mike and Nick and Nick and Alice.

Blane (a 20-year media veteran) and Coco (the resident energy and frequency expert) dive deep into the "one last job" trope and the psychological tension of time travel. They discuss the power of witnessing one's past self to achieve true healing—even if that past self is a "total asshole" from six months ago.

The conversation takes a nostalgic turn as the duo discusses the "aggressive" 80s, the DARE program's lasting impact, and the opportunity to sleep at the actual filming location of Friday the 13th. Whether you’re a "freq" for sci-fi paradoxes or just want to know where to find the best adult summer camp, this episode is your frequency.

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Transcript
WEBVTT

00:00:00.000 --> 00:00:02.899
Two friends try to navigate a dangerous world

00:00:02.899 --> 00:00:05.719
of organized crime, testing their loyalty and

00:00:05.719 --> 00:00:08.400
survival skills. Sure, we've seen this a million

00:00:08.400 --> 00:00:11.980
times before, but have we seen it with time -traveling,

00:00:11.980 --> 00:00:16.199
double -crossing, and genre -blending movie...

00:00:16.199 --> 00:00:19.859
Yeah, because this is what that is. Mike and

00:00:19.859 --> 00:00:22.640
Nick and Nick and Alice sounds like a bad law

00:00:22.640 --> 00:00:26.440
firm, first of all, Coco. This is Parallel Frequencies.

00:00:26.969 --> 00:00:29.269
I am just playing. She is Coco. You are the freaks.

00:00:30.129 --> 00:00:31.989
What do you think about this movie, though, Coco?

00:00:32.009 --> 00:00:35.490
These four names. It's crazy, right? Mike, Mike,

00:00:35.549 --> 00:00:38.289
Mike, Nick, Alice, Nick, Nick, Alice, Nick, and

00:00:38.289 --> 00:00:41.390
who? What? I don't know. But that's what Feature

00:00:41.390 --> 00:00:44.789
Friday is going to be today. It is Friday. We

00:00:44.789 --> 00:00:46.729
are headed into the weekend. What's the weekend

00:00:46.729 --> 00:00:49.210
looking like for you, Coco? You getting to relax?

00:00:49.329 --> 00:00:51.770
Are you busy? What? Oh, you know there's a million

00:00:51.770 --> 00:00:54.869
things going on. Three kids. Invited to three

00:00:54.869 --> 00:00:56.869
different birthday parties, so many playing taxi,

00:00:56.969 --> 00:00:58.950
running them all over town, all over the place.

00:00:59.070 --> 00:01:01.070
And that's just what life is like when you've

00:01:01.070 --> 00:01:04.829
got, you know, three boys in elementary school

00:01:04.829 --> 00:01:07.769
and they've all got their little friends. And

00:01:07.769 --> 00:01:10.150
then I've got prom we talked about earlier in

00:01:10.150 --> 00:01:13.609
the week, right? That's right. You and my lovely

00:01:13.609 --> 00:01:16.069
wife are going to prom together tomorrow night.

00:01:16.129 --> 00:01:18.269
Yeah, we're leaving the husbands behind. I've

00:01:18.269 --> 00:01:20.209
been to prom with my husband more times than

00:01:20.209 --> 00:01:22.109
I can count on two hands. We've been to a lot

00:01:22.109 --> 00:01:24.799
of proms. That's true. And, you know, he's an

00:01:24.799 --> 00:01:27.040
introvert, so he's like, do you have someone

00:01:27.040 --> 00:01:29.280
else you want to go with? Yeah. And you were

00:01:29.280 --> 00:01:32.659
like, yeah, I do. Lindsay. Yeah. I'm like, I'll

00:01:32.659 --> 00:01:34.680
have way more fun with my girlfriends than trying

00:01:34.680 --> 00:01:36.700
to convince him to come out on the dance floor.

00:01:36.819 --> 00:01:40.739
Now, I want people to know that this is not like

00:01:40.739 --> 00:01:45.920
a prom. This is like themed. It's adult prom.

00:01:46.579 --> 00:01:50.239
And I have seen the costumes. I'll call it costumes

00:01:50.239 --> 00:01:53.219
coming in that Lindsay has been ordering. What's

00:01:53.219 --> 00:01:55.579
this theme? Because I see a bunch of flashy stuff.

00:01:55.780 --> 00:01:57.900
I've seen everything up there. It's going to

00:01:57.900 --> 00:02:00.420
be a little wild this year, I think, because

00:02:00.420 --> 00:02:03.019
the last time I went, I didn't go last year,

00:02:03.040 --> 00:02:05.060
but the year before was like classic Hollywood.

00:02:05.519 --> 00:02:08.259
Oh, yeah. Dress formal. You could really get

00:02:08.259 --> 00:02:12.780
like your, you know, dresses and gloves on. I

00:02:12.780 --> 00:02:15.319
think last year they did like a Bridgerton. Oh,

00:02:15.379 --> 00:02:19.860
yeah, yeah. Kind of thing. But this year. Is

00:02:19.860 --> 00:02:25.379
cosmic or space disco? Ooh, that's why I have

00:02:25.379 --> 00:02:29.460
seen planet -looking stuff and cosmic -looking

00:02:29.460 --> 00:02:32.740
stuff coming in the house from all over the place.

00:02:33.120 --> 00:02:37.879
I hope I've done well to live up to the level

00:02:37.879 --> 00:02:40.580
that Lindsay is, but I did get, I just got my

00:02:40.580 --> 00:02:44.439
shoes. You got them? Let's see. Now, see, you

00:02:44.439 --> 00:02:46.120
guys are going to match because I've seen some

00:02:46.120 --> 00:02:47.680
of this. Look at that. I like the hearts on there.

00:02:48.380 --> 00:02:51.539
Little sparkles. Yeah. This is cosmic. Listen,

00:02:51.719 --> 00:02:53.479
I'm going to wear these shoes all the time. Oh,

00:02:53.479 --> 00:02:59.000
yeah. When I got them, I was like, these. I'm

00:02:59.000 --> 00:03:02.240
going to wear them all the time. Yeah. I love

00:03:02.240 --> 00:03:04.539
it. I love it. That makes sense. You and her

00:03:04.539 --> 00:03:06.979
are going to match. I've seen some of her crazy

00:03:06.979 --> 00:03:10.620
outfit that she's got tomorrow night. And it's

00:03:10.620 --> 00:03:11.900
going to be wild. You guys are going to have

00:03:11.900 --> 00:03:13.960
a good time. Like I said, I hope that I get a

00:03:13.960 --> 00:03:16.219
call that I got to come pick you guys up. Hopefully

00:03:16.219 --> 00:03:19.370
not in jail. But yeah, we had a big old group.

00:03:19.430 --> 00:03:21.990
In fact, we had everybody choose a planet. We

00:03:21.990 --> 00:03:24.330
had a big group of ladies and everybody was like,

00:03:24.409 --> 00:03:27.250
I'm this planet and I'm that planet. And so we'd

00:03:27.250 --> 00:03:29.030
have like a theme going on and we were all going

00:03:29.030 --> 00:03:31.169
to go together. And you know how it goes little

00:03:31.169 --> 00:03:34.969
by little. People drop. Oh, I have something

00:03:34.969 --> 00:03:37.610
planned that night. I can't come. I can't. So

00:03:37.610 --> 00:03:40.969
we're our little group is dwindling. Yeah. Which

00:03:40.969 --> 00:03:43.150
is like a pocket of us. But that's all right.

00:03:43.250 --> 00:03:45.689
We'll still have a blast. I found something that

00:03:45.689 --> 00:03:48.740
I would love to do. On a weekend. And it goes

00:03:48.740 --> 00:03:52.319
with sleepaway camp that we talked about this

00:03:52.319 --> 00:03:55.419
week. Once again, rest in peace, Jonathan Tierston.

00:03:55.539 --> 00:03:59.479
We lost him this week. But we covered sleepaway

00:03:59.479 --> 00:04:02.180
camp. And we were talking about how it would

00:04:02.180 --> 00:04:05.020
be fun, right, to go to a sleepaway camp. Look

00:04:05.020 --> 00:04:12.379
what I found, Coco. Crystal Lake Tours. primary

00:04:12.379 --> 00:04:16.439
filming location of Friday the 13th Part 1, you

00:04:16.439 --> 00:04:20.620
can go out there and sleep. Look at this. This

00:04:20.620 --> 00:04:23.980
is where they filmed the movie. I want to do

00:04:23.980 --> 00:04:30.980
this. They need to make adult summer sleepaway

00:04:30.980 --> 00:04:34.680
camps. Yeah. I think that's kind of becoming

00:04:34.680 --> 00:04:38.120
a thing. It's like retreats. They make it so

00:04:38.120 --> 00:04:40.259
that it's like summer camp when you're in kids.

00:04:40.439 --> 00:04:42.920
They need to They need to do that here. Look

00:04:42.920 --> 00:04:47.560
at this. June 5th. The first weekend opened up.

00:04:47.839 --> 00:04:52.639
$149 tickets. You can go. You get the tour. Where

00:04:52.639 --> 00:04:55.019
is this? Yeah, where is this? This has got to

00:04:55.019 --> 00:04:57.620
be up in New York somewhere, right? I bet it's

00:04:57.620 --> 00:05:00.540
New England. New Jersey. That's where they filmed

00:05:00.540 --> 00:05:05.899
Friday the 13th. That's where Crystal Lake is.

00:05:06.259 --> 00:05:08.120
But I found this and I was like, you know what?

00:05:08.699 --> 00:05:12.160
That's perfect for... What we've been talking

00:05:12.160 --> 00:05:15.519
about, yes, there is. There's got to be a market

00:05:15.519 --> 00:05:19.019
for adult sleepaway camps that people want to

00:05:19.019 --> 00:05:22.779
do. There's got to be. If not, we should make

00:05:22.779 --> 00:05:26.839
that. We should get us a little camp. I want

00:05:26.839 --> 00:05:29.680
the schedule posted. I want to know, like, when's

00:05:29.680 --> 00:05:32.100
archery so I can be like, all right, plan my

00:05:32.100 --> 00:05:35.040
day around what I want to do. Exactly. Like,

00:05:35.079 --> 00:05:39.629
that would be awesome. Bunking with girls. You

00:05:39.629 --> 00:05:42.069
guys have to stay somewhere else. They have to

00:05:42.069 --> 00:05:44.050
go on the other side. Yeah, it's got to be co

00:05:44.050 --> 00:05:45.750
-ed. And it can't be none of that, you know,

00:05:45.790 --> 00:05:49.189
BS going on. I want people to act like. I want

00:05:49.189 --> 00:05:52.290
counselors to be like, it's lights off, ladies.

00:05:52.490 --> 00:05:56.250
Lights off, ladies. Be quiet. Right. When we

00:05:56.250 --> 00:06:00.129
have the dance to end the thing, it's going to

00:06:00.129 --> 00:06:03.550
be the counselors, hey, two feet apart. Two feet

00:06:03.550 --> 00:06:05.329
apart when, you know, people are dancing together.

00:06:05.389 --> 00:06:07.250
That's how we're going to act. Get balloons.

00:06:07.730 --> 00:06:11.850
Yeah. We knew, yeah. Yeah, but today, Feature

00:06:11.850 --> 00:06:14.670
Friday, we've got to go ahead and get into either

00:06:14.670 --> 00:06:18.250
the worst law firm name ever or one of the craziest

00:06:18.250 --> 00:06:20.569
titles of a film ever, really, with Mike and

00:06:20.569 --> 00:06:22.649
Nick and Nick and Alice. Yeah, it was a bold

00:06:22.649 --> 00:06:26.329
move, I think. Bold choice. Vince Vaughn, James

00:06:26.329 --> 00:06:32.149
Martin, and then you got Isa Gonzalez crushing

00:06:32.149 --> 00:06:34.410
it as well. And without her, this movie, I don't

00:06:34.410 --> 00:06:36.629
think, I think James Martin and Vince Vaughn

00:06:36.629 --> 00:06:40.350
just float off. I think they float off into whatever,

00:06:40.709 --> 00:06:43.629
doing their 90s nostalgia and Gilmore Girls talk,

00:06:43.750 --> 00:06:47.269
and that's the movie. But we got an incredible

00:06:47.269 --> 00:06:49.949
movie here that I was not expecting. Like I said

00:06:49.949 --> 00:06:53.069
in the intro, we get this story time and time

00:06:53.069 --> 00:06:57.709
again. It's the one last job trope. Same old

00:06:57.709 --> 00:06:59.750
thing. But we got time travel. We got all this

00:06:59.750 --> 00:07:03.009
other genre -blending stuff going on in this

00:07:03.009 --> 00:07:05.290
flick. What did you think about this when I told

00:07:05.290 --> 00:07:07.720
you to go watch this movie, Coco? I'm a huge

00:07:07.720 --> 00:07:10.759
fan of time travel movies. Yeah. And I don't

00:07:10.759 --> 00:07:12.759
think I've seen enough, honestly. No. I think

00:07:12.759 --> 00:07:15.000
there's a lot more out there that I haven't seen.

00:07:15.160 --> 00:07:20.720
But I love the dynamic of discussing all of the

00:07:20.720 --> 00:07:23.680
variables. Yeah. And like, you know, because

00:07:23.680 --> 00:07:26.060
some time travel movies, they stick to certain

00:07:26.060 --> 00:07:30.990
rules. Like there's, you can't. um affect the

00:07:30.990 --> 00:07:33.230
future you have to like not you can't run into

00:07:33.230 --> 00:07:35.790
yourself or you know like there's rules and all

00:07:35.790 --> 00:07:37.850
the things but then there's some that kind of

00:07:37.850 --> 00:07:40.529
play with the idea that you can go back and you

00:07:40.529 --> 00:07:43.490
can change things and it will correct itself

00:07:43.490 --> 00:07:47.310
or like there will be some trajectory of destiny

00:07:47.310 --> 00:07:51.730
involved mysticism of like is it is destiny and

00:07:51.730 --> 00:07:55.470
fate written like Do you have a choice? You know,

00:07:55.490 --> 00:07:58.509
all these cool things. Parallel universes. I

00:07:58.509 --> 00:08:01.509
love it. We can get into it. I love time travel

00:08:01.509 --> 00:08:04.269
movies as well. And I can't see enough of them

00:08:04.269 --> 00:08:06.550
either. And I love when people argue about time

00:08:06.550 --> 00:08:08.350
travel movies. They're like, oh, that's not right.

00:08:09.050 --> 00:08:12.350
How do you know? I know. It's like we've got

00:08:12.350 --> 00:08:16.870
this knowledge. Yeah, like what knowledge? People

00:08:16.870 --> 00:08:18.689
argued about time travel. What knowledge do they

00:08:18.689 --> 00:08:21.889
have? Unless they came from the year 2058 or

00:08:21.889 --> 00:08:23.910
something, I'm not talking to them. I'm not listening

00:08:23.910 --> 00:08:26.730
to somebody argue about time travel because we

00:08:26.730 --> 00:08:28.350
don't know. But I love the movies. There are

00:08:28.350 --> 00:08:30.089
videos out there. I don't know if you've seen.

00:08:30.509 --> 00:08:32.549
I forget what it's called, but I ran across some

00:08:32.549 --> 00:08:36.230
pretty creepy YouTube videos of a guy, hairless

00:08:36.230 --> 00:08:39.250
guy, telling you he came from the future and

00:08:39.250 --> 00:08:40.730
all the things that are going to happen. And

00:08:40.730 --> 00:08:42.750
a lot of the stuff he said is happening. So,

00:08:42.769 --> 00:08:46.360
I mean, I'm just saying. It's true. It is true.

00:08:46.460 --> 00:08:47.960
There is some weird stuff going on. I mean, we

00:08:47.960 --> 00:08:51.379
got our own government putting out the UFO videos,

00:08:51.659 --> 00:08:54.700
UAP videos today. So who knows? Time travel could

00:08:54.700 --> 00:08:57.820
be possible. Yeah. I think people will be massively

00:08:57.820 --> 00:09:00.059
disappointed when they see what the government

00:09:00.059 --> 00:09:03.120
is releasing on UFOs. Yeah. Yeah. They're going

00:09:03.120 --> 00:09:05.240
to have to drip feed this or give us something

00:09:05.240 --> 00:09:09.159
good. But this movie, it starts off kind of normal,

00:09:09.240 --> 00:09:11.419
you know, and then they kill somebody. Like,

00:09:11.460 --> 00:09:15.600
it's wild. And Vince Vaughn is the sultan of

00:09:15.600 --> 00:09:19.960
fast talk. Like I said, James Mardsen, a man

00:09:19.960 --> 00:09:22.580
who's been unfairly handsome for three decades

00:09:22.580 --> 00:09:25.620
straight. Am I correct? He's like Paul Rudd.

00:09:25.620 --> 00:09:30.419
Yeah. Yeah. Yeah. I thought this movie, though,

00:09:30.500 --> 00:09:32.559
it was a lot. You got to watch it multiple times.

00:09:32.740 --> 00:09:35.639
It's a multiple watch flick because you're going

00:09:35.639 --> 00:09:38.539
to see something different. Yeah. Anything come

00:09:38.539 --> 00:09:41.159
on the second watch for you that you didn't?

00:09:41.419 --> 00:09:44.019
Catching the first or that you were like, oh,

00:09:44.240 --> 00:09:48.120
I would have missed that. You know, the one thing

00:09:48.120 --> 00:09:50.659
that really stood out to me was that one last

00:09:50.659 --> 00:09:54.700
job trope. That's what stood out to me. It was

00:09:54.700 --> 00:10:01.360
like, OK, one last job. But in real life is are

00:10:01.360 --> 00:10:03.639
we attracted to that because we're all trying

00:10:03.639 --> 00:10:07.179
to find the exit ramp to our nine to five? You

00:10:07.179 --> 00:10:09.279
know, like, is that what? So I started looking

00:10:09.279 --> 00:10:11.419
at it and reflecting on real life stuff and thinking

00:10:11.419 --> 00:10:15.000
about it. And that's where I kind of landed on.

00:10:15.200 --> 00:10:18.879
So what about you, though? Yeah. You know, I

00:10:18.879 --> 00:10:21.500
remember going through the D .A .R .E. program.

00:10:23.080 --> 00:10:26.460
Stick with me for a second. Hold on. I'm getting

00:10:26.460 --> 00:10:28.440
to something here. We remember, you know, we

00:10:28.440 --> 00:10:30.100
all did the D .A .R .E. program. They did talk

00:10:30.100 --> 00:10:34.200
about gangs. Yeah. And I remember being extremely

00:10:34.200 --> 00:10:40.129
terrified. Not that. I was really susceptible

00:10:40.129 --> 00:10:43.730
to being invited to a gang. Yeah. Demographic,

00:10:43.850 --> 00:10:47.129
gender, all the things. But I remember being

00:10:47.129 --> 00:10:49.350
like, I don't want to get involved in anything

00:10:49.350 --> 00:10:51.950
I can't get out of. Right? Because they made

00:10:51.950 --> 00:10:55.590
it, you feel like. Yeah. Get yourself into these

00:10:55.590 --> 00:10:59.169
gang related things and there's no getting out.

00:10:59.509 --> 00:11:02.929
Like, the only way out is death or jail, you

00:11:02.929 --> 00:11:06.879
know, prison. You just, it terrified me. More

00:11:06.879 --> 00:11:10.139
than it should have. I was like, I can't say

00:11:10.139 --> 00:11:12.340
yes to anything that I can't get myself out of.

00:11:12.360 --> 00:11:14.419
Like, there's not an exit plan or, you know,

00:11:14.419 --> 00:11:19.299
a way out. But that's why this trope, you know,

00:11:19.320 --> 00:11:21.320
James Martin playing this character where he's

00:11:21.320 --> 00:11:23.659
like, I'm retiring. I'm going to be done. I was

00:11:23.659 --> 00:11:28.080
like, you can't do that. Yeah. You decide to

00:11:28.080 --> 00:11:31.440
be done. They're going to suck you back in. And

00:11:31.440 --> 00:11:34.700
I was right. Pegged in for the ride. You know?

00:11:35.559 --> 00:11:39.919
The movie, though, it really never stops. It's

00:11:39.919 --> 00:11:42.399
like you're hooked the entire time watching this

00:11:42.399 --> 00:11:46.000
thing. What is it, about two hours long, too?

00:11:46.460 --> 00:11:50.740
But it was highly entertaining. One of those

00:11:50.740 --> 00:11:53.820
that happens all in one night? Yeah. Right? So

00:11:53.820 --> 00:11:55.299
there's all this activity going on, but you're

00:11:55.299 --> 00:11:58.720
like, oh, my gosh. The sun hasn't even come up

00:11:58.720 --> 00:12:01.539
yet. Exactly. So it's one of these that just,

00:12:01.679 --> 00:12:05.059
yeah, it takes over. I don't want to give away

00:12:05.059 --> 00:12:06.740
too many of the scenes because they are wild.

00:12:06.820 --> 00:12:09.980
They are crazy. And I remember the one where

00:12:09.980 --> 00:12:12.340
they're just in the house and they're basically

00:12:12.340 --> 00:12:16.500
finding out what's going on. And it's pure chaos.

00:12:16.639 --> 00:12:19.100
This whole movie was pure chaos. In the opening

00:12:19.100 --> 00:12:22.779
scene, there's a nice little nod to some other

00:12:22.779 --> 00:12:24.940
shows. And they make lots of references in this

00:12:24.940 --> 00:12:29.440
movie to other stuff with some of it being very,

00:12:29.519 --> 00:12:33.220
very clear. Gilmore Girls, they crushed that.

00:12:34.590 --> 00:12:36.909
So funny. Did you catch this one? The opening

00:12:36.909 --> 00:12:39.809
sequence with the numbers? 4, 8, 15, 16, 23,

00:12:39.950 --> 00:12:43.210
42? No. It says it on the chalkboard, do not

00:12:43.210 --> 00:12:45.129
use. You know what those numbers are, right?

00:12:45.230 --> 00:12:49.049
That's from Lost. Yes. The famous numbers from

00:12:49.049 --> 00:12:52.179
Lost. crossovers here. I was just impressed that

00:12:52.179 --> 00:12:54.279
they were like, oh, they're using a Disney song.

00:12:54.820 --> 00:12:57.200
Ben Schwartz played Simon and he's singing a

00:12:57.200 --> 00:12:59.379
Disney song and I'm going, oh, this is the cross.

00:12:59.440 --> 00:13:02.100
This is when you get Disney rights to everything

00:13:02.100 --> 00:13:05.980
and you can use it in a rated R movie. Yeah.

00:13:06.179 --> 00:13:11.860
There was another little Keith David. You know,

00:13:11.879 --> 00:13:15.759
Keith David here in the movie. Sosa. Apple has

00:13:15.759 --> 00:13:18.159
this, I don't know if it's written, unwritten

00:13:18.159 --> 00:13:23.009
rule where If a bad guy in a movie uses a phone,

00:13:23.110 --> 00:13:25.990
it can't be an iPhone. Keith Davis, the bad guy,

00:13:26.049 --> 00:13:27.830
uses an iPhone in this movie. So how'd they get

00:13:27.830 --> 00:13:29.309
away with that? Like there's a lot of these little

00:13:29.309 --> 00:13:31.669
– and that's one that a lot of people don't even

00:13:31.669 --> 00:13:33.950
know about. Like that's how – You didn't know

00:13:33.950 --> 00:13:37.690
about that. You knew about that one? No, I didn't.

00:13:37.769 --> 00:13:42.710
I'm intrigued. I want to know how they got away

00:13:42.710 --> 00:13:46.590
with that and who else noticed that. Yeah, I

00:13:46.590 --> 00:13:49.350
picked up on that because that's not – common

00:13:49.350 --> 00:13:53.850
to see the villain or the so -called bad guy

00:13:53.850 --> 00:13:56.070
whatever you want to call him in a movie or a

00:13:56.070 --> 00:13:58.409
tv show use an iphone go look go see if you can

00:13:58.409 --> 00:14:00.330
find anybody doing that what what what scenes

00:14:00.330 --> 00:14:03.789
stood out to you no matter what happens you got

00:14:03.789 --> 00:14:05.450
to chloroform the guy who opens the door right

00:14:05.450 --> 00:14:08.710
so this is like the instructions he goes to the

00:14:08.710 --> 00:14:11.929
door and it's nick at the door right because

00:14:11.929 --> 00:14:15.990
we find out later that's present now yeah my

00:14:15.990 --> 00:14:18.799
question is Would you be able to follow through

00:14:18.799 --> 00:14:21.320
with the instructions if something that weird

00:14:21.320 --> 00:14:24.639
happened? I don't know. Because you see him kind

00:14:24.639 --> 00:14:27.019
of hesitate, and then he's like going for it.

00:14:27.379 --> 00:14:29.580
I don't know if I would go through with it. I

00:14:29.580 --> 00:14:32.039
would be like, what are you doing here? I thought

00:14:32.039 --> 00:14:35.299
you were in the car. You'd probably, I don't

00:14:35.299 --> 00:14:37.919
know. You would probably have to give me a little

00:14:37.919 --> 00:14:41.019
more information up front, and I'd probably be

00:14:41.019 --> 00:14:42.980
more okay with it. If you told me I was going

00:14:42.980 --> 00:14:45.539
to go up there and see another version of you,

00:14:45.639 --> 00:14:50.009
then. I'm going to be like, uh, all right. Appreciate

00:14:50.009 --> 00:14:52.250
you letting me know. So I wasn't shocked when

00:14:52.250 --> 00:14:54.409
I got up, you know, kind of like kind of one

00:14:54.409 --> 00:14:57.769
of them things, but yeah, I, I don't know if

00:14:57.769 --> 00:15:00.230
I could follow through. I don't know. Yeah. Cause

00:15:00.230 --> 00:15:03.649
I think that if, if you told me and I'm not an

00:15:03.649 --> 00:15:05.529
assassin, so what do I know? But like, if it

00:15:05.529 --> 00:15:08.350
was a job I had to do and they were like, the

00:15:08.350 --> 00:15:10.509
guy who answers the door is going to look exactly

00:15:10.509 --> 00:15:14.840
like me. Just know that. Yeah. I'll explain that

00:15:14.840 --> 00:15:17.559
later, but I want you to just do this thing,

00:15:17.679 --> 00:15:19.740
right? Then I'm like, okay, I know what to expect.

00:15:19.960 --> 00:15:21.899
I know what I'm going in there for. But if he

00:15:21.899 --> 00:15:24.919
answers the door like it happens in this movie,

00:15:24.980 --> 00:15:29.080
my thought was I don't think I would still go

00:15:29.080 --> 00:15:31.039
through with it. I think I would probably hesitate

00:15:31.039 --> 00:15:34.700
and go, wait, why are you in the house? I got

00:15:34.700 --> 00:15:38.340
your car. What's going on? I'd be all kinds of

00:15:38.340 --> 00:15:42.519
confused. Yeah, honestly. Real answer? No, I

00:15:42.519 --> 00:15:44.320
couldn't follow through because I'd be so confused

00:15:44.320 --> 00:15:47.059
at what was going on that I wouldn't know probably

00:15:47.059 --> 00:15:51.379
how to act. It's not every day you walk into

00:15:51.379 --> 00:15:54.240
that type of situation. I like the scene, the

00:15:54.240 --> 00:15:58.539
after, after, after party. Sosa's son, Jimmy

00:15:58.539 --> 00:16:02.679
boy, celebrating getting out of jail. Four parties

00:16:02.679 --> 00:16:07.019
deep into a bender. And the three leads plus

00:16:07.019 --> 00:16:09.870
the... Yeah, future Nick decide to stop running

00:16:09.870 --> 00:16:13.190
and just liquidate the problem. Neon -soaked

00:16:13.190 --> 00:16:16.370
tactical sweep of a mansion filled with bumbling

00:16:16.370 --> 00:16:20.230
but dangerous mobsters. This is wild to me. You

00:16:20.230 --> 00:16:22.490
know, you got future Nick acting like a video

00:16:22.490 --> 00:16:24.590
game veteran who knows where all the enemies

00:16:24.590 --> 00:16:27.389
are spawning in while Mike is just trying to

00:16:27.389 --> 00:16:30.830
keep his no -killing streak alive and failing

00:16:30.830 --> 00:16:35.370
miserably, by the way. And then you got the climax

00:16:35.370 --> 00:16:37.870
here when they think they've won. dying jimmy

00:16:37.870 --> 00:16:41.690
boy gets one last shot off and he hits nick present

00:16:41.690 --> 00:16:45.409
nick in the neck and then we get the present

00:16:45.409 --> 00:16:47.950
nick bleeding out in the back seat the oasis

00:16:47.950 --> 00:16:51.929
don't look back in anger i thought it was incredible

00:16:51.929 --> 00:16:54.850
this whole final fantastic matt was actually

00:16:54.850 --> 00:16:58.330
singing along next to me yeah right stoic husband

00:16:58.330 --> 00:17:03.419
he was like this is a great song The final act

00:17:03.419 --> 00:17:05.380
of this thing really did. It had you singing

00:17:05.380 --> 00:17:09.779
out loud. Like it was wild. Yeah. You know, that's

00:17:09.779 --> 00:17:14.180
crazy. Ahead of time too. When, uh, earlier in

00:17:14.180 --> 00:17:18.140
the movie, they, um, Alice does something to

00:17:18.140 --> 00:17:22.259
present day Nick. Yes. Stabs him or something.

00:17:22.359 --> 00:17:25.839
And then they check to see if future Nick ends

00:17:25.839 --> 00:17:29.400
up with a scar or like, does it affect? And so

00:17:29.400 --> 00:17:31.579
you knew that if something happens to present

00:17:31.579 --> 00:17:33.980
-day Nick, you know, as he's bleeding out in

00:17:33.980 --> 00:17:35.700
the car, you're like not sure if he's going to

00:17:35.700 --> 00:17:38.539
make it. You're realizing this whole time that

00:17:38.539 --> 00:17:42.440
if he goes, other Nick is going to go too, right?

00:17:42.819 --> 00:17:46.339
Yeah. Hence. Yeah, and you got a paradox here

00:17:46.339 --> 00:17:51.059
too because it's as present Nick is dying and

00:17:51.059 --> 00:17:53.640
dies, future Nick starts to fade away like Marty

00:17:53.640 --> 00:17:57.220
McFly. You know, at the enchantment under the

00:17:57.220 --> 00:18:01.859
sea dance in Back to the Future. To me, that's

00:18:01.859 --> 00:18:03.960
a parallel frequency type of moment. You know,

00:18:03.980 --> 00:18:06.599
a character literally watching himself cease

00:18:06.599 --> 00:18:10.720
to exist while singing some rip -pop oasis, Don't

00:18:10.720 --> 00:18:13.740
Look Back in Danger. Or Don't Look Back in Anger.

00:18:14.660 --> 00:18:17.339
I think there's a sequel going to come, too.

00:18:17.400 --> 00:18:20.259
You know, because Alice reveals that there's

00:18:20.259 --> 00:18:23.240
a... Yeah, there's a second time machine. So

00:18:23.240 --> 00:18:24.759
Mike realizes he's going to have to go back to

00:18:24.759 --> 00:18:27.339
the start of the night to save everybody, turning

00:18:27.339 --> 00:18:30.119
the whole movie into one giant loop. We kind

00:18:30.119 --> 00:18:32.220
of saw something similar with, what was the movie?

00:18:32.319 --> 00:18:34.880
Good luck, have fun, don't die. That's right.

00:18:35.019 --> 00:18:37.279
That's exactly what I was thinking. It reminded

00:18:37.279 --> 00:18:39.660
me of how, like, how many times have you played

00:18:39.660 --> 00:18:43.579
out this night? Yeah. Get it right and maybe

00:18:43.579 --> 00:18:46.799
save some lives. That's what they're about to

00:18:46.799 --> 00:18:49.319
do. So I would be all for a sequel if they went

00:18:49.319 --> 00:18:53.269
that direction. I was highly shocked and surprised

00:18:53.269 --> 00:18:57.750
by this movie and highly entertained more than

00:18:57.750 --> 00:19:00.750
anything. So a sequel to this, I'll be the first

00:19:00.750 --> 00:19:03.849
in line on my couch to watch it at home because

00:19:03.849 --> 00:19:06.630
it'll probably be on streaming service. I think

00:19:06.630 --> 00:19:08.289
the movie was incredible. I thought the idea

00:19:08.289 --> 00:19:10.730
was great. I thought the execution was even better.

00:19:11.069 --> 00:19:15.890
The acting, chef's kiss, as they say. Yeah, this

00:19:15.890 --> 00:19:18.990
is Vince Vaughn's character. Like, this type

00:19:18.990 --> 00:19:20.849
of character. Because, I mean, let's be honest,

00:19:21.029 --> 00:19:24.230
and no criticism whatsoever, but Vince Vaughn

00:19:24.230 --> 00:19:26.430
is one of those kind of actors who, he plays

00:19:26.430 --> 00:19:29.630
himself in different versions, in different characters,

00:19:29.670 --> 00:19:31.470
in different movies, right? Like, he does a great

00:19:31.470 --> 00:19:35.309
job. He just doesn't deviate too far from just

00:19:35.309 --> 00:19:39.029
this Vince Vaughn, who he is. And I think Nick

00:19:39.029 --> 00:19:43.470
is the perfect character for him. Oh, yeah. Yeah.

00:19:44.250 --> 00:19:46.849
Love this movie. You got to watch this movie.

00:19:46.930 --> 00:19:50.130
Go watch it. It's on, what was it on? Hulu Prime?

00:19:50.230 --> 00:19:53.309
What was it on? Hulu, yeah. Hulu, Disney Plus,

00:19:53.549 --> 00:19:56.509
Hulu, all that. We were talking about, you can

00:19:56.509 --> 00:19:58.890
watch it on Disney Plus, I'm sure too, if you

00:19:58.890 --> 00:20:01.690
want. They've just got all of those thrown together.

00:20:02.430 --> 00:20:06.190
Yeah, yeah. You got any more thoughts on this

00:20:06.190 --> 00:20:09.089
before we get into Freaky Friday? Yeah, oh, I'm

00:20:09.089 --> 00:20:10.809
so excited for Freaky Friday, but let me just

00:20:10.809 --> 00:20:14.319
say before we end with this movie. That as a

00:20:14.319 --> 00:20:17.480
person who works in the energy link, this is

00:20:17.480 --> 00:20:20.220
my frequency I bring to parallel frequencies.

00:20:20.920 --> 00:20:25.140
The idea of self -reflection, of being able to

00:20:25.140 --> 00:20:29.079
see yourself as you truly are and as people see

00:20:29.079 --> 00:20:31.980
you is played out really well. I think in these

00:20:31.980 --> 00:20:34.420
time travel type, you know, parallel universes

00:20:34.420 --> 00:20:37.200
type of movies, the science fiction of it. you

00:20:37.200 --> 00:20:39.440
get a chance to peek at what it would be like

00:20:39.440 --> 00:20:42.980
to see yourself and reflect on that. And sometimes

00:20:42.980 --> 00:20:45.339
you see things you don't like or you see things

00:20:45.339 --> 00:20:48.279
that you regret or you feel guilty or you feel

00:20:48.279 --> 00:20:50.980
shame about. And I love seeing that play out

00:20:50.980 --> 00:20:52.960
in this movie. I mean, it was a super funny movie.

00:20:53.079 --> 00:20:55.480
Obviously, it's a thriller. You got a lot of

00:20:55.480 --> 00:20:58.200
action going on. But I just want to point out

00:20:58.200 --> 00:21:02.480
that there is also this deeper level of maybe

00:21:02.480 --> 00:21:07.529
drama going on in the genre too in that You see

00:21:07.529 --> 00:21:11.549
Nick's character. He's only six months away from

00:21:11.549 --> 00:21:16.690
present -day Nick. Yeah. And the way he played

00:21:16.690 --> 00:21:20.089
such a different character, because it is. It's

00:21:20.089 --> 00:21:25.230
subtle. It's the same person. But future Nick

00:21:25.230 --> 00:21:27.809
is a little wiser, a little more self -aware,

00:21:27.890 --> 00:21:30.769
and is able to look at himself and go, I don't

00:21:30.769 --> 00:21:33.230
like that asshole. Yeah. I don't like that guy.

00:21:33.430 --> 00:21:36.599
And I'm not him anymore. And I won't be him anymore,

00:21:36.779 --> 00:21:39.440
you know? And that's really powerful because

00:21:39.440 --> 00:21:43.900
healing, as I have said a thousand times on Practically

00:21:43.900 --> 00:21:46.339
Magic, and I will say it everywhere I possibly

00:21:46.339 --> 00:21:49.759
can, healing is witnessing. It's not fixing anything.

00:21:49.940 --> 00:21:52.720
It's just witnessing yourself. So in this case,

00:21:52.940 --> 00:21:56.940
Nick being able to witness himself and be like,

00:21:57.019 --> 00:22:00.200
I know that guy. I understand that guy. I have

00:22:00.200 --> 00:22:02.359
compassion for that guy. I know why he is the

00:22:02.359 --> 00:22:04.650
way he is. But I don't want to be him anymore.

00:22:05.089 --> 00:22:08.289
Yeah. He's powerful. Great acting job, too, because

00:22:08.289 --> 00:22:09.730
you've got to play two different characters as

00:22:09.730 --> 00:22:12.230
the same person. Same person, six months apart.

00:22:12.390 --> 00:22:14.829
Yeah, that's a great perspective, great point

00:22:14.829 --> 00:22:18.150
out, great view, Coco. Let's get to Freaky Friday,

00:22:18.309 --> 00:22:22.910
because I'm excited, too. Yeah. And we did Boy

00:22:22.910 --> 00:22:25.809
Meets World. Was that last week? Last week. We

00:22:25.809 --> 00:22:28.329
did Boy Meets World. We got a lot of feedback

00:22:28.329 --> 00:22:34.720
on some of this stuff. At CodyRogers1300 says,

00:22:34.920 --> 00:22:37.980
Sabrina the Teenage Witch. And we got a lot of

00:22:37.980 --> 00:22:42.720
these. At AaronPalmer983, step by step. At Kyle

00:22:42.720 --> 00:22:46.059
says, and they're talking about TGIF line up.

00:22:46.140 --> 00:22:47.980
He says, wonder if there's a little bit more.

00:22:48.400 --> 00:22:52.579
I was going to mention it. Yeah. So there's a

00:22:52.579 --> 00:22:54.500
lot of people that jumped in on this. They had

00:22:54.500 --> 00:22:59.180
a good time commenting on TGIF stuff. Here's

00:22:59.180 --> 00:23:03.769
a fun one. At Popeye6659 says, because we were

00:23:03.769 --> 00:23:07.210
talking about having crushes on Topanga in Boy

00:23:07.210 --> 00:23:10.329
Meets World. He says, I had a crush on Thelma

00:23:10.329 --> 00:23:14.210
from Good Times. Yes, I'm old. No shame there.

00:23:14.549 --> 00:23:18.269
No shame there, Thelma. No, not at all. Love

00:23:18.269 --> 00:23:24.990
that. Yeah. And at Kane Allen says, I'm. I'm

00:23:24.990 --> 00:23:27.869
born in 83. Please stop talking about this as

00:23:27.869 --> 00:23:30.289
if it's old as shit. Listen, I was born in 83

00:23:30.289 --> 00:23:33.009
yet, too. I'll just give you my age now. And

00:23:33.009 --> 00:23:34.890
this movie that we were talking about that you

00:23:34.890 --> 00:23:37.529
mentioned in the sleepaway camp is old as shit,

00:23:37.609 --> 00:23:40.890
okay? Sorry. I'm sorry, Kane Allen. You're going

00:23:40.890 --> 00:23:42.950
to have to just... It's a little obvious when

00:23:42.950 --> 00:23:45.950
you watch it. Yeah. Like, we don't have to say

00:23:45.950 --> 00:23:50.849
it when you watch it. One more comment on sleepaway

00:23:50.849 --> 00:23:54.319
camp. And we had a comment, did Ricky know? And

00:23:54.319 --> 00:23:59.519
Jennifer Long, Long, Long, Long Harris, he didn't

00:23:59.519 --> 00:24:01.819
know, she says. And we had a couple people jumping

00:24:01.819 --> 00:24:04.380
in on that, trying to say if he knew, if he didn't

00:24:04.380 --> 00:24:10.500
know. I felt that. Yeah. So one more towards

00:24:10.500 --> 00:24:18.000
Sleepaway Camp. At Evan. Vittorino says the only

00:24:18.000 --> 00:24:21.019
accurate way to describe the 80s is aggressive.

00:24:21.599 --> 00:24:25.359
Correct. That's so accurate. And Sleepaway Camp

00:24:25.359 --> 00:24:29.920
was one of the most aggressive movies from that

00:24:29.920 --> 00:24:34.920
era, right? I mean, the kids. Okay, I don't know

00:24:34.920 --> 00:24:37.900
if I mentioned this yesterday, or when was it

00:24:37.900 --> 00:24:40.519
we did it? Wednesday. Two days ago. I was like,

00:24:40.599 --> 00:24:43.880
even the kids, when she gets... thrown in the

00:24:43.880 --> 00:24:46.299
lake by the bullies and they're laughing at her

00:24:46.299 --> 00:24:48.759
and then ricky's kind of like trying to help

00:24:48.759 --> 00:24:51.279
her and pull her out the kids are throwing sand

00:24:51.279 --> 00:24:57.019
at her i'm like why is everybody so mean they

00:24:57.019 --> 00:24:59.619
were awful like if you want i just think people

00:24:59.619 --> 00:25:01.579
should be kind to each other okay adjust they

00:25:01.579 --> 00:25:04.220
should love and kindness in this world and that's

00:25:04.220 --> 00:25:07.799
all there is big time big time but that's gonna

00:25:07.799 --> 00:25:11.319
do it and i hope We get a great weekend this

00:25:11.319 --> 00:25:13.460
weekend. I hope prom goes good for you. Next

00:25:13.460 --> 00:25:17.079
week. What are we doing next week? Next week.

00:25:17.779 --> 00:25:21.220
I feel like I have to say it just because this

00:25:21.220 --> 00:25:24.599
movie, Mike, Nick, Nick and Alice talked about

00:25:24.599 --> 00:25:26.759
the show we're going to talk about next week

00:25:26.759 --> 00:25:30.779
several times. And that wasn't even planned.

00:25:30.940 --> 00:25:33.039
I was like, I can't believe they're actually

00:25:33.039 --> 00:25:34.660
talking about this show. We're going to talk

00:25:34.660 --> 00:25:37.180
about it next week. It's Gilmore Girls on Wistful

00:25:37.180 --> 00:25:41.279
Wednesday. Oh, my gosh. So do your rewatch, everybody.

00:25:41.539 --> 00:25:44.559
We know Gilmore Girls is back in the limelight.

00:25:44.660 --> 00:25:46.380
I don't know what it is about that show, but

00:25:46.380 --> 00:25:48.799
it was popular when it came out. And then it

00:25:48.799 --> 00:25:52.240
was quiet. And then it has had this rewatch revival

00:25:52.240 --> 00:25:57.200
in the last five years. So we're doing that next

00:25:57.200 --> 00:26:01.259
week. A resurgence has happened. Did they make

00:26:01.259 --> 00:26:03.380
a new version of Gilmore Girls not long ago,

00:26:03.400 --> 00:26:05.960
a couple years back? Did they? Did they do like

00:26:05.960 --> 00:26:10.269
a reunion show? I feel like they did a reunion,

00:26:10.670 --> 00:26:13.910
revival. I can't say for sure that happened.

00:26:14.130 --> 00:26:16.170
I thought it was on Netflix or something. Maybe

00:26:16.170 --> 00:26:17.809
I could be making all that up. I guess we'll

00:26:17.809 --> 00:26:19.789
look at it when we do our deep dive on Gilmore

00:26:19.789 --> 00:26:23.849
Girls. Because all of the shows and movies next

00:26:23.849 --> 00:26:30.009
week are Mother's Day themed. So listen, Mother's

00:26:30.009 --> 00:26:32.170
Day is Sunday. That's right. We want everybody

00:26:32.170 --> 00:26:36.980
to know that mothers are the mother. Okay? all

00:26:36.980 --> 00:26:39.759
y 'all and not only it not a few birth children

00:26:39.759 --> 00:26:42.200
that's not the only mothers we're talking about

00:26:42.200 --> 00:26:45.839
i mean everybody everybody who deserves that

00:26:45.839 --> 00:26:48.500
title of mother because they mother do you know

00:26:48.500 --> 00:26:50.960
what i mean yeah you know what i mean like they

00:26:50.960 --> 00:26:55.559
mother so we're celebrating all the mothers of

00:26:55.559 --> 00:26:58.920
fur babies of their community of their what uh

00:26:58.920 --> 00:27:01.259
mothers all the mothers we're celebrating next

00:27:01.259 --> 00:27:03.180
week so we're going to be doing all the movies

00:27:03.180 --> 00:27:08.029
and shows Movie Monday will be Hamnet. Okay.

00:27:08.549 --> 00:27:10.509
Now, granted, that one could be a mother's and

00:27:10.509 --> 00:27:14.869
father's. But let's give her the credit that

00:27:14.869 --> 00:27:17.289
she deserves. The mother of Hamnet. So we're

00:27:17.289 --> 00:27:18.730
going to watch that. We're going to do that movie

00:27:18.730 --> 00:27:21.750
for Monday. We are going to do an overview of

00:27:21.750 --> 00:27:24.930
Moms of TV for Tube Tuesday next week. Oh, I

00:27:24.930 --> 00:27:27.430
can't wait. Generally broad, all the mothers.

00:27:27.950 --> 00:27:30.250
We got a couple of interviews with some TV moms.

00:27:30.430 --> 00:27:32.130
Maybe we'll put those in there. We've talked

00:27:32.130 --> 00:27:35.509
to Patricia Richardson. Who else did we talk

00:27:35.509 --> 00:27:40.690
to? Lawrence. Mama. Mama's family, right? Mama.

00:27:40.809 --> 00:27:43.750
We'll put that interview up. I guarantee we'll

00:27:43.750 --> 00:27:45.190
put that interview up. It'll be never before

00:27:45.190 --> 00:27:47.529
seen. She's wild. I'm going to tell you, I remember

00:27:47.529 --> 00:27:49.970
that one. Do you remember how wild she was? We're

00:27:49.970 --> 00:27:51.890
going to have to cut out a couple of things that

00:27:51.890 --> 00:27:54.589
she said, but we've got a little bit there that

00:27:54.589 --> 00:27:56.569
we talked to Vicky, and she's amazing. I love

00:27:56.569 --> 00:27:59.289
her. All right. Yeah. Gilmore Girls, obviously,

00:27:59.369 --> 00:28:01.779
was for Wednesday. we'll be doing trailer park

00:28:01.779 --> 00:28:04.059
thursdays we normally do and then feature friday

00:28:04.059 --> 00:28:06.579
we're doing undertone now that might not be but

00:28:06.579 --> 00:28:09.079
we had to stick that movie in somewhere and we

00:28:09.079 --> 00:28:14.640
had to do it so have you seen it yet no i i watched

00:28:14.640 --> 00:28:19.799
it i watched it right here in my studio uh late

00:28:19.799 --> 00:28:22.720
at night dark everything in it and it added to

00:28:22.720 --> 00:28:28.160
it i'm gonna tell you right now uh it's a soundscape

00:28:28.160 --> 00:28:33.059
okay it is it's Yes, it's a fun... Yes, get ready

00:28:33.059 --> 00:28:34.480
for that. I can't wait. I'm already hyped up

00:28:34.480 --> 00:28:38.279
about that. Happy Mother's Day to you, Coco.

00:28:38.740 --> 00:28:41.660
Thank you. There you go. Make sure we get that

00:28:41.660 --> 00:28:45.619
sent to you. Send your comments to Coco. Tell

00:28:45.619 --> 00:28:48.099
her Happy Mother's Day. Send her gifts. She's

00:28:48.099 --> 00:28:50.180
probably got an Amazon wish list. Go get that.

00:28:50.539 --> 00:28:53.619
You might need coffee. Guys, you might need coffee.

00:28:53.880 --> 00:28:59.319
I'm the happiest. Good to go. That's all I need.

00:28:59.690 --> 00:29:03.170
I love that. Well, listen, that's going to do

00:29:03.170 --> 00:29:06.470
it for this edition of Parallel Frequencies.

00:29:07.069 --> 00:29:09.730
Whether you were ripping through a neon city,

00:29:09.950 --> 00:29:13.369
listen to us or folding laundry in the suburbs.

00:29:14.190 --> 00:29:16.730
You were you were in the right place. OK, right

00:29:16.730 --> 00:29:18.730
here. Parallel Frequencies. I am just playing.

00:29:18.769 --> 00:29:21.450
She is Coco. We are freaks. You are the freaks.

00:29:21.970 --> 00:29:24.529
Can't wait to see you next week. Have a great

00:29:24.529 --> 00:29:26.289
weekend and we'll see you on the other side.