Why Chalamet Losing the Oscar is the Best Thing for His Career

WEBVTT

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You hear that? That's the sound of a man's pulse

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when he's got everything on the line over a piece

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of hollow plastic. Josh Safdie didn't just make

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a sports movie. He made a heist movie where the

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treasure is respect and the weapon is a sandpaper

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paddle. I'm talking about Marty Supreme. Timothee

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Chalamet. Chalamet. I guess that's his name.

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I can't. ever pronounce it all the way but he

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gave us the performance of the decade this is

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parallel frequencies i am just blamed she is

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coco and you are the freaks and we're here on

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tuesday how are you coco timothy i can't ever

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say his name not even close to accurate I'm just

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trying really hard to give a very good French

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accent to this American French actor. No? I can

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never say his name, though, but I believe it's

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Timothee Chalamet. Yeah. Chalamet. Yeah. Did

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you see the Met Gala last night? I missed it.

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Oh. Was there any fantastic fashion choices I

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should know about? You know what? I happen to

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kind of miss it, too. I like to think that I

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was standing in solidarity with Zendaya because

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she decided to skip as well. Her reason was she's

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too busy, which, I mean, I get it. That's what

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we were too busy. Aren't we all, Zendaya? Aren't

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we all, girl? Yeah, but there were quite a few.

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I think we should go through some of the best

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drafts. I'll be Melissa. You be Joan. Is that

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who does this? Is that who does their version

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of the who wore it better? That's who did. You

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know, Joan River, may she rest in peace. Those

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red carpet fashion shows that they used to do.

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I'm sure somebody else has taken up the mantle.

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But I promise when we look at these fashion choices,

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we'll be nicer than they were. Oh, yeah, yeah,

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yeah, yeah. Let's take a look at this first one

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right here. Oh, look at this. Oh. We got Rihanna

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and her man there, A $AP Rocky. Look at that.

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Fantastic. What can you say about that? This

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is on Vogue's website right here. They're wearing

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Chanel ASAP Rocky's coat. I'm jealous. This is

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like medieval looking, right? That's some nice

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drip right there. Drip. Look at you. Yeah. I

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used to feel so bad when I was a kid because,

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I mean, this was. This was the era of very limited

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fashion options for men. But I used to watch

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red carpet things when I was young and I thought,

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I feel really bad for men because it feels like

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they have, what, two options? Yeah, right. Like

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a black tux or a black tux. And that's really,

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you know, there was like little things like maybe

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something on the lapel or, you know, the pocket

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square. It was just so limited in what they could

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do. And I am loving that the rules are going

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out the window. Out the window. You do. Dripped

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in a jean jacket. I love it. You're not going

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to tell A $AP Rocky. He's always dripped out.

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Like, you're not going to tell him what's in

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and what's out because he's the one making it.

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Look at it. I love it. Love the chains. I love

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the, I think that's an apple or something in

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his hand. It looks like almost like a probably

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Chanel or a Cartier coated apple. That's wild.

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And Rihanna, Queen Rihanna. Look at her. Let's

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go to the next one. Let's see somebody else.

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Okay. That's my favorite so far. Emma Chamberlain.

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Look at that. It says hand painted. Butterfly

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dress. I would have said peacock. Yeah. It does

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look like a painting. It looks like she's wearing

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a piece of art. And that is obviously being an

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artist and an art teacher. I'm very pro. Splashes

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of color. Yeah. Yeah. Let's see something else.

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Oh, my gosh. Wait a minute now. We got art. Yeah.

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Jeremy Pope here. Now, I mean, I like it. I mean,

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I don't mind any of this stuff because because

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the Met Gala, that's what they do. They come

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in and you might see some crazy stuff. Right.

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Yeah. What is it reminding you of? Does it remind

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you of anything? Because I can tell you what

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it reminds me of. Yeah, well, it ain't going

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to be the same thing that you're thinking of.

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I'm thinking of from the old WWF days, Giant

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Gonzalez. He was a wrestler, and he was like

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a humanoid man, and he had it all spray -painted

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on. What are you thinking of? I'm thinking of

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the suit in Arrested Development. And I'm not

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trying to be mean because I'm not this is not

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saying good or bad. But that is the first thought

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that came to my head was was George Michael and

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Tobias trying to wear this Adam suit and be like,

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he's wearing it under his clothes because he

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wants maybe to think he's got muscles. And yeah,

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like totally knows the whole time. She's like,

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that's the suit, right? You're wearing a suit

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from Adam. Yeah. I mean, like I said, not going

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to knock it. And it's made of some sort of beads

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and crystals. Who knows what that's worth? Look

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at this. Now look at this. This is Gwendolyn

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Christie and Giles Deacon. That's the fashion

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there. Giles Deacon. I like how all these are,

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you know, these two, three, four namers for,

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you know, fashion people here. But look at this.

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I love it. I love it. It reminds me of the new

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Wuthering Heights movie. Like a lot of robotic,

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bright red. Big hats. Have you watched it yet?

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It just hit the streaming services. Have you

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seen it yet? I saw it in theaters. Yeah. Oh,

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nice. Yeah. This is what my wife led me to last

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night. Have you seen Beyonce yet? Have you seen

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Beyonce yet? And I was like, once again, no.

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I was watching the NBA playoffs, actually, so

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I was a little more busy. That's okay. We all

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have our thing. But look at Beyonce dripped out

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in this. Nice. I'm going to go ahead and start

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the controversy because you can see that it looks

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like a skeleton. I don't think it looks like.

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I think it is. I think she's got a human skeleton

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dripped in diamonds or something. X -rays of

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her actual skeleton. Oh, my God. Created it jewel

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by jewel. Right. That's more likely attention

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to detail. I think maybe that's more likely and

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probably a better if we're going to start any

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kind of, you know, rumors. That's probably way

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better than the one I said, that she's wearing

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a human skeleton dripped in diamonds. I like

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it. It could be a human skeleton, but it's her

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own. And like you said, they scanned her. I love

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that. Yeah, and meticulously placed jewels in

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each spot. Thank you so much for keeping me on

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the straight and narrow, because we would have

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had people out there thinking, oh my God, Beyonce

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had a human skeleton on her. A real, somebody

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else's, not her own. Well, the way Hollywood

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is, that would have just made her more popular.

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They would have just been like, she's an actual

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skeleton. And then rumors and the legacy and

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it spreads. And then, you know, 100 years from

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now, it'll be told in dark caves, you know, when

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we're all living back in the Stone Age. My favorite,

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though, from the Met Gala right here. Katy Perry

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herself. Are you seeing this? I'm not sure if

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she was going for... one of the ladies from Dune,

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you know, the ones that do the sign language

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down there like this. They got the whole show

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about them too, Dune Prophecy. Yeah. Or if she's

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doing a mix of that and astronaut, because she's

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got the head thing on, because, you know, she

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went to space. She's an astronaut. Yeah, I can

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see astronaut helmet in that inspiration. Yeah,

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but look at this. This thing, she walked around.

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People didn't know who it was at first, apparently.

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The rest of her showings. Love the mystery. And

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then she opened it up, and it's Katy Perry. It's

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a mix of, yeah, a nun, too, it looks like. So

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I think that's incredible. Yeah, I like the drama.

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I love the drama. She's either that laugh at

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it or you don't know what's going to happen there.

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Do you laugh? Do you try to find some good? I

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did like it, though. I think it is. Is it the

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Kwisak Hadrich or whatever it is? Is that the

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name of the ladies? Or is that the name of something

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in Dune? I don't remember. I just know, like,

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they kind of play the priestesses, the kind of,

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you know, yeah, kind of. Yeah. She had to have

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had some inspiration there. I just don't see

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how she couldn't. I don't know. You know what's

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amazing to me about watching them do the Met

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Gala, especially when you watch, like, the Kardashians,

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they're always showing themselves getting ready

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for the Met Gala. Oh, yeah. Behind the scenes

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of all of that. It always, it's amazing to me,

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just the absolute trust. They just like lay to

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the hands of the feet of the designers and they

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just say, I am your muse. I am your mannequin,

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basically. Just whatever you design for me, I

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wear. And I think I'm like pretty particular

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just in times when I've been to formal events

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where I'm like, I won't wear mermaid. I won't

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wear, you know, there's like certain things where

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I'm like, I don't like the way this looks on

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me and I don't like the way that feels when I'm

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wearing it. I'd be uncomfortable. And to just

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be like, I just trust the designer entirely to

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have me seen in public however they choose. Now,

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you and my wife are going to a space prom this

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weekend or something, aren't you? Yes. What is

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it called? Cosmic Disco, I think, is the theme.

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21 years and up. Dress up. Yeah. It'll be interesting.

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I don't know where is going to be anything Met

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Gala even worthy, but I already know I'm going

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to be getting a call. I'm going to have to decipher

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what you guys are saying. And I'm going to have

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to come pick you up wherever you guys are. We

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need to ride home. We in ballpark shop. You have

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bottles clanking together. If the evening goes

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well, we won't be picked up at the location we

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were dropped off. Exactly. We'll be miles from

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there. Having walked there ourselves, we'll be

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like hanging off of lampposts, swinging. Shoes

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in hand. Yep, shoes in hand. We're like, hey.

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You know, that makes me out to be way more wild

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and adventurous than I actually am. Hey. so beyond

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my personality that i'd be like more likely we

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get we'd be calling one of you or my husband

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and going we're tired now it's past our bedtime

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we want to go home and go to bed yeah i like

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the picture is you guys are going to be sleeping

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in the tunnels underneath the you know the bike

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trails over there By that park. That's what I'd

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like to think. I've seen people over there before.

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But let's get into Trophy Tuesday, Top Tier Tuesday.

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A movie that should have won an award would have

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won awards. But it was a jam -packed awards season.

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One battle after another beat it out for Best

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Movie of the Year. Timothee Chalamet didn't win

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Best Actor for this. And this is probably one

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of his best performances. He's only 30 years

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old. Yeah. He's going to get another Best Actor

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Oscar. For sure. So let's not worry too much

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about that. This was just a warm -up for him,

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I think. I think that as good as his performance

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was, him not getting the award this time is not

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even really that big of a disappointment or surprise

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because it's like, all right, no big deal. Not

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your time. Wasn't your season. But definitely,

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like, let's keep an eye on this guy. in what

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projects he's going to be working on the next

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few years because there will be other opportunities

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for that. Yeah. For sure. Yeah. And like Dune

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3, I could see him getting something in that.

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I'm so hyped for that. I've been watching a lot

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of Dune. That's why I was talking about Katy

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Perry earlier having some inspiration in her

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Met Gala. And Michael B. Jordan is who beat him

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out for Sinners. And if it hadn't have been for

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him. Like I said, if it hadn't been for a jam

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-packed awards season, any other year, Timothy

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walks away with this award, adds it to his trophy

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case for however many he's going to win. Him

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not winning, like you said, I think it's going

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to add fuel to him. I think it'll add a little

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more fuel, give him a little more attitude like

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we see in how he played the character in Marty

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Supreme. I loved it. I thought he was like...

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chefs kiss or whatever they do i think that that's

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what it was yeah what did you think when you

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were watching this movie like right in the beginning

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like just off the top yeah right first thought

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as i'm like reflecting and this is after the

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movie was over so it's kind of like okay i've

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seen the entire movie now looking back on it

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reminds me of in in the best ways of uncut gems

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do you remember uh adam sandler one of adam sandler's

00:13:24.049 --> 00:13:26.929
best performances of his lifetime just incredible

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but Kind of a similar feel. I mean, it's sort

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of that New York City, different times, different

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generations, obviously. But there was a little

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bit of the Jewish culture or Jewish immigrant

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culture that was going on, you know, just kind

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of family and how they interact with each other,

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like uncle this and so and so, the connections

00:13:51.519 --> 00:13:54.820
between their families. But the absolute like

00:13:54.820 --> 00:13:59.500
chaos. Yeah. Trying to get ahead constantly,

00:13:59.679 --> 00:14:03.679
just like the running around town. I mean, I

00:14:03.679 --> 00:14:07.120
had the same feeling in both movies where I thought

00:14:07.120 --> 00:14:11.379
the main character, Marty in this movie and the

00:14:11.379 --> 00:14:13.220
character that Adam Sandler played in that movie,

00:14:13.259 --> 00:14:18.860
both have the sort of ambition and tenacity and

00:14:18.860 --> 00:14:22.820
sheer will to achieve a goal. I mean, both being

00:14:22.820 --> 00:14:24.620
kind of a financial goal, like they're trying

00:14:24.620 --> 00:14:27.000
to get ahead with this, you know, trying to get

00:14:27.000 --> 00:14:28.820
their money back and they owe this person and

00:14:28.820 --> 00:14:30.879
they, they screwed over that person. So they

00:14:30.879 --> 00:14:33.080
got to like, go make, make that right. I mean,

00:14:33.100 --> 00:14:36.879
just the, the constant, like, oh, the chaos and

00:14:36.879 --> 00:14:40.440
stress of it. But I mean, they both had such

00:14:40.440 --> 00:14:43.700
fortitude to see it through. Yeah. I know. I

00:14:43.700 --> 00:14:48.240
mean, I'm a different background, different culture,

00:14:48.620 --> 00:14:52.600
different everything. And so for me, I would

00:14:52.600 --> 00:14:55.200
have been like, God, I would have given up hours

00:14:55.200 --> 00:14:59.139
ago on this adventure. The first thing something

00:14:59.139 --> 00:15:03.519
went wrong, I'd be like, how do I back out? How

00:15:03.519 --> 00:15:06.919
do I just get out of it? How do I just please

00:15:06.919 --> 00:15:10.039
the person I screwed over so that that gets wrapped

00:15:10.039 --> 00:15:12.879
up in a tidy bow and then I can just wash my

00:15:12.879 --> 00:15:15.179
hands of it and get out of it? Right. I think

00:15:15.179 --> 00:15:17.120
you're really on to something, though, because

00:15:17.120 --> 00:15:19.960
the sandpaper aesthetic, that's what I kind of

00:15:19.960 --> 00:15:23.440
call it. It defines the vibe and it really shows

00:15:23.440 --> 00:15:26.220
what Marty had to go through and why he is the

00:15:26.220 --> 00:15:29.840
way he is. You're getting to see a 1950s New

00:15:29.840 --> 00:15:33.759
York, not that postcard shit. And I say that

00:15:33.759 --> 00:15:37.419
because it's gritty, dirty. It's the version

00:15:37.419 --> 00:15:40.440
that smells like stale cigarettes and, you know,

00:15:40.519 --> 00:15:44.029
cheap liquor out there. Safty. director here

00:15:44.029 --> 00:15:49.269
shoots this with signature anxiety like the camera's

00:15:49.269 --> 00:15:52.450
always close up on chalamet's face you can see

00:15:52.450 --> 00:15:54.769
the beads of sweat when he realizes he's down

00:15:54.769 --> 00:15:59.309
by two points you know it's uh he he does a great

00:15:59.309 --> 00:16:02.029
job of capturing like americana really it was

00:16:02.029 --> 00:16:07.250
yeah like i said grit the gambling dens the eccentric

00:16:07.250 --> 00:16:09.409
characters that live in the margins of polite

00:16:09.409 --> 00:16:14.360
society Did you see how the design changed when

00:16:14.360 --> 00:16:18.000
Marty entered the room or how it got quiet or

00:16:18.000 --> 00:16:21.720
all you hear is the bounce of the table or, you

00:16:21.720 --> 00:16:24.700
know, the pure obsessions captured on the film?

00:16:24.799 --> 00:16:26.980
Those were related in real life, too, because

00:16:26.980 --> 00:16:32.399
Timothee Chalamet, he had been training in table

00:16:32.399 --> 00:16:36.080
tennis since 2018. Yeah, yeah. He took a table

00:16:36.080 --> 00:16:38.600
with him. He had a table with him when he made

00:16:38.600 --> 00:16:43.070
Wonka. Dune Part 2, the French dispatched a complete

00:16:43.070 --> 00:16:46.590
unknown. He always traveled with a table. It's

00:16:46.590 --> 00:16:49.649
dedication already, you know? So, yeah. Like

00:16:49.649 --> 00:16:52.690
you said, the hustle. The hustle. Yeah, the hustle,

00:16:52.809 --> 00:16:55.450
man. I mean, the dedication that actors have,

00:16:55.529 --> 00:16:59.129
the same way that this character had for achieving

00:16:59.129 --> 00:17:01.750
his goal. Yeah. And it wasn't just, I mean, you

00:17:01.750 --> 00:17:03.889
got the sense that it was, yeah, table tennis

00:17:03.889 --> 00:17:07.829
obviously had to be somewhat important to this

00:17:07.829 --> 00:17:10.670
character, Marty. But it's also you get this

00:17:10.670 --> 00:17:13.809
sense that it's whatever is a ticket out of here,

00:17:13.950 --> 00:17:16.910
whatever's going to get me out of the patterns

00:17:16.910 --> 00:17:22.710
of, you know, maybe poverty or just living life

00:17:22.710 --> 00:17:24.869
the way that they'd been living. Whatever's going

00:17:24.869 --> 00:17:28.150
to get me out of it is table tennis being that.

00:17:28.250 --> 00:17:32.630
For this. yeah life is like this this is my ticket

00:17:32.630 --> 00:17:34.690
out so i'm gonna do absolutely anything that

00:17:34.690 --> 00:17:37.089
i have to do anything that i have to do to make

00:17:37.089 --> 00:17:41.829
that happen i want to become rich become significant

00:17:41.829 --> 00:17:45.089
and get myself out of a you know kind of a crummy

00:17:45.089 --> 00:17:49.089
situation and like in the mud kind of a life

00:17:49.089 --> 00:17:52.470
yeah and think he's the best all the way through

00:17:52.470 --> 00:17:55.849
like yeah oh there's a growing like an innate

00:17:55.849 --> 00:18:02.289
like I don't question it. I know. I have worked.

00:18:02.349 --> 00:18:04.069
I have had the privilege of working with lots

00:18:04.069 --> 00:18:06.869
of professional athletes over the years. And

00:18:06.869 --> 00:18:09.730
there is something about them that they will.

00:18:10.109 --> 00:18:13.349
It's not an ego thing. It's not an ego thing

00:18:13.349 --> 00:18:15.009
for them to go out there and say they're the

00:18:15.009 --> 00:18:17.769
best. They're the best. They have to believe

00:18:17.769 --> 00:18:22.309
that. Yeah. And if you don't believe that, you

00:18:22.309 --> 00:18:25.420
will never be that. You will never be a pro athlete.

00:18:25.539 --> 00:18:27.460
You will never be the best if you don't believe

00:18:27.460 --> 00:18:30.539
you are. And they all had that in them somewhere,

00:18:30.660 --> 00:18:35.759
that drive, that you're not going to tell me

00:18:35.759 --> 00:18:38.920
anything. First of all, you're not going to tell

00:18:38.920 --> 00:18:40.799
me that you think that guy's going to beat me

00:18:40.799 --> 00:18:44.839
because I know right now that I'll beat the sand

00:18:44.839 --> 00:18:47.339
off of him in a game of table tennis. That's

00:18:47.339 --> 00:18:51.609
how Marty Supreme came across. He was a hustler

00:18:51.609 --> 00:18:52.990
all the way from the beginning of the movie,

00:18:53.069 --> 00:18:55.069
like even the opening match on the Lower East

00:18:55.069 --> 00:18:57.670
Side basement. He shows up looking like a prince

00:18:57.670 --> 00:19:01.789
in a thrift store suit, you know? But the way

00:19:01.789 --> 00:19:04.170
he handles the paddle, it's like you're watching

00:19:04.170 --> 00:19:07.869
magic. You're like card magic. It's not a sport.

00:19:08.609 --> 00:19:10.890
He's spinning the ball so hard it looks like

00:19:10.890 --> 00:19:13.769
it's defying physics. That's a magic trick to

00:19:13.769 --> 00:19:16.329
some people in that basement. It's not hard to

00:19:16.329 --> 00:19:19.589
see real quick that... He's not just saying he

00:19:19.589 --> 00:19:25.170
is the best. Well, shit, maybe he is. The confidence

00:19:25.170 --> 00:19:28.630
is great and all, but when he backs it up, it's

00:19:28.630 --> 00:19:34.250
like, all right, now he's not just a rebel, but

00:19:34.250 --> 00:19:38.410
he's a rebel with a very specific cause. And

00:19:38.410 --> 00:19:41.730
being the best in the world is just something

00:19:41.730 --> 00:19:45.319
he thinks is a toy at that point. He doesn't

00:19:45.319 --> 00:19:47.640
even care. With people at the same time, right?

00:19:47.740 --> 00:19:51.599
Because it's not just like winning and talent

00:19:51.599 --> 00:19:56.140
and skill at the thing that he's good at, but

00:19:56.140 --> 00:19:58.740
the social skills too and the wheeling and dealing

00:19:58.740 --> 00:20:01.599
behind the scenes that you could say he's either

00:20:01.599 --> 00:20:04.299
really good at it or he's really bad at it. I

00:20:04.299 --> 00:20:06.019
mean, you can kind of make an argument for both

00:20:06.019 --> 00:20:09.019
a little bit here because he makes a lot of mistakes

00:20:09.019 --> 00:20:13.880
along the way. He's got a lot of like... you

00:20:13.880 --> 00:20:17.039
know, Hey, I'm going for it. Like if I got to

00:20:17.039 --> 00:20:21.180
walk right up to the guy who's in charge of where

00:20:21.180 --> 00:20:23.799
the athletes stay, for example, in the movie,

00:20:23.839 --> 00:20:25.859
one of the examples is just like going up there

00:20:25.859 --> 00:20:28.259
and he's like, I can't stay in this rat infested

00:20:28.259 --> 00:20:30.859
place. You've got all of us staying in. I want

00:20:30.859 --> 00:20:33.039
to see you in the nice place, but he's got more

00:20:33.039 --> 00:20:35.680
than. Just staying in a nicer hotel is an agenda.

00:20:35.779 --> 00:20:38.279
He wants to rub elbows with some guys who have

00:20:38.279 --> 00:20:41.640
money and with the press. And I mean, he's always

00:20:41.640 --> 00:20:43.920
got like three steps ahead. He's like, I'm going

00:20:43.920 --> 00:20:45.579
to order room service because it's going to be

00:20:45.579 --> 00:20:50.400
billed to somebody else, not me. Like just stuff

00:20:50.400 --> 00:20:55.420
I would never. I mean, to my detriment or to

00:20:55.420 --> 00:20:58.819
my credit, you could make an argument for either

00:20:58.819 --> 00:21:00.940
one. But I'm the type of person that would be

00:21:00.940 --> 00:21:04.839
like, oh. oh, I don't want anyone mad at me.

00:21:05.019 --> 00:21:07.480
I'll just, sure, I'll stay in this crummy little

00:21:07.480 --> 00:21:09.599
hotel you put me up in. I'm so grateful for it.

00:21:09.599 --> 00:21:14.579
Thank you so much. Yeah. It takes a lot. It takes

00:21:14.579 --> 00:21:16.579
a lot for somebody to walk up there and tell

00:21:16.579 --> 00:21:21.000
a guy, hey, I'm better than this. Yeah. You may

00:21:21.000 --> 00:21:23.440
not think it, but I know that. And put me up

00:21:23.440 --> 00:21:26.819
better. We see a little bit of a switch, though,

00:21:26.920 --> 00:21:29.160
at that world championship in London. You know,

00:21:29.160 --> 00:21:31.420
it's the first time we see Marty out of his element.

00:21:32.779 --> 00:21:35.680
He's facing that sponge paddle or whatever it

00:21:35.680 --> 00:21:39.180
is. You know, the technology's changing, and

00:21:39.180 --> 00:21:42.819
he's refusing to adapt. He's a purist in a world

00:21:42.819 --> 00:21:46.859
moving toward efficiency, which is, once again,

00:21:46.900 --> 00:21:49.339
reflective of a lot of real -life situations.

00:21:49.539 --> 00:21:52.039
For sure. I feel that. But the scene in the locker

00:21:52.039 --> 00:21:55.299
room where he's hyperventilating because he can't

00:21:55.299 --> 00:21:59.240
hear the ball anymore. It's a heavy moment. It's

00:21:59.240 --> 00:22:04.049
that. Fear we all have of the world outgrowing

00:22:04.049 --> 00:22:07.390
our frequency. It's hard for him to be the best

00:22:07.390 --> 00:22:09.769
in the world when it's something now that he

00:22:09.769 --> 00:22:12.609
doesn't understand. And it's evolved almost past

00:22:12.609 --> 00:22:16.069
him. This kind of happens to the games of today.

00:22:16.269 --> 00:22:18.970
Like, this is real life. We see this happen.

00:22:19.150 --> 00:22:22.910
We see the game pass players by all the time.

00:22:22.950 --> 00:22:25.289
Unless you're LeBron James and you're still out

00:22:25.289 --> 00:22:29.329
there doing the damn thing every time. game tonight

00:22:29.329 --> 00:22:32.049
he's playing tonight like let's go 41 years old

00:22:32.049 --> 00:22:35.009
i'm gonna be in bed tonight right when he's watching

00:22:35.009 --> 00:22:40.049
him you know but yeah you know yeah well you

00:22:40.049 --> 00:22:41.890
don't have to be an athlete to know that that

00:22:41.890 --> 00:22:44.109
feeling of like i've either got to figure out

00:22:44.109 --> 00:22:46.609
how to keep up and adapt or i've got to figure

00:22:46.609 --> 00:22:50.269
out how to wait make my old ways work in the

00:22:50.269 --> 00:22:54.529
new world like so So in there, do you stay authentic

00:22:54.529 --> 00:22:57.369
or do you stay relevant? Which one? Which one

00:22:57.369 --> 00:23:00.490
is better? Well, that actually is a great question.

00:23:00.690 --> 00:23:05.269
I would draw everyone's attention to Madonna

00:23:05.269 --> 00:23:09.930
as an example. Yes. Has Madonna stayed authentic

00:23:09.930 --> 00:23:13.670
in her music, but has she done really well at

00:23:13.670 --> 00:23:17.589
adapting? you know making music for every generation

00:23:17.589 --> 00:23:21.230
um up until recently i mean we don't hear much

00:23:21.230 --> 00:23:23.970
about her anymore but the truth is she did an

00:23:23.970 --> 00:23:26.549
excellent job for a span of time in her career

00:23:26.549 --> 00:23:29.789
to being like the music is adapting the audience

00:23:29.789 --> 00:23:32.869
is adapting she's not gonna be able to make 80s

00:23:32.869 --> 00:23:37.009
music 80s pop music the same way in the 90s and

00:23:37.009 --> 00:23:41.029
the early 2000s she did a great job of like being

00:23:41.029 --> 00:23:44.349
herself being madonna fully but also adapting

00:23:44.349 --> 00:23:48.930
to what was i mean i know you don't know this

00:23:48.930 --> 00:23:52.890
but madonna popped up in april 2026 on coachella's

00:23:52.890 --> 00:23:55.569
stage with sabrina carpenter so she is still

00:23:55.569 --> 00:23:59.349
out there absolutely in the gaps of whatever

00:23:59.349 --> 00:24:04.589
decades between she's 67 years old i think or

00:24:04.589 --> 00:24:06.710
something crazy insane came out there performed

00:24:06.710 --> 00:24:10.140
so yeah you're not wrong You're not wrong. But

00:24:10.140 --> 00:24:15.160
Marty chose authenticity, even when it cost him

00:24:15.160 --> 00:24:19.680
a championship. You know, and says a lot like

00:24:19.680 --> 00:24:21.799
he's stubborn. He was he was stuck in that way.

00:24:21.880 --> 00:24:24.700
Also, he didn't have a chance because once he

00:24:24.700 --> 00:24:26.480
got in that match, he realized he's like, I'm

00:24:26.480 --> 00:24:29.859
done. Yeah. Yeah. This is this is not going to

00:24:29.859 --> 00:24:35.380
go well. And we get later on, we get to the relationship

00:24:35.380 --> 00:24:39.190
with his mother. You know, the quiet scenes in

00:24:39.190 --> 00:24:42.150
the apartment amidst the chaos in his career

00:24:42.150 --> 00:24:46.390
at the time. It kind of grounds the movie. It

00:24:46.390 --> 00:24:47.849
brings this thing back down. There's a whole

00:24:47.849 --> 00:24:50.450
other thing going on. I mean, there's the athletic,

00:24:50.769 --> 00:24:54.710
the tennis table career that he's trying to make

00:24:54.710 --> 00:24:57.349
happen and what's going on there. But that's

00:24:57.349 --> 00:25:00.170
like almost, I would say maybe a third of the

00:25:00.170 --> 00:25:03.319
movie. Two thirds of the movie is this. whole

00:25:03.319 --> 00:25:05.859
other story going on this whole other background

00:25:05.859 --> 00:25:10.160
which connects to uh you know his family and

00:25:10.160 --> 00:25:13.380
community right so this is a very like tight

00:25:13.380 --> 00:25:16.220
-knit jewish community in the in the place that

00:25:16.220 --> 00:25:19.420
he and that's what i was referring to with uncut

00:25:19.420 --> 00:25:22.480
gems is you that background you see of like we're

00:25:22.480 --> 00:25:24.259
all celebrating the jewish holidays together

00:25:24.259 --> 00:25:28.019
there's this really tight -knit sort of um feeling

00:25:28.019 --> 00:25:29.859
about it where it's like we all take care of

00:25:29.859 --> 00:25:31.500
our own we've all known each other since we were

00:25:31.500 --> 00:25:35.220
babies he talks about being raised with Rachel's

00:25:35.220 --> 00:25:37.440
character who he's also having an affair with

00:25:37.440 --> 00:25:39.299
but like they were like raised together their

00:25:39.299 --> 00:25:42.759
families not all know each other his friend who's

00:25:42.759 --> 00:25:49.240
going into the ping pong ball he's works for

00:25:49.240 --> 00:25:51.279
him as a shoe salesman you know they all know

00:25:51.279 --> 00:25:54.039
his father and they're all like together and

00:25:54.039 --> 00:25:56.839
they all take responsibility for his mother Right.

00:25:56.880 --> 00:26:01.319
They're all like. Asking him to give up this

00:26:01.319 --> 00:26:05.400
dream, give up this. Yeah. Dream. That's just

00:26:05.400 --> 00:26:07.299
kind of crazy. And be like, you got to settle

00:26:07.299 --> 00:26:08.759
down and make some money. Cause you got to take

00:26:08.759 --> 00:26:10.980
care of your mom. We've all been doing it. We've

00:26:10.980 --> 00:26:13.099
all been taking care of your mom. And it's time

00:26:13.099 --> 00:26:14.380
for you to step in and take care of your mom.

00:26:14.480 --> 00:26:17.500
So you just feel kind of that whole. That whole

00:26:17.500 --> 00:26:19.700
dynamic, that whole, like the pressure he's under.

00:26:20.319 --> 00:26:25.079
All of that. And by the way, Fran Drescher. Was

00:26:25.079 --> 00:26:29.559
she not amazing as his mother? What a different

00:26:29.559 --> 00:26:31.880
character for her. I just loved seeing her. Absolutely.

00:26:31.940 --> 00:26:33.859
It took me a minute to even realize it was her.

00:26:33.960 --> 00:26:36.259
And we can't forget Gwyneth Paltrow crushing

00:26:36.259 --> 00:26:38.880
it in here as Kay Stone. I know we got some issues,

00:26:39.000 --> 00:26:41.420
though. I do have some issues about that. You

00:26:41.420 --> 00:26:47.380
know, Gwyneth looks amazing. She is fantastic.

00:26:48.940 --> 00:26:51.839
But I almost had this like cringe uncomfortableness

00:26:51.839 --> 00:26:55.119
with their affair just because I know how young

00:26:55.119 --> 00:26:59.400
Timothee Chalamet is and how old I am. And I

00:26:59.400 --> 00:27:02.380
already came to a decision years ago that I'm

00:27:02.380 --> 00:27:04.940
like, there's a certain limit to who I will look

00:27:04.940 --> 00:27:08.380
at on screen and have like that celebrity crush

00:27:08.380 --> 00:27:13.220
on. Right. Oh, cute. I remember the time like

00:27:13.220 --> 00:27:15.259
Zac Efron's not even that much younger than me.

00:27:15.319 --> 00:27:19.039
But to be like. I draw the line. He's still a

00:27:19.039 --> 00:27:21.920
little too young. Like he's, he's little, you

00:27:21.920 --> 00:27:24.119
know, he's in like high school age. I was like

00:27:24.119 --> 00:27:26.180
in, you know, post -college age. I was like,

00:27:26.180 --> 00:27:27.980
it's too much of a difference. I feel uncomfortable

00:27:27.980 --> 00:27:30.359
crushing on a kid that's that much younger than

00:27:30.359 --> 00:27:34.019
me. So Timothy Chalamet, like that's. He's 30.

00:27:34.339 --> 00:27:39.039
Yeah. He's 30 in real life. And Gwyneth is 57.

00:27:40.619 --> 00:27:44.329
Something like that. So there's a big. 24 she's

00:27:44.329 --> 00:27:46.809
there's a 20 plus year difference in in the two

00:27:46.809 --> 00:27:49.450
so there's there is a little bit of a feeling

00:27:49.450 --> 00:27:54.089
watching it you're like hmm but yeah it kind

00:27:54.089 --> 00:27:56.670
of adds to it though too in the story that she's

00:27:56.670 --> 00:28:00.990
playing the part of this um actress trying to

00:28:00.990 --> 00:28:04.750
kind of recapture the career of her youth And,

00:28:04.750 --> 00:28:06.930
you know, maybe there's a certain part of her

00:28:06.930 --> 00:28:08.569
that thinks, you know, being with this having

00:28:08.569 --> 00:28:10.970
this affair with this young kid is is kind of

00:28:10.970 --> 00:28:14.309
youthful or, you know, something like that. So

00:28:14.309 --> 00:28:16.609
when when you take that and you add it with everything

00:28:16.609 --> 00:28:20.549
else, though, you've got really emotionally intelligent

00:28:20.549 --> 00:28:23.630
filmmaking because you're laughing at his arrogance.

00:28:23.690 --> 00:28:27.390
One minute you're seeing this crazy, wild love

00:28:27.390 --> 00:28:31.099
life. affair the next minute and then you're

00:28:31.099 --> 00:28:33.680
also seeing that lonely kid in a Brooklyn park

00:28:33.680 --> 00:28:36.400
type of vibe you know you got all this going

00:28:36.400 --> 00:28:40.700
on you know so Marty Reisman the real guy that

00:28:40.700 --> 00:28:43.339
this is based on of he lived his life for that

00:28:43.339 --> 00:28:47.319
38 millimeter ball he didn't care if it was cool

00:28:47.319 --> 00:28:51.779
he just cared that it was his you know that's

00:28:51.779 --> 00:28:54.500
it that he wanted this sport was not a hobby

00:28:54.500 --> 00:28:59.700
he wanted this to be it him And that's a lot

00:28:59.700 --> 00:29:03.759
of arrogance and confidence. Yes, there's a lot

00:29:03.759 --> 00:29:08.019
of ego in there, I will say. It's like saying

00:29:08.019 --> 00:29:10.980
you want to be the logo for the NBA. Jerry West

00:29:10.980 --> 00:29:12.599
didn't say he wanted to be the logo for the NBA.

00:29:12.759 --> 00:29:15.099
He was made the logo. But if you're playing in

00:29:15.099 --> 00:29:17.160
the game today and you're like, I want to be

00:29:17.160 --> 00:29:20.200
the logo for the NBA, you're putting a lot out

00:29:20.200 --> 00:29:25.019
there. That's what Marty Supreme and Marty Reisman

00:29:25.019 --> 00:29:29.180
was trying to do. you know so yeah and there

00:29:29.180 --> 00:29:31.920
probably was a lot of that same dynamic of just

00:29:31.920 --> 00:29:35.880
kind of chasing what you're trying to get met

00:29:35.880 --> 00:29:37.259
and i'm going to come at this at a frequency

00:29:37.259 --> 00:29:42.259
of of a healer or a person who understands human

00:29:42.259 --> 00:29:44.400
beings and why they do what they do with compassion

00:29:44.400 --> 00:29:47.160
there's a lot of like needs being met here in

00:29:47.160 --> 00:29:50.740
a in a life of chaos like the way that you see

00:29:50.740 --> 00:29:54.730
him just running around Getting himself into,

00:29:54.809 --> 00:29:56.450
have you ever met people like that where you

00:29:56.450 --> 00:29:59.490
just are like, why are they, why do they live

00:29:59.490 --> 00:30:01.809
their life like this? Like, why is it that some

00:30:01.809 --> 00:30:04.910
people can live their life pretty chaos free

00:30:04.910 --> 00:30:07.930
for the most part? You know, things happen to

00:30:07.930 --> 00:30:10.730
them, but like not at this extreme level. And

00:30:10.730 --> 00:30:12.329
then there's people who it just feels like chaos

00:30:12.329 --> 00:30:14.049
and stress are just following them around everywhere

00:30:14.049 --> 00:30:15.809
they go. And you're like, how did they get themselves

00:30:15.809 --> 00:30:18.069
into these situations? And that's kind of what

00:30:18.069 --> 00:30:20.750
Marty reminds me of. This just like. What is

00:30:20.750 --> 00:30:23.210
he doing? Why is he making these choices that

00:30:23.210 --> 00:30:25.890
lead him to this? But people get their needs

00:30:25.890 --> 00:30:28.150
met in a lot of different ways. There's the,

00:30:28.150 --> 00:30:30.509
you know, the excitement of the chase, feeling

00:30:30.509 --> 00:30:33.329
of wanting to be significant. Like I'm important.

00:30:33.470 --> 00:30:37.869
I'm the best. I'm going to become a world level

00:30:37.869 --> 00:30:42.430
champion tennis table, table tennis player. And

00:30:42.430 --> 00:30:44.289
then there's the endorphins you get from the

00:30:44.289 --> 00:30:47.869
excitement of all this chaos and trying to get

00:30:47.869 --> 00:30:50.089
that money and, I mean, the whole situation with

00:30:50.089 --> 00:30:54.349
the dog. And you're like, what? How did they

00:30:54.349 --> 00:30:57.029
get themselves involved in this? Wild, right?

00:30:57.230 --> 00:30:59.650
And I would have given up on that dog a long

00:30:59.650 --> 00:31:01.930
time ago had it been me. But they were like,

00:31:02.009 --> 00:31:05.170
we're going to get this money for returning this

00:31:05.170 --> 00:31:10.150
dog even if our life is threatened. Insane. But

00:31:10.150 --> 00:31:12.109
looking back on it, you know, there's this moment

00:31:12.109 --> 00:31:14.470
and everybody has it in their life, right? This

00:31:14.470 --> 00:31:17.309
moment of realization where you're like, maybe

00:31:17.309 --> 00:31:21.529
I'm living my life in a way that's costing me

00:31:21.529 --> 00:31:23.910
more than it's getting me. Yeah. And I think

00:31:23.910 --> 00:31:29.250
that moment was when Kevin O 'Leary, played by

00:31:29.250 --> 00:31:33.289
Kevin O 'Leary, Milton, the husband, he's trying

00:31:33.289 --> 00:31:36.630
to get this money. He's trying to go to Tokyo

00:31:36.630 --> 00:31:40.279
and he's like. gonna paddle him like a baby in

00:31:40.279 --> 00:31:43.119
front of all of his friends yeah you see that

00:31:43.119 --> 00:31:44.980
you know that moment on his face where marty

00:31:44.980 --> 00:31:50.319
is like what am i doing how desperate must i

00:31:50.319 --> 00:31:54.420
be to get to tokyo it's insane and i think that

00:31:54.420 --> 00:31:56.640
everything kind of flips there everything like

00:31:56.640 --> 00:32:00.539
kind of starts to go for him it's like i just

00:32:00.539 --> 00:32:03.220
gotta I got to make some different choices in

00:32:03.220 --> 00:32:04.900
my life. I got to make different priorities,

00:32:05.140 --> 00:32:08.779
new patterns. Things have to shift. And I think

00:32:08.779 --> 00:32:10.880
we all can recognize a moment in our lives where

00:32:10.880 --> 00:32:14.819
we were like, I can't live like this. Yeah. Right?

00:32:14.920 --> 00:32:17.059
When is it, freaks? Tell us. Hit us in the comments.

00:32:17.119 --> 00:32:20.339
When have you had that moment? And when have

00:32:20.339 --> 00:32:23.720
you become supreme? When have you just gone from

00:32:23.720 --> 00:32:27.220
broke? You know, like giving something to everything.

00:32:27.400 --> 00:32:33.099
Been as audacious. As Marty Supreme in a lot

00:32:33.099 --> 00:32:35.420
of times. This movie to me was a masterpiece.

00:32:36.000 --> 00:32:40.680
Really was. It's rebellious, loud, but deeply

00:32:40.680 --> 00:32:43.539
human all at the same time. Go check it out.

00:32:43.619 --> 00:32:45.559
HBO Max, I believe, is where it's at, right?

00:32:45.720 --> 00:32:47.619
Is that where we saw Marty Supreme? Yeah. Yeah.

00:32:47.660 --> 00:32:49.480
They're going to like us today. Lots of Dune

00:32:49.480 --> 00:32:54.339
references. That's on HBO Max. So got to get

00:32:54.339 --> 00:32:57.759
a cut. HBO Max has to offer. They'll have to

00:32:57.759 --> 00:33:00.059
give us a little cut today. There's a shot right

00:33:00.059 --> 00:33:04.880
there. of the real marty supreme they did a pretty

00:33:04.880 --> 00:33:08.440
good job with with old timothy chalamet yeah

00:33:08.440 --> 00:33:11.599
i think so i think they they nailed that one

00:33:11.599 --> 00:33:14.720
so good shot yeah yeah but that's gonna do it

00:33:14.720 --> 00:33:18.039
for this edition of parallel frequencies i am

00:33:18.039 --> 00:33:20.759
just playing she is coco you are the freaks and

00:33:20.759 --> 00:33:22.619
we will see you on the other side