Mike and Nick and Nick and Alice Review: Vince Vaughn’s Time Travel Chaos


Parallel Frequencies: Time Loops, Crystal Lake, and the "iPhone Villain" Rule
Ever wonder why the bad guy in your favorite thriller is never holding an iPhone? This week on Parallel Frequencies, Just Blane and Coco explore the hidden corporate rules of Hollywood and the neon-soaked chaos of the new Vince Vaughn and James Marsden flick, Mike and Nick and Nick and Alice.
Blane (a 20-year media veteran) and Coco (the resident energy and frequency expert) dive deep into the "one last job" trope and the psychological tension of time travel. They discuss the power of witnessing one's past self to achieve true healing—even if that past self is a "total asshole" from six months ago.
The conversation takes a nostalgic turn as the duo discusses the "aggressive" 80s, the DARE program's lasting impact, and the opportunity to sleep at the actual filming location of Friday the 13th. Whether you’re a "freq" for sci-fi paradoxes or just want to know where to find the best adult summer camp, this episode is your frequency.
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Veteran-Built • 10,000+ Programs Produced
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Two friends try to navigate a dangerous world
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of organized crime, testing their loyalty and
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survival skills. Sure, we've seen this a million
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times before, but have we seen it with time -traveling,
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double -crossing, and genre -blending movie...
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Yeah, because this is what that is. Mike and
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Nick and Nick and Alice sounds like a bad law
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firm, first of all, Coco. This is Parallel Frequencies.
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I am just playing. She is Coco. You are the freaks.
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What do you think about this movie, though, Coco?
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These four names. It's crazy, right? Mike, Mike,
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Mike, Nick, Alice, Nick, Nick, Alice, Nick, and
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who? What? I don't know. But that's what Feature
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Friday is going to be today. It is Friday. We
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are headed into the weekend. What's the weekend
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looking like for you, Coco? You getting to relax?
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Are you busy? What? Oh, you know there's a million
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things going on. Three kids. Invited to three
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different birthday parties, so many playing taxi,
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running them all over town, all over the place.
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And that's just what life is like when you've
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got, you know, three boys in elementary school
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and they've all got their little friends. And
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then I've got prom we talked about earlier in
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the week, right? That's right. You and my lovely
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wife are going to prom together tomorrow night.
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Yeah, we're leaving the husbands behind. I've
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been to prom with my husband more times than
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I can count on two hands. We've been to a lot
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of proms. That's true. And, you know, he's an
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introvert, so he's like, do you have someone
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else you want to go with? Yeah. And you were
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like, yeah, I do. Lindsay. Yeah. I'm like, I'll
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have way more fun with my girlfriends than trying
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to convince him to come out on the dance floor.
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Now, I want people to know that this is not like
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a prom. This is like themed. It's adult prom.
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And I have seen the costumes. I'll call it costumes
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coming in that Lindsay has been ordering. What's
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this theme? Because I see a bunch of flashy stuff.
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I've seen everything up there. It's going to
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be a little wild this year, I think, because
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the last time I went, I didn't go last year,
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but the year before was like classic Hollywood.
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Oh, yeah. Dress formal. You could really get
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like your, you know, dresses and gloves on. I
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think last year they did like a Bridgerton. Oh,
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yeah, yeah. Kind of thing. But this year. Is
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cosmic or space disco? Ooh, that's why I have
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seen planet -looking stuff and cosmic -looking
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stuff coming in the house from all over the place.
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I hope I've done well to live up to the level
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that Lindsay is, but I did get, I just got my
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shoes. You got them? Let's see. Now, see, you
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guys are going to match because I've seen some
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of this. Look at that. I like the hearts on there.
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Little sparkles. Yeah. This is cosmic. Listen,
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I'm going to wear these shoes all the time. Oh,
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yeah. When I got them, I was like, these. I'm
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going to wear them all the time. Yeah. I love
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it. I love it. That makes sense. You and her
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are going to match. I've seen some of her crazy
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outfit that she's got tomorrow night. And it's
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going to be wild. You guys are going to have
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a good time. Like I said, I hope that I get a
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call that I got to come pick you guys up. Hopefully
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not in jail. But yeah, we had a big old group.
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In fact, we had everybody choose a planet. We
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had a big group of ladies and everybody was like,
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I'm this planet and I'm that planet. And so we'd
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have like a theme going on and we were all going
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to go together. And you know how it goes little
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by little. People drop. Oh, I have something
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planned that night. I can't come. I can't. So
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we're our little group is dwindling. Yeah. Which
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is like a pocket of us. But that's all right.
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We'll still have a blast. I found something that
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I would love to do. On a weekend. And it goes
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with sleepaway camp that we talked about this
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week. Once again, rest in peace, Jonathan Tierston.
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We lost him this week. But we covered sleepaway
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camp. And we were talking about how it would
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be fun, right, to go to a sleepaway camp. Look
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what I found, Coco. Crystal Lake Tours. primary
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filming location of Friday the 13th Part 1, you
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can go out there and sleep. Look at this. This
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is where they filmed the movie. I want to do
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this. They need to make adult summer sleepaway
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camps. Yeah. I think that's kind of becoming
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a thing. It's like retreats. They make it so
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that it's like summer camp when you're in kids.
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They need to They need to do that here. Look
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at this. June 5th. The first weekend opened up.
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$149 tickets. You can go. You get the tour. Where
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is this? Yeah, where is this? This has got to
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be up in New York somewhere, right? I bet it's
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New England. New Jersey. That's where they filmed
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Friday the 13th. That's where Crystal Lake is.
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But I found this and I was like, you know what?
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That's perfect for... What we've been talking
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about, yes, there is. There's got to be a market
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for adult sleepaway camps that people want to
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do. There's got to be. If not, we should make
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that. We should get us a little camp. I want
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the schedule posted. I want to know, like, when's
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archery so I can be like, all right, plan my
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day around what I want to do. Exactly. Like,
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that would be awesome. Bunking with girls. You
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guys have to stay somewhere else. They have to
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go on the other side. Yeah, it's got to be co
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-ed. And it can't be none of that, you know,
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BS going on. I want people to act like. I want
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counselors to be like, it's lights off, ladies.
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Lights off, ladies. Be quiet. Right. When we
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have the dance to end the thing, it's going to
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be the counselors, hey, two feet apart. Two feet
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apart when, you know, people are dancing together.
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That's how we're going to act. Get balloons.
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Yeah. We knew, yeah. Yeah, but today, Feature
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Friday, we've got to go ahead and get into either
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the worst law firm name ever or one of the craziest
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titles of a film ever, really, with Mike and
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Nick and Nick and Alice. Yeah, it was a bold
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move, I think. Bold choice. Vince Vaughn, James
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Martin, and then you got Isa Gonzalez crushing
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it as well. And without her, this movie, I don't
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think, I think James Martin and Vince Vaughn
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just float off. I think they float off into whatever,
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doing their 90s nostalgia and Gilmore Girls talk,
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and that's the movie. But we got an incredible
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movie here that I was not expecting. Like I said
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in the intro, we get this story time and time
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again. It's the one last job trope. Same old
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thing. But we got time travel. We got all this
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other genre -blending stuff going on in this
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flick. What did you think about this when I told
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you to go watch this movie, Coco? I'm a huge
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fan of time travel movies. Yeah. And I don't
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think I've seen enough, honestly. No. I think
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there's a lot more out there that I haven't seen.
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But I love the dynamic of discussing all of the
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variables. Yeah. And like, you know, because
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some time travel movies, they stick to certain
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rules. Like there's, you can't. um affect the
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future you have to like not you can't run into
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yourself or you know like there's rules and all
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the things but then there's some that kind of
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play with the idea that you can go back and you
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can change things and it will correct itself
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or like there will be some trajectory of destiny
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involved mysticism of like is it is destiny and
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fate written like Do you have a choice? You know,
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all these cool things. Parallel universes. I
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love it. We can get into it. I love time travel
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movies as well. And I can't see enough of them
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either. And I love when people argue about time
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travel movies. They're like, oh, that's not right.
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How do you know? I know. It's like we've got
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this knowledge. Yeah, like what knowledge? People
00:08:16.870 --> 00:08:18.689
argued about time travel. What knowledge do they
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have? Unless they came from the year 2058 or
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something, I'm not talking to them. I'm not listening
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to somebody argue about time travel because we
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don't know. But I love the movies. There are
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videos out there. I don't know if you've seen.
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I forget what it's called, but I ran across some
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pretty creepy YouTube videos of a guy, hairless
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guy, telling you he came from the future and
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all the things that are going to happen. And
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a lot of the stuff he said is happening. So,
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I mean, I'm just saying. It's true. It is true.
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There is some weird stuff going on. I mean, we
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got our own government putting out the UFO videos,
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UAP videos today. So who knows? Time travel could
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be possible. Yeah. I think people will be massively
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disappointed when they see what the government
00:09:00.059 --> 00:09:03.120
is releasing on UFOs. Yeah. Yeah. They're going
00:09:03.120 --> 00:09:05.240
to have to drip feed this or give us something
00:09:05.240 --> 00:09:09.159
good. But this movie, it starts off kind of normal,
00:09:09.240 --> 00:09:11.419
you know, and then they kill somebody. Like,
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it's wild. And Vince Vaughn is the sultan of
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fast talk. Like I said, James Mardsen, a man
00:09:19.960 --> 00:09:22.580
who's been unfairly handsome for three decades
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straight. Am I correct? He's like Paul Rudd.
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Yeah. Yeah. Yeah. I thought this movie, though,
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it was a lot. You got to watch it multiple times.
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It's a multiple watch flick because you're going
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to see something different. Yeah. Anything come
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on the second watch for you that you didn't?
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Catching the first or that you were like, oh,
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I would have missed that. You know, the one thing
00:09:48.120 --> 00:09:50.659
that really stood out to me was that one last
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job trope. That's what stood out to me. It was
00:09:54.700 --> 00:10:01.360
like, OK, one last job. But in real life is are
00:10:01.360 --> 00:10:03.639
we attracted to that because we're all trying
00:10:03.639 --> 00:10:07.179
to find the exit ramp to our nine to five? You
00:10:07.179 --> 00:10:09.279
know, like, is that what? So I started looking
00:10:09.279 --> 00:10:11.419
at it and reflecting on real life stuff and thinking
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about it. And that's where I kind of landed on.
00:10:15.200 --> 00:10:18.879
So what about you, though? Yeah. You know, I
00:10:18.879 --> 00:10:21.500
remember going through the D .A .R .E. program.
00:10:23.080 --> 00:10:26.460
Stick with me for a second. Hold on. I'm getting
00:10:26.460 --> 00:10:28.440
to something here. We remember, you know, we
00:10:28.440 --> 00:10:30.100
all did the D .A .R .E. program. They did talk
00:10:30.100 --> 00:10:34.200
about gangs. Yeah. And I remember being extremely
00:10:34.200 --> 00:10:40.129
terrified. Not that. I was really susceptible
00:10:40.129 --> 00:10:43.730
to being invited to a gang. Yeah. Demographic,
00:10:43.850 --> 00:10:47.129
gender, all the things. But I remember being
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like, I don't want to get involved in anything
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I can't get out of. Right? Because they made
00:10:51.950 --> 00:10:55.590
it, you feel like. Yeah. Get yourself into these
00:10:55.590 --> 00:10:59.169
gang related things and there's no getting out.
00:10:59.509 --> 00:11:02.929
Like, the only way out is death or jail, you
00:11:02.929 --> 00:11:06.879
know, prison. You just, it terrified me. More
00:11:06.879 --> 00:11:10.139
than it should have. I was like, I can't say
00:11:10.139 --> 00:11:12.340
yes to anything that I can't get myself out of.
00:11:12.360 --> 00:11:14.419
Like, there's not an exit plan or, you know,
00:11:14.419 --> 00:11:19.299
a way out. But that's why this trope, you know,
00:11:19.320 --> 00:11:21.320
James Martin playing this character where he's
00:11:21.320 --> 00:11:23.659
like, I'm retiring. I'm going to be done. I was
00:11:23.659 --> 00:11:28.080
like, you can't do that. Yeah. You decide to
00:11:28.080 --> 00:11:31.440
be done. They're going to suck you back in. And
00:11:31.440 --> 00:11:34.700
I was right. Pegged in for the ride. You know?
00:11:35.559 --> 00:11:39.919
The movie, though, it really never stops. It's
00:11:39.919 --> 00:11:42.399
like you're hooked the entire time watching this
00:11:42.399 --> 00:11:46.000
thing. What is it, about two hours long, too?
00:11:46.460 --> 00:11:50.740
But it was highly entertaining. One of those
00:11:50.740 --> 00:11:53.820
that happens all in one night? Yeah. Right? So
00:11:53.820 --> 00:11:55.299
there's all this activity going on, but you're
00:11:55.299 --> 00:11:58.720
like, oh, my gosh. The sun hasn't even come up
00:11:58.720 --> 00:12:01.539
yet. Exactly. So it's one of these that just,
00:12:01.679 --> 00:12:05.059
yeah, it takes over. I don't want to give away
00:12:05.059 --> 00:12:06.740
too many of the scenes because they are wild.
00:12:06.820 --> 00:12:09.980
They are crazy. And I remember the one where
00:12:09.980 --> 00:12:12.340
they're just in the house and they're basically
00:12:12.340 --> 00:12:16.500
finding out what's going on. And it's pure chaos.
00:12:16.639 --> 00:12:19.100
This whole movie was pure chaos. In the opening
00:12:19.100 --> 00:12:22.779
scene, there's a nice little nod to some other
00:12:22.779 --> 00:12:24.940
shows. And they make lots of references in this
00:12:24.940 --> 00:12:29.440
movie to other stuff with some of it being very,
00:12:29.519 --> 00:12:33.220
very clear. Gilmore Girls, they crushed that.
00:12:34.590 --> 00:12:36.909
So funny. Did you catch this one? The opening
00:12:36.909 --> 00:12:39.809
sequence with the numbers? 4, 8, 15, 16, 23,
00:12:39.950 --> 00:12:43.210
42? No. It says it on the chalkboard, do not
00:12:43.210 --> 00:12:45.129
use. You know what those numbers are, right?
00:12:45.230 --> 00:12:49.049
That's from Lost. Yes. The famous numbers from
00:12:49.049 --> 00:12:52.179
Lost. crossovers here. I was just impressed that
00:12:52.179 --> 00:12:54.279
they were like, oh, they're using a Disney song.
00:12:54.820 --> 00:12:57.200
Ben Schwartz played Simon and he's singing a
00:12:57.200 --> 00:12:59.379
Disney song and I'm going, oh, this is the cross.
00:12:59.440 --> 00:13:02.100
This is when you get Disney rights to everything
00:13:02.100 --> 00:13:05.980
and you can use it in a rated R movie. Yeah.
00:13:06.179 --> 00:13:11.860
There was another little Keith David. You know,
00:13:11.879 --> 00:13:15.759
Keith David here in the movie. Sosa. Apple has
00:13:15.759 --> 00:13:18.159
this, I don't know if it's written, unwritten
00:13:18.159 --> 00:13:23.009
rule where If a bad guy in a movie uses a phone,
00:13:23.110 --> 00:13:25.990
it can't be an iPhone. Keith Davis, the bad guy,
00:13:26.049 --> 00:13:27.830
uses an iPhone in this movie. So how'd they get
00:13:27.830 --> 00:13:29.309
away with that? Like there's a lot of these little
00:13:29.309 --> 00:13:31.669
– and that's one that a lot of people don't even
00:13:31.669 --> 00:13:33.950
know about. Like that's how – You didn't know
00:13:33.950 --> 00:13:37.690
about that. You knew about that one? No, I didn't.
00:13:37.769 --> 00:13:42.710
I'm intrigued. I want to know how they got away
00:13:42.710 --> 00:13:46.590
with that and who else noticed that. Yeah, I
00:13:46.590 --> 00:13:49.350
picked up on that because that's not – common
00:13:49.350 --> 00:13:53.850
to see the villain or the so -called bad guy
00:13:53.850 --> 00:13:56.070
whatever you want to call him in a movie or a
00:13:56.070 --> 00:13:58.409
tv show use an iphone go look go see if you can
00:13:58.409 --> 00:14:00.330
find anybody doing that what what what scenes
00:14:00.330 --> 00:14:03.789
stood out to you no matter what happens you got
00:14:03.789 --> 00:14:05.450
to chloroform the guy who opens the door right
00:14:05.450 --> 00:14:08.710
so this is like the instructions he goes to the
00:14:08.710 --> 00:14:11.929
door and it's nick at the door right because
00:14:11.929 --> 00:14:15.990
we find out later that's present now yeah my
00:14:15.990 --> 00:14:18.799
question is Would you be able to follow through
00:14:18.799 --> 00:14:21.320
with the instructions if something that weird
00:14:21.320 --> 00:14:24.639
happened? I don't know. Because you see him kind
00:14:24.639 --> 00:14:27.019
of hesitate, and then he's like going for it.
00:14:27.379 --> 00:14:29.580
I don't know if I would go through with it. I
00:14:29.580 --> 00:14:32.039
would be like, what are you doing here? I thought
00:14:32.039 --> 00:14:35.299
you were in the car. You'd probably, I don't
00:14:35.299 --> 00:14:37.919
know. You would probably have to give me a little
00:14:37.919 --> 00:14:41.019
more information up front, and I'd probably be
00:14:41.019 --> 00:14:42.980
more okay with it. If you told me I was going
00:14:42.980 --> 00:14:45.539
to go up there and see another version of you,
00:14:45.639 --> 00:14:50.009
then. I'm going to be like, uh, all right. Appreciate
00:14:50.009 --> 00:14:52.250
you letting me know. So I wasn't shocked when
00:14:52.250 --> 00:14:54.409
I got up, you know, kind of like kind of one
00:14:54.409 --> 00:14:57.769
of them things, but yeah, I, I don't know if
00:14:57.769 --> 00:15:00.230
I could follow through. I don't know. Yeah. Cause
00:15:00.230 --> 00:15:03.649
I think that if, if you told me and I'm not an
00:15:03.649 --> 00:15:05.529
assassin, so what do I know? But like, if it
00:15:05.529 --> 00:15:08.350
was a job I had to do and they were like, the
00:15:08.350 --> 00:15:10.509
guy who answers the door is going to look exactly
00:15:10.509 --> 00:15:14.840
like me. Just know that. Yeah. I'll explain that
00:15:14.840 --> 00:15:17.559
later, but I want you to just do this thing,
00:15:17.679 --> 00:15:19.740
right? Then I'm like, okay, I know what to expect.
00:15:19.960 --> 00:15:21.899
I know what I'm going in there for. But if he
00:15:21.899 --> 00:15:24.919
answers the door like it happens in this movie,
00:15:24.980 --> 00:15:29.080
my thought was I don't think I would still go
00:15:29.080 --> 00:15:31.039
through with it. I think I would probably hesitate
00:15:31.039 --> 00:15:34.700
and go, wait, why are you in the house? I got
00:15:34.700 --> 00:15:38.340
your car. What's going on? I'd be all kinds of
00:15:38.340 --> 00:15:42.519
confused. Yeah, honestly. Real answer? No, I
00:15:42.519 --> 00:15:44.320
couldn't follow through because I'd be so confused
00:15:44.320 --> 00:15:47.059
at what was going on that I wouldn't know probably
00:15:47.059 --> 00:15:51.379
how to act. It's not every day you walk into
00:15:51.379 --> 00:15:54.240
that type of situation. I like the scene, the
00:15:54.240 --> 00:15:58.539
after, after, after party. Sosa's son, Jimmy
00:15:58.539 --> 00:16:02.679
boy, celebrating getting out of jail. Four parties
00:16:02.679 --> 00:16:07.019
deep into a bender. And the three leads plus
00:16:07.019 --> 00:16:09.870
the... Yeah, future Nick decide to stop running
00:16:09.870 --> 00:16:13.190
and just liquidate the problem. Neon -soaked
00:16:13.190 --> 00:16:16.370
tactical sweep of a mansion filled with bumbling
00:16:16.370 --> 00:16:20.230
but dangerous mobsters. This is wild to me. You
00:16:20.230 --> 00:16:22.490
know, you got future Nick acting like a video
00:16:22.490 --> 00:16:24.590
game veteran who knows where all the enemies
00:16:24.590 --> 00:16:27.389
are spawning in while Mike is just trying to
00:16:27.389 --> 00:16:30.830
keep his no -killing streak alive and failing
00:16:30.830 --> 00:16:35.370
miserably, by the way. And then you got the climax
00:16:35.370 --> 00:16:37.870
here when they think they've won. dying jimmy
00:16:37.870 --> 00:16:41.690
boy gets one last shot off and he hits nick present
00:16:41.690 --> 00:16:45.409
nick in the neck and then we get the present
00:16:45.409 --> 00:16:47.950
nick bleeding out in the back seat the oasis
00:16:47.950 --> 00:16:51.929
don't look back in anger i thought it was incredible
00:16:51.929 --> 00:16:54.850
this whole final fantastic matt was actually
00:16:54.850 --> 00:16:58.330
singing along next to me yeah right stoic husband
00:16:58.330 --> 00:17:03.419
he was like this is a great song The final act
00:17:03.419 --> 00:17:05.380
of this thing really did. It had you singing
00:17:05.380 --> 00:17:09.779
out loud. Like it was wild. Yeah. You know, that's
00:17:09.779 --> 00:17:14.180
crazy. Ahead of time too. When, uh, earlier in
00:17:14.180 --> 00:17:18.140
the movie, they, um, Alice does something to
00:17:18.140 --> 00:17:22.259
present day Nick. Yes. Stabs him or something.
00:17:22.359 --> 00:17:25.839
And then they check to see if future Nick ends
00:17:25.839 --> 00:17:29.400
up with a scar or like, does it affect? And so
00:17:29.400 --> 00:17:31.579
you knew that if something happens to present
00:17:31.579 --> 00:17:33.980
-day Nick, you know, as he's bleeding out in
00:17:33.980 --> 00:17:35.700
the car, you're like not sure if he's going to
00:17:35.700 --> 00:17:38.539
make it. You're realizing this whole time that
00:17:38.539 --> 00:17:42.440
if he goes, other Nick is going to go too, right?
00:17:42.819 --> 00:17:46.339
Yeah. Hence. Yeah, and you got a paradox here
00:17:46.339 --> 00:17:51.059
too because it's as present Nick is dying and
00:17:51.059 --> 00:17:53.640
dies, future Nick starts to fade away like Marty
00:17:53.640 --> 00:17:57.220
McFly. You know, at the enchantment under the
00:17:57.220 --> 00:18:01.859
sea dance in Back to the Future. To me, that's
00:18:01.859 --> 00:18:03.960
a parallel frequency type of moment. You know,
00:18:03.980 --> 00:18:06.599
a character literally watching himself cease
00:18:06.599 --> 00:18:10.720
to exist while singing some rip -pop oasis, Don't
00:18:10.720 --> 00:18:13.740
Look Back in Danger. Or Don't Look Back in Anger.
00:18:14.660 --> 00:18:17.339
I think there's a sequel going to come, too.
00:18:17.400 --> 00:18:20.259
You know, because Alice reveals that there's
00:18:20.259 --> 00:18:23.240
a... Yeah, there's a second time machine. So
00:18:23.240 --> 00:18:24.759
Mike realizes he's going to have to go back to
00:18:24.759 --> 00:18:27.339
the start of the night to save everybody, turning
00:18:27.339 --> 00:18:30.119
the whole movie into one giant loop. We kind
00:18:30.119 --> 00:18:32.220
of saw something similar with, what was the movie?
00:18:32.319 --> 00:18:34.880
Good luck, have fun, don't die. That's right.
00:18:35.019 --> 00:18:37.279
That's exactly what I was thinking. It reminded
00:18:37.279 --> 00:18:39.660
me of how, like, how many times have you played
00:18:39.660 --> 00:18:43.579
out this night? Yeah. Get it right and maybe
00:18:43.579 --> 00:18:46.799
save some lives. That's what they're about to
00:18:46.799 --> 00:18:49.319
do. So I would be all for a sequel if they went
00:18:49.319 --> 00:18:53.269
that direction. I was highly shocked and surprised
00:18:53.269 --> 00:18:57.750
by this movie and highly entertained more than
00:18:57.750 --> 00:19:00.750
anything. So a sequel to this, I'll be the first
00:19:00.750 --> 00:19:03.849
in line on my couch to watch it at home because
00:19:03.849 --> 00:19:06.630
it'll probably be on streaming service. I think
00:19:06.630 --> 00:19:08.289
the movie was incredible. I thought the idea
00:19:08.289 --> 00:19:10.730
was great. I thought the execution was even better.
00:19:11.069 --> 00:19:15.890
The acting, chef's kiss, as they say. Yeah, this
00:19:15.890 --> 00:19:18.990
is Vince Vaughn's character. Like, this type
00:19:18.990 --> 00:19:20.849
of character. Because, I mean, let's be honest,
00:19:21.029 --> 00:19:24.230
and no criticism whatsoever, but Vince Vaughn
00:19:24.230 --> 00:19:26.430
is one of those kind of actors who, he plays
00:19:26.430 --> 00:19:29.630
himself in different versions, in different characters,
00:19:29.670 --> 00:19:31.470
in different movies, right? Like, he does a great
00:19:31.470 --> 00:19:35.309
job. He just doesn't deviate too far from just
00:19:35.309 --> 00:19:39.029
this Vince Vaughn, who he is. And I think Nick
00:19:39.029 --> 00:19:43.470
is the perfect character for him. Oh, yeah. Yeah.
00:19:44.250 --> 00:19:46.849
Love this movie. You got to watch this movie.
00:19:46.930 --> 00:19:50.130
Go watch it. It's on, what was it on? Hulu Prime?
00:19:50.230 --> 00:19:53.309
What was it on? Hulu, yeah. Hulu, Disney Plus,
00:19:53.549 --> 00:19:56.509
Hulu, all that. We were talking about, you can
00:19:56.509 --> 00:19:58.890
watch it on Disney Plus, I'm sure too, if you
00:19:58.890 --> 00:20:01.690
want. They've just got all of those thrown together.
00:20:02.430 --> 00:20:06.190
Yeah, yeah. You got any more thoughts on this
00:20:06.190 --> 00:20:09.089
before we get into Freaky Friday? Yeah, oh, I'm
00:20:09.089 --> 00:20:10.809
so excited for Freaky Friday, but let me just
00:20:10.809 --> 00:20:14.319
say before we end with this movie. That as a
00:20:14.319 --> 00:20:17.480
person who works in the energy link, this is
00:20:17.480 --> 00:20:20.220
my frequency I bring to parallel frequencies.
00:20:20.920 --> 00:20:25.140
The idea of self -reflection, of being able to
00:20:25.140 --> 00:20:29.079
see yourself as you truly are and as people see
00:20:29.079 --> 00:20:31.980
you is played out really well. I think in these
00:20:31.980 --> 00:20:34.420
time travel type, you know, parallel universes
00:20:34.420 --> 00:20:37.200
type of movies, the science fiction of it. you
00:20:37.200 --> 00:20:39.440
get a chance to peek at what it would be like
00:20:39.440 --> 00:20:42.980
to see yourself and reflect on that. And sometimes
00:20:42.980 --> 00:20:45.339
you see things you don't like or you see things
00:20:45.339 --> 00:20:48.279
that you regret or you feel guilty or you feel
00:20:48.279 --> 00:20:50.980
shame about. And I love seeing that play out
00:20:50.980 --> 00:20:52.960
in this movie. I mean, it was a super funny movie.
00:20:53.079 --> 00:20:55.480
Obviously, it's a thriller. You got a lot of
00:20:55.480 --> 00:20:58.200
action going on. But I just want to point out
00:20:58.200 --> 00:21:02.480
that there is also this deeper level of maybe
00:21:02.480 --> 00:21:07.529
drama going on in the genre too in that You see
00:21:07.529 --> 00:21:11.549
Nick's character. He's only six months away from
00:21:11.549 --> 00:21:16.690
present -day Nick. Yeah. And the way he played
00:21:16.690 --> 00:21:20.089
such a different character, because it is. It's
00:21:20.089 --> 00:21:25.230
subtle. It's the same person. But future Nick
00:21:25.230 --> 00:21:27.809
is a little wiser, a little more self -aware,
00:21:27.890 --> 00:21:30.769
and is able to look at himself and go, I don't
00:21:30.769 --> 00:21:33.230
like that asshole. Yeah. I don't like that guy.
00:21:33.430 --> 00:21:36.599
And I'm not him anymore. And I won't be him anymore,
00:21:36.779 --> 00:21:39.440
you know? And that's really powerful because
00:21:39.440 --> 00:21:43.900
healing, as I have said a thousand times on Practically
00:21:43.900 --> 00:21:46.339
Magic, and I will say it everywhere I possibly
00:21:46.339 --> 00:21:49.759
can, healing is witnessing. It's not fixing anything.
00:21:49.940 --> 00:21:52.720
It's just witnessing yourself. So in this case,
00:21:52.940 --> 00:21:56.940
Nick being able to witness himself and be like,
00:21:57.019 --> 00:22:00.200
I know that guy. I understand that guy. I have
00:22:00.200 --> 00:22:02.359
compassion for that guy. I know why he is the
00:22:02.359 --> 00:22:04.650
way he is. But I don't want to be him anymore.
00:22:05.089 --> 00:22:08.289
Yeah. He's powerful. Great acting job, too, because
00:22:08.289 --> 00:22:09.730
you've got to play two different characters as
00:22:09.730 --> 00:22:12.230
the same person. Same person, six months apart.
00:22:12.390 --> 00:22:14.829
Yeah, that's a great perspective, great point
00:22:14.829 --> 00:22:18.150
out, great view, Coco. Let's get to Freaky Friday,
00:22:18.309 --> 00:22:22.910
because I'm excited, too. Yeah. And we did Boy
00:22:22.910 --> 00:22:25.809
Meets World. Was that last week? Last week. We
00:22:25.809 --> 00:22:28.329
did Boy Meets World. We got a lot of feedback
00:22:28.329 --> 00:22:34.720
on some of this stuff. At CodyRogers1300 says,
00:22:34.920 --> 00:22:37.980
Sabrina the Teenage Witch. And we got a lot of
00:22:37.980 --> 00:22:42.720
these. At AaronPalmer983, step by step. At Kyle
00:22:42.720 --> 00:22:46.059
says, and they're talking about TGIF line up.
00:22:46.140 --> 00:22:47.980
He says, wonder if there's a little bit more.
00:22:48.400 --> 00:22:52.579
I was going to mention it. Yeah. So there's a
00:22:52.579 --> 00:22:54.500
lot of people that jumped in on this. They had
00:22:54.500 --> 00:22:59.180
a good time commenting on TGIF stuff. Here's
00:22:59.180 --> 00:23:03.769
a fun one. At Popeye6659 says, because we were
00:23:03.769 --> 00:23:07.210
talking about having crushes on Topanga in Boy
00:23:07.210 --> 00:23:10.329
Meets World. He says, I had a crush on Thelma
00:23:10.329 --> 00:23:14.210
from Good Times. Yes, I'm old. No shame there.
00:23:14.549 --> 00:23:18.269
No shame there, Thelma. No, not at all. Love
00:23:18.269 --> 00:23:24.990
that. Yeah. And at Kane Allen says, I'm. I'm
00:23:24.990 --> 00:23:27.869
born in 83. Please stop talking about this as
00:23:27.869 --> 00:23:30.289
if it's old as shit. Listen, I was born in 83
00:23:30.289 --> 00:23:33.009
yet, too. I'll just give you my age now. And
00:23:33.009 --> 00:23:34.890
this movie that we were talking about that you
00:23:34.890 --> 00:23:37.529
mentioned in the sleepaway camp is old as shit,
00:23:37.609 --> 00:23:40.890
okay? Sorry. I'm sorry, Kane Allen. You're going
00:23:40.890 --> 00:23:42.950
to have to just... It's a little obvious when
00:23:42.950 --> 00:23:45.950
you watch it. Yeah. Like, we don't have to say
00:23:45.950 --> 00:23:50.849
it when you watch it. One more comment on sleepaway
00:23:50.849 --> 00:23:54.319
camp. And we had a comment, did Ricky know? And
00:23:54.319 --> 00:23:59.519
Jennifer Long, Long, Long, Long Harris, he didn't
00:23:59.519 --> 00:24:01.819
know, she says. And we had a couple people jumping
00:24:01.819 --> 00:24:04.380
in on that, trying to say if he knew, if he didn't
00:24:04.380 --> 00:24:10.500
know. I felt that. Yeah. So one more towards
00:24:10.500 --> 00:24:18.000
Sleepaway Camp. At Evan. Vittorino says the only
00:24:18.000 --> 00:24:21.019
accurate way to describe the 80s is aggressive.
00:24:21.599 --> 00:24:25.359
Correct. That's so accurate. And Sleepaway Camp
00:24:25.359 --> 00:24:29.920
was one of the most aggressive movies from that
00:24:29.920 --> 00:24:34.920
era, right? I mean, the kids. Okay, I don't know
00:24:34.920 --> 00:24:37.900
if I mentioned this yesterday, or when was it
00:24:37.900 --> 00:24:40.519
we did it? Wednesday. Two days ago. I was like,
00:24:40.599 --> 00:24:43.880
even the kids, when she gets... thrown in the
00:24:43.880 --> 00:24:46.299
lake by the bullies and they're laughing at her
00:24:46.299 --> 00:24:48.759
and then ricky's kind of like trying to help
00:24:48.759 --> 00:24:51.279
her and pull her out the kids are throwing sand
00:24:51.279 --> 00:24:57.019
at her i'm like why is everybody so mean they
00:24:57.019 --> 00:24:59.619
were awful like if you want i just think people
00:24:59.619 --> 00:25:01.579
should be kind to each other okay adjust they
00:25:01.579 --> 00:25:04.220
should love and kindness in this world and that's
00:25:04.220 --> 00:25:07.799
all there is big time big time but that's gonna
00:25:07.799 --> 00:25:11.319
do it and i hope We get a great weekend this
00:25:11.319 --> 00:25:13.460
weekend. I hope prom goes good for you. Next
00:25:13.460 --> 00:25:17.079
week. What are we doing next week? Next week.
00:25:17.779 --> 00:25:21.220
I feel like I have to say it just because this
00:25:21.220 --> 00:25:24.599
movie, Mike, Nick, Nick and Alice talked about
00:25:24.599 --> 00:25:26.759
the show we're going to talk about next week
00:25:26.759 --> 00:25:30.779
several times. And that wasn't even planned.
00:25:30.940 --> 00:25:33.039
I was like, I can't believe they're actually
00:25:33.039 --> 00:25:34.660
talking about this show. We're going to talk
00:25:34.660 --> 00:25:37.180
about it next week. It's Gilmore Girls on Wistful
00:25:37.180 --> 00:25:41.279
Wednesday. Oh, my gosh. So do your rewatch, everybody.
00:25:41.539 --> 00:25:44.559
We know Gilmore Girls is back in the limelight.
00:25:44.660 --> 00:25:46.380
I don't know what it is about that show, but
00:25:46.380 --> 00:25:48.799
it was popular when it came out. And then it
00:25:48.799 --> 00:25:52.240
was quiet. And then it has had this rewatch revival
00:25:52.240 --> 00:25:57.200
in the last five years. So we're doing that next
00:25:57.200 --> 00:26:01.259
week. A resurgence has happened. Did they make
00:26:01.259 --> 00:26:03.380
a new version of Gilmore Girls not long ago,
00:26:03.400 --> 00:26:05.960
a couple years back? Did they? Did they do like
00:26:05.960 --> 00:26:10.269
a reunion show? I feel like they did a reunion,
00:26:10.670 --> 00:26:13.910
revival. I can't say for sure that happened.
00:26:14.130 --> 00:26:16.170
I thought it was on Netflix or something. Maybe
00:26:16.170 --> 00:26:17.809
I could be making all that up. I guess we'll
00:26:17.809 --> 00:26:19.789
look at it when we do our deep dive on Gilmore
00:26:19.789 --> 00:26:23.849
Girls. Because all of the shows and movies next
00:26:23.849 --> 00:26:30.009
week are Mother's Day themed. So listen, Mother's
00:26:30.009 --> 00:26:32.170
Day is Sunday. That's right. We want everybody
00:26:32.170 --> 00:26:36.980
to know that mothers are the mother. Okay? all
00:26:36.980 --> 00:26:39.759
y 'all and not only it not a few birth children
00:26:39.759 --> 00:26:42.200
that's not the only mothers we're talking about
00:26:42.200 --> 00:26:45.839
i mean everybody everybody who deserves that
00:26:45.839 --> 00:26:48.500
title of mother because they mother do you know
00:26:48.500 --> 00:26:50.960
what i mean yeah you know what i mean like they
00:26:50.960 --> 00:26:55.559
mother so we're celebrating all the mothers of
00:26:55.559 --> 00:26:58.920
fur babies of their community of their what uh
00:26:58.920 --> 00:27:01.259
mothers all the mothers we're celebrating next
00:27:01.259 --> 00:27:03.180
week so we're going to be doing all the movies
00:27:03.180 --> 00:27:08.029
and shows Movie Monday will be Hamnet. Okay.
00:27:08.549 --> 00:27:10.509
Now, granted, that one could be a mother's and
00:27:10.509 --> 00:27:14.869
father's. But let's give her the credit that
00:27:14.869 --> 00:27:17.289
she deserves. The mother of Hamnet. So we're
00:27:17.289 --> 00:27:18.730
going to watch that. We're going to do that movie
00:27:18.730 --> 00:27:21.750
for Monday. We are going to do an overview of
00:27:21.750 --> 00:27:24.930
Moms of TV for Tube Tuesday next week. Oh, I
00:27:24.930 --> 00:27:27.430
can't wait. Generally broad, all the mothers.
00:27:27.950 --> 00:27:30.250
We got a couple of interviews with some TV moms.
00:27:30.430 --> 00:27:32.130
Maybe we'll put those in there. We've talked
00:27:32.130 --> 00:27:35.509
to Patricia Richardson. Who else did we talk
00:27:35.509 --> 00:27:40.690
to? Lawrence. Mama. Mama's family, right? Mama.
00:27:40.809 --> 00:27:43.750
We'll put that interview up. I guarantee we'll
00:27:43.750 --> 00:27:45.190
put that interview up. It'll be never before
00:27:45.190 --> 00:27:47.529
seen. She's wild. I'm going to tell you, I remember
00:27:47.529 --> 00:27:49.970
that one. Do you remember how wild she was? We're
00:27:49.970 --> 00:27:51.890
going to have to cut out a couple of things that
00:27:51.890 --> 00:27:54.589
she said, but we've got a little bit there that
00:27:54.589 --> 00:27:56.569
we talked to Vicky, and she's amazing. I love
00:27:56.569 --> 00:27:59.289
her. All right. Yeah. Gilmore Girls, obviously,
00:27:59.369 --> 00:28:01.779
was for Wednesday. we'll be doing trailer park
00:28:01.779 --> 00:28:04.059
thursdays we normally do and then feature friday
00:28:04.059 --> 00:28:06.579
we're doing undertone now that might not be but
00:28:06.579 --> 00:28:09.079
we had to stick that movie in somewhere and we
00:28:09.079 --> 00:28:14.640
had to do it so have you seen it yet no i i watched
00:28:14.640 --> 00:28:19.799
it i watched it right here in my studio uh late
00:28:19.799 --> 00:28:22.720
at night dark everything in it and it added to
00:28:22.720 --> 00:28:28.160
it i'm gonna tell you right now uh it's a soundscape
00:28:28.160 --> 00:28:33.059
okay it is it's Yes, it's a fun... Yes, get ready
00:28:33.059 --> 00:28:34.480
for that. I can't wait. I'm already hyped up
00:28:34.480 --> 00:28:38.279
about that. Happy Mother's Day to you, Coco.
00:28:38.740 --> 00:28:41.660
Thank you. There you go. Make sure we get that
00:28:41.660 --> 00:28:45.619
sent to you. Send your comments to Coco. Tell
00:28:45.619 --> 00:28:48.099
her Happy Mother's Day. Send her gifts. She's
00:28:48.099 --> 00:28:50.180
probably got an Amazon wish list. Go get that.
00:28:50.539 --> 00:28:53.619
You might need coffee. Guys, you might need coffee.
00:28:53.880 --> 00:28:59.319
I'm the happiest. Good to go. That's all I need.
00:28:59.690 --> 00:29:03.170
I love that. Well, listen, that's going to do
00:29:03.170 --> 00:29:06.470
it for this edition of Parallel Frequencies.
00:29:07.069 --> 00:29:09.730
Whether you were ripping through a neon city,
00:29:09.950 --> 00:29:13.369
listen to us or folding laundry in the suburbs.
00:29:14.190 --> 00:29:16.730
You were you were in the right place. OK, right
00:29:16.730 --> 00:29:18.730
here. Parallel Frequencies. I am just playing.
00:29:18.769 --> 00:29:21.450
She is Coco. We are freaks. You are the freaks.
00:29:21.970 --> 00:29:24.529
Can't wait to see you next week. Have a great
00:29:24.529 --> 00:29:26.289
weekend and we'll see you on the other side.
















