Healing Through Art: Watercolor Emotional Processing Workshop
Healing Through Art: Transform Emotion Into Color
In this episode, Courtney walks you through a complete Healing Through Art workshop designed for adults, one you can follow along with at home using watercolor, acrylic, crayons, or colored pencils. This isn't about creating a masterpiece. It's about moving heavy emotions out of your body and onto the page.
The process begins with a card pull from the Inner Child Oracle Deck, setting intention for the work ahead. Courtney then guides you through identifying emotion points, fear, frustration, anger, self-image, overwhelm, resentment, shame, guilt, and assigning each one a color based on pure intuition, not logic. You paint or color these feelings as shapes and sizes that feel right, letting the medium do what it naturally does: spread, blend, create watermarks, surprise you.
This integrated processing technique engages both hemispheres of your brain: language on the left, color and imagery on the right. As emotions move from body to canvas, you may yawn, sigh, or feel energy shift. That's the work happening.
Once dry, you transmute the painting into something positive. You might trace every line and watermark with meditative music playing, or flip the image upside down to see it from a new perspective. You might discover an image hidden in the shapes and outline it with marker.
Courtney also shares examples from past workshops and explains the color guide used in professional healing sessions, what purple, green, blue, and yellow typically represent in emotional processing.
Subscribe wherever you listen. Watch the full episode at https://www.youtube.com/@PracticallyMagickpodcast. Book a private healing session at prism-healing.com.
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Hello and welcome to this episode of Practically
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Magic. You are going to be seeing a lot of my
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hands. Luckily, I just got myself a manicure
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so that... will hopefully be a lovely view for
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you. Today's episode is going to be a demonstration
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of a healing through art workshop that I do with
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adults typically. I have a variation of this
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that I do with prism healing where I will do
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this with children or with teenagers. only what
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is developmentally appropriate for that age group.
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So I have various forms of this workshop, but
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today you're gonna be watching an episode where
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we are gonna walk through it together with you.
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And you can actually follow along if you have
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materials at home. and it's not gonna be exactly
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the same or probably as well as we normally do
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it. So if you're listening to this, you can still
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listen along and get an idea of what the workshop
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would be like and how the process works. You're
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also gonna get a demonstration on how to do some
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techniques with the art. We're using watercolor
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today, but we can also do this with acrylic or
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watercolor pencil or oil pastel or even crayons
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if you would like to try it with us. So we're
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starting today's episode as we normally do with
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a card poll. Today I am using my Inner Child
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Oracle deck, not tarot, but this will be the
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card that is meant for us today. Whenever you
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are listening, whenever you're watching, this
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is what card is needed for you as we go through
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this process and if you are following along with
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the art. demonstration today. Okay, one more
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shuffle real quick and pull the card of transformation.
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Absolutely appropriate. This is the inner child
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oracle deck because when I do a healing process
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or emotional process, energy healing session,
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oftentimes we are working with an inner child
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as we're doing this and I firmly believe, and
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if you've listened to any of the previous episodes
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of Practically Magic, you'll know that I firmly
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believe that a lot of healing can take place
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when we go into our inner child, when we seek
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guidance or seek awareness or seek witnessing
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what our inner child has to say. And a lot of
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the cycles of healing and what we're working
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through when we're going through an alchemical
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transformation is is just that, it's a transformation.
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It's turning light into gold, but in a more metaphysical
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way. So I love that this card almost brings that
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up as it has these little, if you can look close
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enough in the video, these little tiny versions
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of her. One is doing ballet and it kind of writes
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this little story as she goes into, from her
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birth and from her... from her mother's womb
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into her childhood, into her teens, into becoming
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a mother, into this almost warrior alter ego,
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which I love when we're working with solar plexus
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energy and healing, is to bring out that warrior.
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She's got a bow and arrow. And then the transformation
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of becoming. Here's her, and she's almost in
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her crone era, but... yet she still looks like
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a maiden. So you can interpret it a lot of different
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ways in this card. But one of the reasons I love
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this deck is because of the artwork. It's so
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colorful and vibrant and creative. And because
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I encourage that when we're working with color
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and we're working with art, today is not about
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what is the end product that we're going to have.
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Most of us are not going to create some type
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of art that May hang in a gallery someday or
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even something we would hang on our own wall.
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That's not really the point So I want you if
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you're listening now and you're feeling kind
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of that sticky cell Part of you that says oh
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my gosh art. No way. I'm not doing art. Yuck.
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I cannot do art I don't like what I make I don't
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I don't know how to make anything. I can't even
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do stick figures I've heard it all people. Okay,
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just to let you know I have heard it all And
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that's not gonna be the point. The point of what
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we're doing here today is to engage in our color
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magic, and you can do that with some simple tools.
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Again, this is not about creating a masterpiece,
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so whatever you put in front of you, it can be
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a blank piece of copy paper, it could be watercolor
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paper, it could be a canvas, ready to do acrylic.
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Whatever it is, just think of it as I'm going
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back. to honor my inner child and let my inner
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child play with the colors, play with the feelings
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and emotions that come out. So the first thing
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that you will need, I'll kind of give you a list
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of supplies to have ready. You want something
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with colors. Today I have a good old fashioned
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palette of the primary and secondary colors on
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watercolor. Usually watercolor will not have
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white. Sometimes they come with a little tube
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of white if you want to add white, but usually
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watercolor will... allow you to have white where
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the paper is and so you can brighten or lighten
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your colors based on how much water you use or
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in the absence of color, it will leave white
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from the paper. So know that when you're doing
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watercolor that you may not have white and that's
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okay. There's still gonna be white that you're
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going to have available. with the paper. Or you
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can use acrylic. Acrylic, you can add a lot of
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water to acrylic and it will still be really
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watery and runny like watercolor and you would
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just have to squeeze out a little bit of each
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color on a paper plate or on a palette if you
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have one. Something like this, I will show you.
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Okay, so we squeeze out all the primary and secondary
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colors, white and black on something like this.
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plastic and just so you know I like to let my
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acrylic dry and then I peel it out so you get
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Here's what acrylic is like when it's dry. It's
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like a rubbery plasticky kind of feeling And
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then just throw these away, but just want to
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show you what that's like so that's a lot different
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than watercolor because watercolor will Dry and
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then it can be used again. You just add water
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to it and it's ready to go again Acrylic whatever
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you squeeze out whatever dries. It's done. It's
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dry It's pretty much garbage at this point. I
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have students that like to play with it and want
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to create art projects with dried acrylic pieces.
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More power to you if you want to do that. But
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you do not have to have paints. If you have a
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box of crayons and a stack of paper, you can
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do this process with us. Again, it's not about
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the product. We are not creating a masterpiece
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here. We are just learning how to express our
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emotions. through paint. I'm not giving away
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all trade secrets here today. I am going to show
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you what the process of one of my workshops kind
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of looks like and how you can do some of it at
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home when you're working through something difficult
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or when you want to unblock some creative blocks
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that you have. Maybe you're a writer, maybe you're
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a poet, maybe you're just you know working on
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a business and you just feel really stuck. This
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is some ways that I use color magic and art magic
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to help unblock those things. That being said,
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if you were to do a workshop with me, the reason
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I don't just record my workshops and have everybody
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do it at home is that it really does matter.
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It does give you a lot more to have someone there
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facilitating the healing with you. asking the
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questions, watching what colors you paint out,
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and then asking follow -up questions based on
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the colors you choose. And that is something
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I cannot do through the camera to you right now.
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I can only show you how to use this when you
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are stuck and when you're alone. How can you
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kind of utilize the colors we've talked about?
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And of course, there are episodes in previous
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seasons of Practically Magic where I discuss
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art and why art is such a powerful tool for healing
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because that feeling that a lot of you have when
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I mention art or that we're going to be doing
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art and you say, ew and yuck and oh no, that
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is absolutely correlated with the feelings you
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might have about things in life as well. I cannot
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stress this enough. My beliefs are that whatever
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way you look at a blank canvas, it can also be
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translated as the way that you look at life.
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Do you find yourself being a participant in the
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creative process that is your life? Or do you
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feel stuck? Do you feel blocked? Do you feel
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inadequate? Do you feel that you don't have that
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spark of inspiration and creativity and enthusiasm
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that it takes to engage in life? and towards
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the goals that you want to make for yourself.
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And so I think doing this activity can really
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open up a lot of powerful healing. And with that
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being said, let's get to it. So we're going to
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be using watercolor. And so I'm going to show
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you some of the techniques with watercolor. But
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again, if you had watercolor pencils, you would
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just be coloring this out. And the thing that
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I like to do is I like to go through some emotion
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points that feel heavy in the body and ask, what
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sort of feelings am I having if I had any fear?
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Fear is a good one to start with. If I had any
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fear, what would my fear be about? And what I'd
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like you to do is whether you're using a journal
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or whether you're using your language and you're
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talking to someone or if you're just putting
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words to the thoughts in your head, I need there
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to be actual words taking place here. There needs
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to be some sort of labeling of the feeling. I
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feel fear because I'm afraid I don't have enough
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time. I'm afraid that I'm Won't be loved if I
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show up as myself. I'm afraid that my business
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will never take off I'm afraid these are just
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some examples But I want you to actually take
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a moment if you have to pause the video or you
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have to think about it Or you have to journal
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it. What would the fear be like if it was coming
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out right now? And the first thing we're going
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to do is we're going to language it. And then
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the second thing we're going to do is we're going
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to choose a color to go with the fear. That fear
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can feel like any color. There's no right or
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wrong answer here. And it's really important
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that you go with your first instinct. Because
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we're kind of trained as children that certain
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colors are associated with certain emotions.
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And that's not always true. So for example, my
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fear could feel blue. But if I'm talking about
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a specific fear like my fear of not being enough
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in a certain situation, well then that fear might
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feel orange. That particular fear is whatever
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color it feels like. So I need you to associate
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that fear with an actual color. And then what
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we're gonna do is we're gonna represent that
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color on our paper in a certain shape and size.
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So I like with watercolor, And with acrylic,
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I like to get the area that I'm thinking of the
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fear. I like to get it wet first with some water.
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And this is some painting technique. So you can't
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see it on the camera, but you can see that I'm
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just painting what looks like clear, just water.
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Okay. And if you're doing some painting with
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me, just know that I chose a medium sized brush
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and I'm going to use the same brush for the entire
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painting. This is not about switching around
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to like a smaller brush with more detail or a
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larger brush. You could maybe pick a larger brush
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if you needed to really cover a lot of space
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in a short amount of time. That makes sense,
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but for the most part, I'm gonna pick a medium
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sized brush and I'm gonna do my entire painting
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that way because again, I'm not concerned with
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it looking a certain way or being of a certain
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thing. I just want my fear to paint onto this
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paper whatever shape that it's in. So I like
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to get the area wet first in the shape and then
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I'm gonna choose the color that goes with my
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fear and I'm gonna dab that, apologize if the
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camera keeps going in and out trying to be mindful
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of what you can see on the camera here. I'm just
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going to actually let the color that feels like
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my fear swim and sploosh into that water. I'm
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not concerned with whether it spreads, because
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it's only gonna spread to the edge of where my
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wet goes and then stop, and that's fine. I can
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make it really splotchy or I can really paint
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it out and fill that area. Either way, I'm not
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wrong. you get to decide how you want it to look
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and how you want it to feel. And if it goes awry
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and you're like, whoa, that totally splooged
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out everywhere and I didn't want it to do that,
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I don't want you to worry about that. I want
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you to imagine that the color represents your
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fear and it is just coming out of the body through
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the arm and onto the page. Remember magic, we've
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talked about in other episodes, magic energy
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follows intention. So this is our intention.
00:14:09.730 --> 00:14:12.470
We are moving this heaviness out of our body
00:14:12.470 --> 00:14:17.610
into color. And I love when it gets really liquidy
00:14:17.610 --> 00:14:21.649
and sploogy and like, it's gonna like kind of.
00:14:22.090 --> 00:14:24.570
Now some of it, if it's a little too dark, I
00:14:24.570 --> 00:14:27.570
can add more water to it and then let it sort
00:14:27.570 --> 00:14:36.559
of spread a little more. I can let that. become
00:14:36.559 --> 00:14:39.000
whatever it is. I have started this painting
00:14:39.000 --> 00:14:41.299
with absolutely no plan and that's kind of how
00:14:41.299 --> 00:14:43.759
I want you to do it when it comes to this type
00:14:43.759 --> 00:14:46.259
of thing, healing through art. I do not want
00:14:46.259 --> 00:14:48.799
you to have a plan in mind, like it's gonna look
00:14:48.799 --> 00:14:51.980
like this and it's gonna go this way. I just
00:14:51.980 --> 00:14:54.840
knew that this shape that you're seeing on the
00:14:54.840 --> 00:14:57.980
camera right now, all I know is that's what my
00:14:57.980 --> 00:15:00.679
fear feels like. It feels like this shape and
00:15:00.679 --> 00:15:03.559
this color. It also doesn't have to be any particular
00:15:03.559 --> 00:15:07.350
color, okay? Like one color. I chose orange for
00:15:07.350 --> 00:15:09.730
my fear because it feels a little bit like I
00:15:09.730 --> 00:15:13.750
feel stuck. I feel a little blocked. I feel like
00:15:13.750 --> 00:15:17.549
my fear is associated with kind of like that
00:15:17.549 --> 00:15:19.370
feeling of I don't know if I'm ever going to
00:15:19.370 --> 00:15:21.509
be able to do what I want to do. I don't know
00:15:21.509 --> 00:15:25.269
if I can do it. And that just felt orange to
00:15:25.269 --> 00:15:28.029
me. For no particular reason. Just felt orange.
00:15:28.610 --> 00:15:31.789
And then the shape just came out. Like it's it
00:15:31.789 --> 00:15:34.789
was no plan of mine really just This is the shape
00:15:34.789 --> 00:15:37.629
of that exact feeling. That's how I want you
00:15:37.629 --> 00:15:40.250
to do it. Yours might be more than one color,
00:15:40.250 --> 00:15:43.950
so you can add colors to that. And then I want
00:15:43.950 --> 00:15:47.830
you to ask the question, have I felt any frustration
00:15:47.830 --> 00:15:53.009
or that feeling of frustration? I'm so frustrated
00:15:53.009 --> 00:15:56.809
because... And then go ahead and finish that
00:15:56.809 --> 00:15:59.789
sentence. I'm frustrated because... And then
00:15:59.789 --> 00:16:02.250
you can go ahead and journal that or you can...
00:16:03.629 --> 00:16:06.769
Take a quiet moment, pause the video, say what
00:16:06.769 --> 00:16:09.990
am I frustrated about most right now? And then
00:16:09.990 --> 00:16:14.730
again, we're gonna choose a shape. It might be
00:16:14.730 --> 00:16:17.610
right alongside the shape you just did. In that
00:16:17.610 --> 00:16:20.669
case, if you get that wet, it will start to blend.
00:16:20.870 --> 00:16:24.529
It'll start to, whatever color it was that you
00:16:24.529 --> 00:16:26.889
had, it's gonna start to like fill into that.
00:16:27.870 --> 00:16:31.269
And then I'm gonna give it a color. Now what
00:16:31.269 --> 00:16:33.710
we're doing, and this comes from my training
00:16:33.710 --> 00:16:36.450
at the Institute of Healing Arts, the integrated
00:16:36.450 --> 00:16:39.909
processing technique that I do, what that means
00:16:39.909 --> 00:16:43.070
is integration of right and left brain. So we
00:16:43.070 --> 00:16:45.950
are languaging the feelings, we are languaging
00:16:45.950 --> 00:16:48.389
the emotion, but we're also representing it as
00:16:48.389 --> 00:16:51.830
a color. So in doing that, we're engaging our
00:16:51.830 --> 00:16:55.049
right brain. So our left brain does the language,
00:16:55.289 --> 00:16:58.879
our right brain does the color. And we're combining
00:16:58.879 --> 00:17:03.360
them to represent and to express a very valid,
00:17:03.480 --> 00:17:07.539
very real emotion in our body. Emotions are just
00:17:07.539 --> 00:17:11.059
energy in motion. So here is my energy in motion.
00:17:12.019 --> 00:17:16.220
My frustration feels green. I don't know why.
00:17:16.299 --> 00:17:19.579
Can't explain it. Don't have to. It's not my
00:17:19.579 --> 00:17:24.960
job to explain it right now as the participant.
00:17:25.920 --> 00:17:28.259
As the emotional healer, it is my job to explain
00:17:28.259 --> 00:17:31.980
it, but set that aside. That's not your job,
00:17:32.279 --> 00:17:36.180
participants. Okay, and you might just be representing
00:17:36.180 --> 00:17:41.799
that emotion as a color. And you know, not all
00:17:41.799 --> 00:17:44.640
of it blends. It sometimes just feels really
00:17:44.640 --> 00:17:47.720
spotty too. And I'm leaving some white spots
00:17:47.720 --> 00:17:51.359
as I go, because that's what feels right to me.
00:17:51.500 --> 00:17:54.720
The more paint you add, the darker the feeling,
00:17:54.940 --> 00:17:58.079
the darker the color is gonna be. And look at
00:17:58.079 --> 00:18:01.779
how it just like swims. Now anywhere where my
00:18:01.779 --> 00:18:04.539
watercolor dries, it's gonna create lines. It's
00:18:04.539 --> 00:18:08.240
gonna create those watermark spots. And this
00:18:08.240 --> 00:18:12.400
is why I teach watercolor this way. I teach it
00:18:12.400 --> 00:18:15.480
like with. Just playfulness and playing around
00:18:15.480 --> 00:18:18.440
with it because the best way to learn how to
00:18:18.440 --> 00:18:20.900
watercolor and to Control where that watercolor
00:18:20.900 --> 00:18:24.299
goes and what it does is to first learn what
00:18:24.299 --> 00:18:27.359
it's gonna do This is what I do with children.
00:18:27.380 --> 00:18:30.339
I say, you know, there's no mistakes. There's
00:18:30.339 --> 00:18:32.759
just learning So we're just learning how to do
00:18:32.759 --> 00:18:35.839
it You can now see some differences like some
00:18:35.839 --> 00:18:38.920
of these spots are darker where I added more
00:18:38.920 --> 00:18:42.630
water Sorry where I added more paint and some
00:18:42.630 --> 00:18:44.970
of the spots lightened where it was more watery.
00:18:46.069 --> 00:18:48.230
If I was doing a painting where I actually wanted
00:18:48.230 --> 00:18:52.490
to shade or make it real, real intentional, real
00:18:52.490 --> 00:18:56.049
deliberate where I wanted that color to go, I
00:18:56.049 --> 00:18:59.410
would be better at it because I did this. But
00:18:59.410 --> 00:19:02.230
for today, for this, we're not concerned with
00:19:02.230 --> 00:19:05.750
what it looks like. We're just going based on
00:19:05.750 --> 00:19:09.589
feel, entirely by feel. Ooh, so you might start
00:19:09.589 --> 00:19:13.440
to feel that energy shift. yawn or sigh or feel
00:19:13.440 --> 00:19:16.019
like, okay, I'm really feeling a lot of this
00:19:16.019 --> 00:19:19.380
coming out onto the paper. What's the next feeling
00:19:19.380 --> 00:19:22.220
or emotion? Once that shifts, I can move on to
00:19:22.220 --> 00:19:25.720
the next emotion point and say, all right, the
00:19:25.720 --> 00:19:32.400
next emotion I feel might be anger. Maybe you're
00:19:32.400 --> 00:19:35.240
not ready for anger yet, that's okay. But eventually
00:19:35.240 --> 00:19:37.599
somewhere in the process, I make everybody do
00:19:37.599 --> 00:19:40.099
suppressed anger as an emotion point because
00:19:40.380 --> 00:19:43.400
It is my experience and what I have been taught
00:19:43.400 --> 00:19:47.059
by many facilitators who do this processing.
00:19:48.000 --> 00:19:50.200
But suppressed anger is a must. It's in there.
00:19:50.299 --> 00:19:52.920
It's happening. You may not feel it yet, but
00:19:52.920 --> 00:19:55.980
it'll come eventually. So pay attention to when
00:19:55.980 --> 00:19:58.559
it does. If you're not ready for suppressed anger,
00:19:58.640 --> 00:20:04.160
you could also ask yourself about that out of
00:20:04.160 --> 00:20:06.599
control feeling. Is there something that feels
00:20:06.599 --> 00:20:09.140
out of control here? What does that feel like?
00:20:09.200 --> 00:20:12.160
What does that look like? And you know, actually,
00:20:12.279 --> 00:20:14.500
for me right now, that's feeling like two different
00:20:14.500 --> 00:20:19.259
colors. So I'm gonna add in some red. And while
00:20:19.259 --> 00:20:26.180
it's still wet, as I paint this area that I just
00:20:26.180 --> 00:20:29.900
happened to get wet, I was like, this is my anger.
00:20:31.000 --> 00:20:32.920
Some of this is my anger and some of it is my
00:20:32.920 --> 00:20:36.039
out of control. Actually, some of it is really
00:20:36.039 --> 00:20:39.680
just kind of mixing. And then I want some purple,
00:20:39.920 --> 00:20:43.640
so I'm adding blue in there, because my palette
00:20:43.640 --> 00:20:46.480
doesn't have a purple. It means I have to create
00:20:46.480 --> 00:20:50.859
it, which is awesome. It's even better. Ooh,
00:20:50.859 --> 00:20:53.440
I like that in between there. It's mixing with
00:20:53.440 --> 00:20:55.779
the orange now. I'm going to add a little water
00:20:55.779 --> 00:20:57.859
to that so it just splooges a little bit more.
00:20:58.029 --> 00:21:02.009
that's my own word by the way guys splooge now
00:21:02.009 --> 00:21:04.150
mine is feeling very like it's really starting
00:21:04.150 --> 00:21:06.569
to integrate into each other that doesn't have
00:21:06.569 --> 00:21:09.869
to be what yours looks like like i said when
00:21:09.869 --> 00:21:12.970
we started this there's no plan it is all how
00:21:12.970 --> 00:21:15.390
you feel so i want you to pay attention to how
00:21:15.390 --> 00:21:18.109
it feels to you if you don't like this kind of
00:21:18.109 --> 00:21:22.069
like watery sploogey there's a lot of like i'm
00:21:22.069 --> 00:21:24.390
leaving a lot of white spots in between things
00:21:24.390 --> 00:21:27.960
because that's just what i wanted to do I have
00:21:27.960 --> 00:21:29.660
seen a lot of clients who have done this work
00:21:29.660 --> 00:21:31.640
and they have done it very compartmentalized,
00:21:31.839 --> 00:21:35.650
like they have shapes. a circle, a triangle,
00:21:36.150 --> 00:21:39.369
a square, a rectangle, a star, and all of them
00:21:39.369 --> 00:21:42.190
are very separate and very much like, here's
00:21:42.190 --> 00:21:44.529
my anger, here's my resentment, here's my out
00:21:44.529 --> 00:21:46.630
of control, here's my guilt, here's my shame.
00:21:47.009 --> 00:21:49.670
And they go through all the emotion points just
00:21:49.670 --> 00:21:52.470
very compartmentalized. And you know what? There
00:21:52.470 --> 00:21:54.630
is absolutely nothing wrong with that. I think
00:21:54.630 --> 00:21:57.210
everybody is going to do it exactly what feels
00:21:57.210 --> 00:22:01.289
right to them. So don't worry at all if you feel
00:22:01.289 --> 00:22:04.920
like, oh, hers looks like way different than
00:22:04.920 --> 00:22:07.839
mine. I would even rather you not like watch
00:22:07.839 --> 00:22:11.059
my video unless you just want some tips on technique.
00:22:11.900 --> 00:22:14.039
I would almost rather you just take your own
00:22:14.039 --> 00:22:16.799
colors and your own way of doing it and do it
00:22:16.799 --> 00:22:20.180
entirely your own without an example to look
00:22:20.180 --> 00:22:24.660
at. But if you'd like some tips on how watercolor
00:22:24.660 --> 00:22:28.220
can be very fun to work with, then watching what
00:22:28.220 --> 00:22:31.480
I'm doing is a unique experience. You could do
00:22:31.480 --> 00:22:34.940
that. as well. You can see how fun watercolor
00:22:34.940 --> 00:22:37.859
can be when you're not actually actively trying
00:22:37.859 --> 00:22:40.259
to make something. I think watercolor can be
00:22:40.259 --> 00:22:42.680
frustrating for new artists just learning because
00:22:42.680 --> 00:22:44.380
they think, I don't know how to control this.
00:22:44.400 --> 00:22:47.019
It's just like when something's wet or when something's
00:22:47.019 --> 00:22:49.720
dry, it starts just mixing everywhere and I don't
00:22:49.720 --> 00:22:54.319
know how to control. And it can be frustrating,
00:22:55.160 --> 00:22:58.819
which again is part of the healing. Like, hey,
00:22:58.819 --> 00:23:03.759
let's get frustrated sometimes, right? I see
00:23:03.759 --> 00:23:05.940
you're frustrated. I validate your frustration.
00:23:06.819 --> 00:23:09.559
All that. So in an inner child healing through
00:23:09.559 --> 00:23:11.599
art workshop when I'm doing this, we're not actually
00:23:11.599 --> 00:23:14.599
working in present day emotion points. We are
00:23:14.599 --> 00:23:18.799
looking at what does that inner child feel? And
00:23:18.799 --> 00:23:22.880
it's whatever age happened to come up for you.
00:23:26.880 --> 00:23:29.859
My red is starting to look like spots of blood
00:23:29.859 --> 00:23:35.089
everywhere. I'm here for it. Kind of loving it.
00:23:36.009 --> 00:23:38.170
And you know, some of that red just feels like
00:23:38.170 --> 00:23:46.430
it needs to come in here. This is already dry.
00:23:46.970 --> 00:23:49.589
So now when I add this color to it and I'm adding
00:23:49.589 --> 00:23:53.609
some more red to it, it's going to stay where
00:23:53.609 --> 00:23:56.410
I paint it and it's gonna be really bold. It's
00:23:56.410 --> 00:23:59.829
not gonna spread and mix with the green that
00:23:59.829 --> 00:24:03.170
I put on there earlier. That's another kind of
00:24:03.170 --> 00:24:05.069
cool thing you learn about watercolor is how
00:24:05.069 --> 00:24:09.430
to control the wet and the dry to get the looks
00:24:09.430 --> 00:24:13.190
you really want. What is it going to look like
00:24:13.190 --> 00:24:15.329
when these mix or what is this going to look
00:24:15.329 --> 00:24:17.230
like when I paint on top of it after it dries?
00:24:17.769 --> 00:24:20.230
It's kind of just an experiment to see what happens.
00:24:22.670 --> 00:24:25.150
And my red is sort of taking over. It just feels
00:24:25.150 --> 00:24:26.630
like it wants to be a part of this whole painting,
00:24:26.650 --> 00:24:33.180
I guess. It's all right. No problem. Here we
00:24:33.180 --> 00:24:39.759
go. Sometimes an image will start to unveil and
00:24:39.759 --> 00:24:41.980
unravel itself in this, and that's fine too.
00:24:42.140 --> 00:24:44.619
Don't worry about it. Don't think about it just
00:24:44.619 --> 00:24:50.160
yet. That comes later. All right, friends. Next
00:24:50.160 --> 00:24:55.579
emotion point might be self -image. What do I
00:24:55.579 --> 00:24:58.119
feel about myself right now? What feels heavy
00:24:58.119 --> 00:25:00.559
in the way that I see myself, in the way that
00:25:00.559 --> 00:25:07.220
I'm understanding myself? Am I feeling good in
00:25:07.220 --> 00:25:11.059
that self -esteem and that self -image, emotion?
00:25:11.339 --> 00:25:13.680
Or is there something about that that feels heavy?
00:25:14.799 --> 00:25:18.740
Ooh. And as I'm doing this, I'm just following
00:25:18.740 --> 00:25:21.799
my intuition on it. And where does it go? I'm
00:25:21.799 --> 00:25:25.529
actually feeling it take a little bit. over actually.
00:25:26.470 --> 00:25:28.549
So instead of doing like that nice little dotty
00:25:28.549 --> 00:25:30.809
dot dot thing that I was doing earlier where
00:25:30.809 --> 00:25:34.670
things are splooging, I'm covering a lot of the
00:25:34.670 --> 00:25:37.250
area with with yellow. That felt like the color
00:25:37.250 --> 00:25:40.609
that self -image was coming up for me as I'm,
00:25:40.769 --> 00:25:43.109
there's some things about self -image on that
00:25:43.109 --> 00:25:46.210
emotion point that I'm frustrated with. And so
00:25:46.210 --> 00:25:49.589
yellow just feels a little um overwhelming actually.
00:25:51.029 --> 00:25:54.579
So, overwhelming is another emotion point. that
00:25:54.579 --> 00:25:56.859
you can ask yourself, what am I feeling most
00:25:56.859 --> 00:26:00.460
overwhelmed about right now? And when overwhelming
00:26:00.460 --> 00:26:07.059
comes up in my painting, it takes over. It just
00:26:07.059 --> 00:26:10.400
starts to take over everywhere. For some people,
00:26:10.420 --> 00:26:13.039
that's anger. Now don't worry if your paper starts
00:26:13.039 --> 00:26:14.700
to curl because we're getting it wet. We can
00:26:14.700 --> 00:26:17.039
fix that later too. Some people like to tape
00:26:17.039 --> 00:26:19.900
it down and some people don't. I don't usually
00:26:19.900 --> 00:26:22.630
tape it down, but. watercolor artists that like
00:26:22.630 --> 00:26:29.650
to, that's fine. Notice how this side of my painting
00:26:29.650 --> 00:26:31.930
is looking different than this side of my painting.
00:26:32.609 --> 00:26:35.309
I'm just noticing that, I'm observing it, I'm
00:26:35.309 --> 00:26:38.049
saying, huh, how interesting. Almost as if it's
00:26:38.049 --> 00:26:40.569
somebody else doing it. And that's fine too.
00:26:41.930 --> 00:26:45.990
Okay, self -image. You know, one other emotion
00:26:45.990 --> 00:26:48.430
point that you might ask yourself about too is,
00:26:48.430 --> 00:26:55.960
as we do this, is resentment and shame and guilt.
00:26:57.700 --> 00:27:00.240
So anything that feels like it needs to have
00:27:00.240 --> 00:27:04.759
a moment to be expressed, language it, journal
00:27:04.759 --> 00:27:07.460
it, paint it. That's kind of what we're doing
00:27:07.460 --> 00:27:11.960
is working through some of those things. I just
00:27:11.960 --> 00:27:16.180
kind of like accidentally made a puke orange
00:27:16.180 --> 00:27:22.799
color here and that isn't... very pretty But
00:27:22.799 --> 00:27:25.339
it absolutely fits with the emotions that I'm
00:27:25.339 --> 00:27:29.539
feeling so it will be Pukey looking and that's
00:27:29.539 --> 00:27:34.299
okay That's great Remember we're painting we're
00:27:34.299 --> 00:27:37.200
healing we're painting out kind of ugly feelings
00:27:37.200 --> 00:27:40.660
and ugly thoughts and ugly You know, they can
00:27:40.660 --> 00:27:43.359
be kind of ugly so if it turns out looking ugly
00:27:43.359 --> 00:27:46.859
then it serves its purpose either way Another
00:27:46.859 --> 00:27:48.880
cool thing that you can do and I want to just
00:27:48.880 --> 00:27:52.250
ask you If it feels right for you, you can do
00:27:52.250 --> 00:27:56.490
this. You can make the paint really wet and really
00:27:56.490 --> 00:27:58.369
sloppy. And then if you want to pick up your
00:27:58.369 --> 00:28:01.829
paper and let it drip, it can create a cool effect.
00:28:01.869 --> 00:28:06.029
It's just fun to kind of let that happen. So
00:28:06.029 --> 00:28:10.049
let it happen. You can also leave any areas white
00:28:10.049 --> 00:28:13.250
that you feel like that represents a feeling
00:28:13.250 --> 00:28:15.390
or an emotion as well. If you're like, it feels
00:28:15.390 --> 00:28:18.759
white to me. And that might be like what you
00:28:18.759 --> 00:28:25.319
want that to look like. So we're getting towards
00:28:25.319 --> 00:28:30.799
the end of the painting process of this. And
00:28:30.799 --> 00:28:34.599
I'm going to let you pause the video. I'm gonna
00:28:34.599 --> 00:28:37.960
finish painting out mine. And then we're going
00:28:37.960 --> 00:28:41.200
to actually let this dry. We're gonna let the
00:28:41.200 --> 00:28:44.440
end of this painting finish what we want it to
00:28:44.440 --> 00:28:49.140
do. If you're coloring with crayons or anything,
00:28:49.660 --> 00:28:52.799
you can keep flipping the page as you scribble
00:28:52.799 --> 00:28:56.440
it out. Whatever color and shape, you can just
00:28:56.440 --> 00:28:58.500
grab crayons and say, okay, this is an orange
00:28:58.500 --> 00:29:00.319
and this feels like resentment. And then you
00:29:00.319 --> 00:29:03.319
can just scribble it out. Scribble, scribble,
00:29:03.480 --> 00:29:05.500
scribble until you feel like all of it has left
00:29:05.500 --> 00:29:07.720
your body. Then you turn the page and you do
00:29:07.720 --> 00:29:09.900
another page. You're gonna end up creating a
00:29:09.900 --> 00:29:12.140
whole book. And by the way, at the end of it,
00:29:12.180 --> 00:29:14.099
if you don't want to keep your book, that's okay
00:29:14.099 --> 00:29:20.660
too. You can burn it, you can let it go, whatever
00:29:20.660 --> 00:29:33.160
feels right to you. It all works. If you're using
00:29:33.160 --> 00:29:36.779
watercolor pencil, Don't add any water yet at
00:29:36.779 --> 00:29:39.420
this point in the process. You just use the color
00:29:39.420 --> 00:29:43.940
pencils to color out shapes and Add coloring
00:29:43.940 --> 00:29:47.079
or detail to it in the colored pencil knowing
00:29:47.079 --> 00:29:50.839
that we are going to get it wet later I can do
00:29:50.839 --> 00:29:53.079
a demonstration of that on another video another
00:29:53.079 --> 00:29:55.859
time But watercolor pencils are actually really
00:29:55.859 --> 00:29:58.660
cool for this process It turns out really awesome
00:29:58.660 --> 00:30:01.500
and I'll kind of explain why as we get to the
00:30:01.500 --> 00:30:04.970
next point in our process, but first We do need
00:30:04.970 --> 00:30:09.069
to finish painting out all the heavy feelings.
00:30:10.069 --> 00:30:14.029
Paint until the heavy feels not so heavy, until
00:30:14.029 --> 00:30:17.529
you feel lighter, until you feel that it's come
00:30:17.529 --> 00:30:20.910
out, whatever it looks like, whatever it feels
00:30:20.910 --> 00:30:25.049
like. Pay attention to your body and how it's
00:30:25.049 --> 00:30:27.930
doing if it feels like you need to do a big yawn.
00:30:34.059 --> 00:30:37.000
needed to happen there. It almost looks like
00:30:37.000 --> 00:30:40.680
a volcano is exploding now. Alright so pause
00:30:40.680 --> 00:30:42.660
the video finish your painting and then we will
00:30:42.660 --> 00:30:46.400
talk about what to do once this dries. Alright
00:30:46.400 --> 00:30:50.380
as we're waiting for our painting to dry in the
00:30:50.380 --> 00:30:54.279
healing through art and emotional process sessions
00:30:54.279 --> 00:30:57.440
and workshops that I do we use the time while
00:30:57.440 --> 00:30:59.559
this is drying to do a little bit of journaling
00:30:59.559 --> 00:31:03.730
that I Help guide I have kind of a worksheet
00:31:03.730 --> 00:31:08.490
work Book that I guide my clients my participants
00:31:08.490 --> 00:31:11.769
to kind of go through and analyze what colors
00:31:11.769 --> 00:31:16.309
they have Pulled out what they have used to represent
00:31:16.309 --> 00:31:19.730
the emotion points that we've talked about because
00:31:19.730 --> 00:31:23.150
there is a color guide and I I kind of adapted
00:31:23.150 --> 00:31:26.349
it from Some of the work done at the Institute
00:31:26.349 --> 00:31:28.309
of healing arts where they give us a color guide
00:31:28.309 --> 00:31:32.049
to help guide what sort of colors that a client
00:31:32.049 --> 00:31:34.670
might be pulling out in a session. Obviously,
00:31:34.849 --> 00:31:36.970
in an integrated processing technique session,
00:31:37.329 --> 00:31:39.109
we wouldn't be doing any painting. It would be
00:31:39.109 --> 00:31:41.710
totally visualizing colors as we pull them out,
00:31:41.710 --> 00:31:44.430
as we identify what color an emotion point might
00:31:44.430 --> 00:31:46.769
be. So we might say, that feels really yellow.
00:31:46.930 --> 00:31:49.190
I'm pulling out a lot of yellow as we're visualizing
00:31:49.190 --> 00:31:53.450
it. I have adapted that into an actual art experience,
00:31:53.450 --> 00:31:58.009
but it doesn't have to be. To give you an idea,
00:31:58.349 --> 00:32:00.289
I'm going to show you some work that we've done
00:32:00.289 --> 00:32:03.970
in some other healing through art workshops that
00:32:03.970 --> 00:32:06.269
I've taught. This is another one of mine, but
00:32:06.269 --> 00:32:09.190
this is kind of how I ended up adopting it. So
00:32:09.190 --> 00:32:10.829
you'll be able to see on the video if you are
00:32:10.829 --> 00:32:13.069
watching on YouTube. Again, if you're not watching
00:32:13.069 --> 00:32:14.970
on YouTube, that's fine. You can just listen
00:32:14.970 --> 00:32:16.710
because I am going to kind of go through it and
00:32:16.710 --> 00:32:21.500
talk about it. The color guide helps us to identify
00:32:21.500 --> 00:32:24.980
what might be some things going on. So in this
00:32:24.980 --> 00:32:27.460
painting, you'll see it looks very, this is acrylic,
00:32:27.599 --> 00:32:29.759
but this is very different than the one I just
00:32:29.759 --> 00:32:32.359
showed you, the one we just did together. That's
00:32:32.359 --> 00:32:34.660
because every time I do this, it's a completely
00:32:34.660 --> 00:32:36.460
different emotional experience that we're having.
00:32:37.000 --> 00:32:39.670
So. they're going to look different. And as I
00:32:39.670 --> 00:32:42.630
painted this out, I felt at that time the things
00:32:42.630 --> 00:32:46.269
I was painting were just very, very spiral oriented,
00:32:46.670 --> 00:32:50.009
like colors, but they were also spiraled into
00:32:50.009 --> 00:32:52.710
each other. And you'll see that I used a lot
00:32:52.710 --> 00:32:57.579
of purple. inside the spiral and it's kind of
00:32:57.579 --> 00:33:00.819
spiraled in there with green. So this would tell
00:33:00.819 --> 00:33:03.660
me as a healing facilitator that some of the
00:33:03.660 --> 00:33:06.859
things that I was working through in this process
00:33:06.859 --> 00:33:11.200
had to do with need for approval. Need for approval
00:33:11.200 --> 00:33:16.180
in the green and the purple is associated with
00:33:16.180 --> 00:33:19.119
authority figures. So whatever age that I was
00:33:19.119 --> 00:33:21.660
working on, there was probably a lot of feelings
00:33:21.660 --> 00:33:25.460
like I really wanted approval from an authority
00:33:25.460 --> 00:33:30.680
figure, usually mom or dad, that was happening
00:33:30.680 --> 00:33:34.440
at that place and time. So that just tells me
00:33:34.440 --> 00:33:36.660
there's a lot wrapped up in that. Like I was
00:33:36.660 --> 00:33:42.670
very much integrating like my worth. My feeling
00:33:42.670 --> 00:33:45.069
good about myself was very connected to whether
00:33:45.069 --> 00:33:48.390
or not I was getting that approval or love and
00:33:48.390 --> 00:33:50.569
connection that I was seeking from authority
00:33:50.569 --> 00:33:55.230
figures here in the purple. You'll also see blue.
00:33:55.349 --> 00:33:58.089
Blue is associated with the throat chakra or
00:33:58.089 --> 00:34:02.049
communication. So the blue that comes out might
00:34:02.049 --> 00:34:05.839
be associated with how I felt like. I was communicating
00:34:05.839 --> 00:34:08.559
those needs, how I maybe felt that those needs
00:34:08.559 --> 00:34:12.400
weren't heard or that I felt that I needed to
00:34:12.400 --> 00:34:15.059
say them in a certain way and that it wasn't
00:34:15.059 --> 00:34:18.199
being communicated or maybe I felt that I couldn't
00:34:18.199 --> 00:34:20.719
communicate it at all. I just stayed silent,
00:34:20.860 --> 00:34:24.480
did not express myself, did not say what my feelings
00:34:24.480 --> 00:34:26.920
were or that I was sad. You'll also see that
00:34:26.920 --> 00:34:28.039
in the background of this one, there's a lot
00:34:28.039 --> 00:34:29.800
of yellow. So I want you to pay attention to
00:34:29.800 --> 00:34:31.940
your own painting that you've done today and
00:34:31.940 --> 00:34:34.539
say, what kinds of colors do I notice? Because
00:34:34.539 --> 00:34:36.900
I did a lot of yellow in my painting today, too.
00:34:37.300 --> 00:34:40.780
Yellow has a lot to do with that personal power,
00:34:40.940 --> 00:34:46.239
that solar plexus, that I feel that I can do
00:34:46.239 --> 00:34:49.940
things. I have the confidence to do them. So
00:34:49.940 --> 00:34:53.159
when it's painted out in heavier feelings, that
00:34:53.159 --> 00:34:56.039
kind of associates with I don't feel the self
00:34:56.039 --> 00:34:58.980
-confidence. I don't feel. good about myself,
00:34:58.980 --> 00:35:02.119
I don't feel that I can do it. So once we come
00:35:02.119 --> 00:35:05.059
to, we'll go through the middle of the process.
00:35:05.519 --> 00:35:07.900
Again, that's not something I can translate very
00:35:07.900 --> 00:35:10.820
well through the video, but to kind of sit and
00:35:10.820 --> 00:35:14.719
be able to assess the colors and then get to
00:35:14.719 --> 00:35:18.820
the real heart of it would be, what did I actually
00:35:18.820 --> 00:35:23.400
believe about myself? What was the core belief
00:35:23.400 --> 00:35:26.989
or what was the shame that I held? or that I
00:35:26.989 --> 00:35:31.409
am holding now in all of this emotion. So I like
00:35:31.409 --> 00:35:34.590
to see it as we're kind of digging. When we paint
00:35:34.590 --> 00:35:37.449
out the colors associated with emotions, we're
00:35:37.449 --> 00:35:39.730
just digging. We're digging, we're moving, we're
00:35:39.730 --> 00:35:41.670
moving, we're moving, moving energy out of the
00:35:41.670 --> 00:35:44.250
way because somewhere deep down at the core of
00:35:44.250 --> 00:35:48.889
it is going to be shame. It's somewhere in that
00:35:48.889 --> 00:35:52.199
we're going to address it. So that's why a facilitator
00:35:52.199 --> 00:35:55.320
through this process is very, very, very helpful.
00:35:55.760 --> 00:35:57.579
Yes, you can sit down and you can paint this.
00:35:57.679 --> 00:35:59.780
Yes, you can journal. Yes, you can ask yourself
00:35:59.780 --> 00:36:02.159
a lot of questions. But when you seek someone
00:36:02.159 --> 00:36:04.940
out like myself, who is trained and knows what
00:36:04.940 --> 00:36:08.179
to ask, you are going to uncover so much more
00:36:08.179 --> 00:36:09.840
than what you could be aware of for yourself.
00:36:10.380 --> 00:36:13.159
Because if you can be aware of it yourself, then
00:36:13.159 --> 00:36:16.570
why haven't you, right? So much of who we are
00:36:16.570 --> 00:36:19.389
and what we do is subconscious is because we
00:36:19.389 --> 00:36:22.610
don't know any other way So having a outside
00:36:22.610 --> 00:36:25.489
perspective somebody who is helping us dig in
00:36:25.489 --> 00:36:28.150
and deep and ask those questions and get those
00:36:28.150 --> 00:36:33.670
answers is Really really helpful So if as at
00:36:33.670 --> 00:36:35.949
any time you were talking about this you want
00:36:35.949 --> 00:36:38.750
to? Check out prism healing book a session with
00:36:38.750 --> 00:36:42.349
me or to do the workshop with me I can guarantee
00:36:42.349 --> 00:36:44.630
you we can get a lot more done than what we can
00:36:44.630 --> 00:36:47.909
do here on video today. But as it is a podcast
00:36:47.909 --> 00:36:50.489
episode, we are just really, really, really excited
00:36:50.489 --> 00:36:52.969
to have you here to work through some of this
00:36:52.969 --> 00:36:56.050
stuff as best you can. And so what we're going
00:36:56.050 --> 00:36:58.070
to do after we do the journaling experience and
00:36:58.070 --> 00:36:59.690
we've kind of worked through some of those things
00:36:59.690 --> 00:37:02.070
and we've recognized patterns within ourselves.
00:37:02.469 --> 00:37:05.250
We've recognized actions and behaviors. We've
00:37:05.250 --> 00:37:07.769
recognized what neural pathways got us to those
00:37:07.769 --> 00:37:10.869
behaviors. Why did we do the things we do? Would
00:37:10.869 --> 00:37:14.710
we do it differently if we could? What are some
00:37:14.710 --> 00:37:16.929
new ways that we can get our needs met that we
00:37:16.929 --> 00:37:19.469
have not tried or that we're not currently doing
00:37:19.469 --> 00:37:21.949
because we didn't know that we could? We didn't
00:37:21.949 --> 00:37:25.829
know there was another way? This is just unblocking
00:37:25.829 --> 00:37:28.929
a lot of subconscious stuff. We're just kind
00:37:28.929 --> 00:37:32.130
of blah, blah, blah, like throwing up all this
00:37:32.130 --> 00:37:34.750
subconscious stuff out to look at it and to sort
00:37:34.750 --> 00:37:38.090
it and to make it conscious again. to let our
00:37:38.090 --> 00:37:42.510
conscious mind really say, is this working for
00:37:42.510 --> 00:37:46.210
me? How can I do differently? And then we get
00:37:46.210 --> 00:37:47.989
to do the really fun part with this creative
00:37:47.989 --> 00:37:49.929
experience. We get to look at our painting and
00:37:49.929 --> 00:37:52.329
we can do a couple of different things. You've
00:37:52.329 --> 00:37:53.909
been looking at my painting upside down from
00:37:53.909 --> 00:37:56.369
what I've been looking at it. But when you've
00:37:56.369 --> 00:38:00.469
been working on your painting or your art, you
00:38:00.469 --> 00:38:03.110
get to take these heavy feelings and you get
00:38:03.110 --> 00:38:06.989
to transmute them. They no longer need to represent
00:38:06.989 --> 00:38:10.530
the heavy. They can represent light. So in a
00:38:10.530 --> 00:38:12.570
process, we do something called the clearing.
00:38:13.010 --> 00:38:15.110
And there's a specific statement that we use,
00:38:15.309 --> 00:38:17.989
something we say out loud, something like, I
00:38:17.989 --> 00:38:19.889
clear the negative energies, family patterns,
00:38:20.070 --> 00:38:22.750
and traditions of, and then we list out all the
00:38:22.750 --> 00:38:25.269
things representing all this negative. Well,
00:38:25.750 --> 00:38:29.010
we can say negative, but really it's just heavy
00:38:29.010 --> 00:38:34.159
or self -sabotaging or... not our higher self.
00:38:34.960 --> 00:38:36.960
I don't always love using the word negative,
00:38:37.079 --> 00:38:39.000
but for lack of a better term we'll say negative.
00:38:39.360 --> 00:38:40.960
We're going to clear all those negative energies
00:38:40.960 --> 00:38:42.900
and we're going to replace them with positive
00:38:42.900 --> 00:38:45.400
energies, positive affirmations that really do
00:38:45.400 --> 00:38:49.820
serve us better. So one way we can do that, represented
00:38:49.820 --> 00:38:53.719
in our painting, is we can actually transmute
00:38:53.719 --> 00:38:56.929
this painting into something positive. Now you
00:38:56.929 --> 00:38:59.610
get to take the image you've made and say, is
00:38:59.610 --> 00:39:02.929
there an image that comes from this? Is this
00:39:02.929 --> 00:39:04.710
looking, I'm going to show you the way I painted
00:39:04.710 --> 00:39:08.010
it. This is how it looks the way that the direction
00:39:08.010 --> 00:39:11.530
I painted it, okay? Now it kind of does look
00:39:11.530 --> 00:39:13.469
like it could be something. It looks like it
00:39:13.469 --> 00:39:15.730
could be like a volcano exploding. This could
00:39:15.730 --> 00:39:18.469
be like the ocean with the lava running into
00:39:18.469 --> 00:39:22.309
the ocean. This almost looks like a, I don't
00:39:22.309 --> 00:39:26.389
know what this could be, but you know. Some mist
00:39:26.389 --> 00:39:29.449
or forest or something coming off onto the side
00:39:29.449 --> 00:39:33.110
here. It's very cloudy very mystical looking
00:39:33.110 --> 00:39:35.869
But you know there could be a specific image
00:39:35.869 --> 00:39:38.349
that pops up in your mind And if there is an
00:39:38.349 --> 00:39:40.750
image kind of like you see an image in a cloud
00:39:40.750 --> 00:39:44.989
we can take a marker or a crayon or I'm using
00:39:44.989 --> 00:39:47.889
a sharpie. I love using the sharpies. I actually
00:39:47.889 --> 00:39:51.949
have a Case of sharpies in all colors that I
00:39:51.949 --> 00:39:55.250
could use which if you have those supplies more
00:39:55.250 --> 00:39:57.530
power to you. Use whatever you have, whatever
00:39:57.530 --> 00:40:01.090
you want. I have done this with crayons. I have
00:40:01.090 --> 00:40:03.730
done this with colored pencils. If you did this
00:40:03.730 --> 00:40:07.090
with watercolor pencil and you got all the pencil
00:40:07.090 --> 00:40:11.690
out, like you colored out all your emotions in
00:40:11.690 --> 00:40:14.610
shapes and colors with the colored pencil, the
00:40:14.610 --> 00:40:16.489
beautiful thing about watercolor pencils is now
00:40:16.489 --> 00:40:19.130
you get to add the water and you get to paint
00:40:19.130 --> 00:40:22.769
it. And that is so fun. Oh my gosh. I almost
00:40:22.769 --> 00:40:24.550
wish I had done that today to show you what that's
00:40:24.550 --> 00:40:31.050
like. It's so fun. Oh, there goes my light. One
00:40:31.050 --> 00:40:35.949
second here, see if I can get that back. Well,
00:40:35.949 --> 00:40:38.130
it doesn't look too dark on the screen. Okay,
00:40:38.130 --> 00:40:40.889
so I just lost my light for a second, but I think
00:40:40.889 --> 00:40:44.630
we can still keep going. I don't know where.
00:40:44.909 --> 00:40:47.670
Oh, there it goes. It's back. Oh, it's gone.
00:40:49.599 --> 00:40:54.780
Technical issues, friends. This is my first time
00:40:54.780 --> 00:40:58.659
doing an art demonstration on camera, so of course
00:40:58.659 --> 00:41:02.480
it's gonna happen like that. All right, so watching
00:41:02.480 --> 00:41:04.659
what we do here now, we're gonna take our Sharpie
00:41:04.659 --> 00:41:08.019
marker. We're going to trace out any images that
00:41:08.019 --> 00:41:10.360
we happen to see that would create a picture
00:41:10.360 --> 00:41:13.280
out of this. That's one way that we can do it.
00:41:13.360 --> 00:41:16.440
as we're transmuting it to positive energy. The
00:41:16.440 --> 00:41:18.159
second way that we can do it is we can actually
00:41:18.159 --> 00:41:21.260
do what I just did and flip the image upside
00:41:21.260 --> 00:41:25.199
down from what we did, how we created it. So
00:41:25.199 --> 00:41:28.320
here's the image as I created it, but when I
00:41:28.320 --> 00:41:33.920
flip it upside down to show you this way, a completely
00:41:33.920 --> 00:41:37.579
different feeling might happen when you look
00:41:37.579 --> 00:41:40.739
at it from this perspective. For example, maybe
00:41:40.739 --> 00:41:43.219
you colored something really heavily at the bottom
00:41:43.219 --> 00:41:45.340
of your painting and a lot of darkness at the
00:41:45.340 --> 00:41:48.860
bottom. When you turn it around, that heaviness
00:41:48.860 --> 00:41:50.820
is now gonna be at the top of your painting and
00:41:50.820 --> 00:41:53.960
it's gonna create a different feeling or emotion.
00:41:54.880 --> 00:41:57.300
Sometimes I've seen, we've done activities where
00:41:57.300 --> 00:42:00.599
we do this and we'll paint out what we feel like
00:42:00.599 --> 00:42:03.820
is a problem that we're having and then flip
00:42:03.820 --> 00:42:07.139
it upside down and now. Look at it and say now
00:42:07.139 --> 00:42:10.440
if this were the solution to my problem. What
00:42:10.440 --> 00:42:13.500
would this painting be telling me? And yeah,
00:42:13.559 --> 00:42:16.059
it takes a little practice to become that intuitive
00:42:16.059 --> 00:42:21.239
or in or kind of Abstract because that is an
00:42:21.239 --> 00:42:23.900
abstract way of thinking is to be like all these
00:42:23.900 --> 00:42:27.059
uh This these shapes and colors have now become
00:42:27.059 --> 00:42:31.519
a solution And I get it. It's not as cut dry
00:42:31.519 --> 00:42:36.079
as Asking chat GPT or AI What do you think the
00:42:36.079 --> 00:42:38.599
solution to my problem would be and letting them
00:42:38.599 --> 00:42:41.480
kind of work it out for you? This is actually
00:42:41.480 --> 00:42:44.719
tapping into your own intuition your own knowledge
00:42:44.719 --> 00:42:48.519
and wisdom Deep down in the very recesses of
00:42:48.519 --> 00:42:51.380
your subconscious. What answers do I already
00:42:51.380 --> 00:42:54.960
have? tapped into the collective consciousness
00:42:54.960 --> 00:42:59.139
that I can pull from right So what we can actually
00:42:59.139 --> 00:43:01.940
do is we can sit here And if you don't want to
00:43:01.940 --> 00:43:04.239
create an image, that's okay, because second
00:43:04.239 --> 00:43:07.579
option is to just go through and actually just
00:43:07.579 --> 00:43:13.360
trace every line and shape that you see. You're
00:43:13.360 --> 00:43:15.659
not going to see me do this on the entire thing,
00:43:15.920 --> 00:43:18.900
but this is essentially what it would look like.
00:43:19.360 --> 00:43:22.780
I highly recommend putting on some very meditative
00:43:22.780 --> 00:43:28.260
music, ethereal, Enya maybe, meditative music,
00:43:28.360 --> 00:43:34.190
and just let yourself... Sit and trace every
00:43:34.190 --> 00:43:41.530
single line where the colors dried and where
00:43:41.530 --> 00:43:48.909
it created watermarks like this. And as you do
00:43:48.909 --> 00:43:52.929
that, you're gonna feel all of the energy in
00:43:52.929 --> 00:43:57.659
you just lighten. All right, we'll show you a
00:43:57.659 --> 00:43:59.480
picture at the very end of what it looks like
00:43:59.480 --> 00:44:02.699
when it's all done for mine, but I want to see
00:44:02.699 --> 00:44:05.280
your images of what your painting looks like,
00:44:05.300 --> 00:44:09.380
so please send them in to me. You can go to my
00:44:09.380 --> 00:44:13.039
Instagram at Practically Magic Pot, whoop, there's
00:44:13.039 --> 00:44:16.980
a light again. Let there be light. Practically
00:44:16.980 --> 00:44:20.539
Magic podcast on Instagram and you can send me
00:44:20.539 --> 00:44:24.159
in my DMs or I'll share or tag me in your pictures
00:44:24.159 --> 00:44:27.400
on your Instagram so that I can see them. That
00:44:27.400 --> 00:44:29.239
would be awesome. Share them in your stories
00:44:29.239 --> 00:44:31.659
and tag me and then I can share them in my stories.
00:44:31.699 --> 00:44:34.260
That would be so fun just to see everybody's
00:44:34.260 --> 00:44:35.659
different Healing Through Art paintings that
00:44:35.659 --> 00:44:38.619
you did. Again, you can sign up for a Healing
00:44:38.619 --> 00:44:40.679
Through Art, Inner Child Healing Through Art
00:44:40.679 --> 00:44:45.139
art class. I have a course starting very soon.
00:44:45.230 --> 00:44:47.429
It will start at the end of September, and it
00:44:47.429 --> 00:44:50.429
will run until December. We meet once a month
00:44:50.429 --> 00:44:53.090
in person, and we do this Healing Through Art
00:44:53.090 --> 00:44:56.329
workshop, different themes each month. But we
00:44:56.329 --> 00:44:59.750
also meet on Zoom every week during the time
00:44:59.750 --> 00:45:01.769
that the course is running. So this is for adults
00:45:01.769 --> 00:45:04.719
only. But I have my other art classes. Heart
00:45:04.719 --> 00:45:07.019
Smart Art is for kids, and that is going to meet
00:45:07.019 --> 00:45:09.579
once a month as well, from September to December.
00:45:09.920 --> 00:45:12.400
It's a two -hour workshop for kids about five
00:45:12.400 --> 00:45:15.079
to nine years old. And then I have a weekly art
00:45:15.079 --> 00:45:17.420
class called Myth and Magic Art Class. That's
00:45:17.420 --> 00:45:20.340
an hour and a half every week. We do art lessons,
00:45:20.719 --> 00:45:26.039
and we read mythology, and we learn how to unblock
00:45:26.039 --> 00:45:31.199
our creativity with projects that are less Less
00:45:31.199 --> 00:45:35.579
pressure, I would say. And as we finish up, don't
00:45:35.579 --> 00:45:38.480
forget about our event. We're doing Practical
00:45:38.480 --> 00:45:42.099
Magic 2 screening on September 10th. We want
00:45:42.099 --> 00:45:43.880
to see you there, so if you haven't won your
00:45:43.880 --> 00:45:46.219
tickets yet, please go to Ride the Wave Media
00:45:46.219 --> 00:45:48.659
and enter to win. You have to subscribe to this
00:45:48.659 --> 00:45:51.239
podcast, so make sure that you're subscribed.
00:45:51.760 --> 00:45:55.420
And if you enjoyed this episode... please share
00:45:55.420 --> 00:45:57.920
it with a friend. It would help me so, so much.
00:45:58.079 --> 00:46:01.679
And yes, my paintings are for sale. So let me
00:46:01.679 --> 00:46:04.039
know if you would like to purchase one of the
00:46:04.039 --> 00:46:07.960
paintings that I have available. I'm gonna be
00:46:07.960 --> 00:46:10.139
at the farmer's market selling some of my paintings
00:46:10.139 --> 00:46:13.179
here in South Jordan locally. So reach out to
00:46:13.179 --> 00:46:16.780
me if you wanna see. What's for sale? I sell
00:46:16.780 --> 00:46:19.380
my art very cheap because it just helps to fund
00:46:19.380 --> 00:46:21.360
the art supplies and things for the projects
00:46:21.360 --> 00:46:24.400
that I work on. So, you know, if you have $5,
00:46:24.400 --> 00:46:28.000
$10, $20 to spare, my paintings are very reasonably
00:46:28.000 --> 00:46:30.440
priced and they do end up looking very lovely.
00:46:30.980 --> 00:46:34.480
So if you would like one, let me know. Here's
00:46:34.480 --> 00:46:36.199
a quick shout out. Thank you to Ride the Wave
00:46:36.199 --> 00:46:38.619
Media for producing this podcast. Go check out
00:46:38.619 --> 00:46:41.260
the rest of the shows they have on this network
00:46:41.260 --> 00:46:45.019
at ridethewavemedia .com and follow Practically
00:46:45.019 --> 00:46:48.619
Magic on practically -magic .com. You can book
00:46:48.619 --> 00:46:52.059
a healing session with me privately. I do them
00:46:52.059 --> 00:46:56.360
over virtual or in person at prism -healing .com.
00:46:56.900 --> 00:46:58.820
Check it out there and thanks for joining us
00:46:58.820 --> 00:47:03.400
today. Go make magic, witches and wizards. Bye!