July 30, 2026

Lion King and Healing Trauma | Alton Fitzgerald White

Lion King and Healing Trauma | Alton Fitzgerald White
Lion King and Healing Trauma | Alton Fitzgerald White
Yes And Land
Lion King and Healing Trauma | Alton Fitzgerald White

***Content Advisory: This episode includes a candid discussion of childhood sexual abuse and its lasting impact. Our guest speaks openly and vulnerably about his personal experience. We believe this conversation can offer real comfort and connection to listeners who've faced similar experiences — but please take care of yourself while listening, and feel free to skip or pause as needed.***

If you or someone you know has experienced abuse, support is available:

RAINN National Sexual Assault Hotline: 1-800-656-4673 (24/7, confidential)

Childhelp National Child Abuse Hotline: 1-800-422-4453

The Lion King and Becoming Who You're Meant to Be | Alton Fitzgerald White

What if the trauma you survived was actually preparing you for your purpose? The Lion King teaches us that we're all scarred, we're all shaped by what happens to us — but we get to decide what comes next. Alton Fitzgerald White played Mufasa on Broadway for 4,380 performances, but his real journey started in the projects of Cincinnati, where a painfully shy kid who was abused and bullied became the king. He's now an author, speaker, and mentor who helps others find the strength that was always inside them.

🎯 3 Actionable Takeaways

  1. Identify One Person Who Sees Your Potential — Find someone you trust who recognizes something in you that you can't yet see in yourself, and let their belief in you become the bridge to your own. Why it works: Alton's choir teacher, his mentors in theater, and the woman who told him "your voice has something special" were the turning points. One person's genuine recognition can shift everything.
  2. Set Boundaries Around Your Energy, Not Your Ambition — Schedule time for something that restores you — whether it's hot yoga, running, cooking, or time in nature — and protect it like you protect your most important meeting. Why it works: Alton sustained 4,380 performances of Mufasa by refusing to let the role consume his entire life. Balance isn't laziness; it's the infrastructure that lets you show up at your best.
  3. Choose Gratitude Over Ego When Success Arrives — When you accomplish something big, immediately remember the people and moments that got you there, and let that gratitude anchor you. Why it works: Alton credits his mentors, his teachers, and his faith for keeping him grounded through six Broadway shows.

🔦 EPISODE HIGHLIGHTS

  • Growing up in public housing in Cincinnati as the only boy in a household of seven kids, and how that shaped his sensitivity and empathy
  • The moment a choir teacher's simple words — "your voice, the quality of your voice. You've got something special" — unlocked his entire career
  • The difference between letting trauma define you and using it as fuel: "That little painfully shy kid who was abused and teased and bullied became the king"
  • Why Mufasa taught him that quiet strength and presence matter more than a lot of words
  • How he sustained 4,380 performances without burning out by creating a life outside the show
  • Why a mentor's advice before his first Broadway show — "don't take on other people's projections" — became the foundation for protecting his peace

👤 ABOUT ALTON FITZGERALD WHITE

Alton Fitzgerald White is a Broadway legend who played Mufasa in The Lion King for 4,380 performances, making him one of the most consistent and celebrated performers in theater history. He's performed in six Broadway shows total, including Miss Saigon, The Color Purple, and Ragtime. Beyond the stage, Alton is an author of My Pride: Mastering Life's Daily Performance, a sought-after speaker and mentor f...

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I grew up in public housing in Cincinnati, the

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projects. And she said this in front of the class.

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I remember thinking, is she talking to me? Did

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she really say this? That little painfully shy

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kid who was abused and teased and bullied became

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the king. But that's one of the things I love

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about Lion King is that we're all Scar, we're

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all Mufasa, we're all Simba. It's all about tapping

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into the different parts of yourself. And we

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get to define who we are. When it happens with

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Simba... It's something, there's a cut, there's

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a break in your life. And there's a before the

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event and an after. I mean, I was pure love as

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a kid. I was naive. And no matter what happened

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to me, I always saw the bright side. I was born

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with an optimism. In every creature, in every

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star, in your reflection, they live in you. Welcome

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to Yes and Land, where we say yes to the reality

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of yesterday and today, and we say and to the

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possibility, growth, and imagination of tomorrow.

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All right, welcome everybody to our next episode

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of Yes, Ant -Land. We are very excited today.

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We are joined by somebody who has had a storied

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career, Alton Fitzgerald White, who played Mufasa

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on Broadway for more than 4 ,000 performances,

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which is just a feat in and of itself. But that's,

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of course, not the only thing to his story. He

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has many things to his story, which we will dive

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into today. uh struggled with uh some some different

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things in his childhood which we will kind of

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go over and found his way to playing an amazing

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role uh but also to doing a lot of other amazing

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things and now today no longer performing as

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mufasa on broadway but he is an author of an

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amazing book called my pride right alton that's

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what we got that's what it is do you have that

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there with you hold that up my pride mastering

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life's daily performance Which is a must read.

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I read it. I read the whole thing and just loved

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it. I actually consume my books on Audible. He

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reads it himself. And as you might imagine, since

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he played Mufasa on Broadway, has a terrific

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voice and a terrific reading voice, which he

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actually does talk about in the book as well,

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which was not necessarily something you thought

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was a great strength when you were growing up.

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But we'll talk about that. we'll talk about that

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right um and now he does uh public speaking and

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presenting and does things like singing with

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the boston pops which he was just doing last

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week and uh so just really excited to have this

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great conversation to learn from somebody with

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so much life experience uh who hopefully today

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is going to be a little bit like a mufasa for

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us and help to impart some wisdom today ryan

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you have forgotten me oh see that's exactly what

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we want yeah see now i need i need to like i

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need to cut that right and i need to like put

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that as my ringtone or like at night when i'm

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getting ready like have my meditation before

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i go to bed like that's what i need right oh

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it's amazing one of the great lines right from

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uh lion king both the the original movie and

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then of course the the broadway version uh which

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is just a favorite for many people certainly

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was a favorite for mine growing up um i was born

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in 82 and so lion king was like the heart of

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my youth and was just Such an important thing

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for me that I just, I love the Lion King, like

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so many kids in my generation. So, well, before

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we start diving into you playing Mufasa on Broadway,

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you know, take us back to a little bit about

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your youth. Did you say that you were born in

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1982? Yes, born in 82. This is the year I graduated

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high school. My son, my child. Hey, you know,

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once we're this age, you know, we're about the

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same, right? It all kind of blends in once you

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mature. It does. I always kind of say, you know,

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once you're about 40, like 40s, 50s, like it's

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all the same, right? It's like it blends together.

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But, you know, when you graduated high school,

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82, so you experienced the 80s, right, through

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and through. Some great things from the 80s.

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I'm a little biased. What's your opinion about

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the greatest decade of music? What would you

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say that is? I'm biased. I mean, 80s for me,

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because, like, that's when I was really coming

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to age. We had all the great dance music, feel

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-good music, music to make you want to move.

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And we just started to, like, you know, be, like,

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more socially conscious music coming up. But

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for the most part, a lot of it was the British

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invasion. There wasn't a live instrument to be

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found. It was all synthesizers. But it all tickled

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your brain and made you want to move. So that's

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one of my favorite periods. Again, I'm biased.

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It's the 90s for me because that's when I started

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listening to my own music. So my parents were

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not a lot older, but a little bit older when

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they had me. So they were more 60s and 70s, which

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I have a great appreciation for. But they didn't

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really transition much into the 80s. And then

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I start listening when I'm 8, 9, 10, and it's

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the 90s. And then suddenly you have, you know,

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all the wonderful things that come out of the

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90s. So for me, I'm like totally biased. I love

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90s music. I think so much came from the 90s.

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I'll give you an example. But I will stay. Give

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me an example of a couple of groups that you

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love from the 90s. Well, interestingly enough,

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I was actually going to talk to you about this.

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One that I loved so much was Boyz II Men. And

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in part because of the vocal harmonies they had,

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but also their style. Because I believe, Elton,

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that when you were a young lad, you liked to

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dress a little bit nicer, if I'm not mistaken.

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I did, absolutely, yeah. You dressed for everything.

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Everything was an occasion. Yeah, absolutely.

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Yeah, and I was the same way. I loved their style.

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And so when I was in junior high school, I was

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a kid dressing in button -down shirts and slacks

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when other kids were, you know, shorts and T

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-shirts. And so I definitely got teased for that

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a little bit. I was that guy in high school,

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too, who would wear a tie and a blazer with jeans.

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They'd be like, why are you so formal? I'm like...

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But I just discovered GQ magazine in my mid -teens.

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So I was like, wow, it's a chance to be individual.

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Because as men, we don't have that many options.

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You know, a haircut, mustache, no face, hairless.

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Clothes really, really help to kind of your personality.

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And I see that it's hung over. Because, dude,

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every time I've met you, you've been sharply

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addressed. So good for you. I appreciate that.

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I have always enjoyed dressing up. There's just

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something about dressing up that makes me feel

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a little bit sharper. It feels a little bit more

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like, okay, I'm professional. I can do this.

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Kind of like empowers me, so to speak. And people

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tease me, but I actually like wearing a suit.

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I think it's fun. I think it's comfortable. I

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tell when I mentor kids who are about auditioning,

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because auditioning is tough. You can have all

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the time in the world, but not everybody auditions.

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I always tell kids. Wear whatever makes you feel

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like a million bucks going into that movie. It's

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how you feel is the most important thing, right?

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Make sure it's appropriate for the occasion.

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But if it makes you feel like a million bucks,

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that's what you wear. Because confidence is key,

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right? Yeah, I think that's great advice. And

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I think that advice applies as well for somebody

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going into an interview, right? You know, you

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do need to understand what that particular job

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should look like as far as that goes. But you

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do want to be comfortable because a lot of times

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people will get in their head about it. You know,

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interestingly enough, I actually I learned that

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when I was trying to apply for my first job.

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My brother, who's a year and a half older than

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I, he and I were up for the same job. It was

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as we call a sweeper at an elementary school.

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Right. So you have the gender and then, you know,

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they hire these teenage kids to be sweepers.

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And so we both went in for interview. I dressed

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in a shirt and tie. He dressed in just casual

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wear. And afterwards, the feedback was they hired

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him because that was more of what they were looking

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for. And I was a little bit too formal. And I

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was like, well, I guess I didn't understand the

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assignment. Yeah, yeah, gotcha. Yeah, gotcha,

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gotcha, gotcha. But still, you did your thing.

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You know, it's about making a choice. I did,

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you know, I stayed true to who I was. Yeah, yeah.

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Yep. And then, you know, a few months later,

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I applied for a different sweeper job. That person's

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personality probably matched mine better because

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then I got that job and I dressed the same way.

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So it was great. It all came around. So let's

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take us back to you growing up in Cincinnati.

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And, you know, take us just through a little

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bit of that. I mean, there's certainly a lot.

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And anybody who's listening, you need to, like,

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read the entire book because there's so much

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more about understanding about where Alton came

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from and what things, you know, really shaped

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who he is. But give us a little bit of a snippet

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of what life was like for you growing up initially

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and some of the challenges you faced. I grew

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up in public housing in Cincinnati, the projects.

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Youngest of seven kids. the only boy in the household.

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So myself and my father were the only men in

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the house, and it was really challenging being

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raised by women. I mean, it served me later in

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my life, but as a kid, you know, I was teased

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about it. You know, when I would get into a fight,

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as all kids do, they go get their big brother

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to defend them, and I went to get a sister. So

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I was teased about that as well. And as a result,

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you know, I was raised to be a very polite kid.

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very mannerable kid, which again served me later.

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But it was also a little bit effeminate because

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I had such a heavy female influence, which also

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served me because girls always liked me. Teachers

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always loved me because I had that, I had kind

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of a built -in strength, but I had a nice openness

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about myself that was attractive to people. But

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again, I was teased by the boys about that. because

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the girls were just naturally attracted to me.

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So there was a lot of stuff going on. My father,

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unfortunately, suffered from alcoholism. So the

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only other person in my house who looked like

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me was an alcoholic. And I often felt like I

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was competing with the alcohol for his attention,

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and the alcohol would win. So I really kind of

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felt like I was on my own. I'm really grateful

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that I was attracted to order, because home was

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so chaotic. You know, with an alcoholic parent,

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when you open the door, you don't know what you're

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going to get. Are they going to be sober? And

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when my father was sober, he was glued to the

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TV. And, you know, we all tiptoed around thinking

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that that would affect his drinking. And then

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sometimes you come home, he's thinking, okay,

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he's probably watching TV and he would be on

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a bender. And it's like, so dealing with that

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kind of, those kinds of inconsistencies made

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school really important to me, really attractive.

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I loved. the order i love showing up on time

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i loved bringing my assignment i love the validation

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that i got from teachers doing a good job and

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i'm so grateful that somehow i was attracted

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to that kind of validation as opposed to being

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like the other kids because i could never be

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like the other kids i knew i was different i

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knew that i was i was sensitive i knew that i

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was an artist even before i had the words to

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describe it and those are all things i was teased

00:11:16.129 --> 00:11:18.809
about that again later served me and thank goodness

00:11:18.809 --> 00:11:23.129
teachers saw and helped to bring bring out of

00:11:23.129 --> 00:11:26.850
me what do you think the difference was for you

00:11:26.850 --> 00:11:29.669
in in that because what we see i think sometimes

00:11:29.669 --> 00:11:31.470
unfortunately happen in those situations because

00:11:31.470 --> 00:11:35.409
we we all have this innate sense and need to

00:11:35.409 --> 00:11:37.450
belong sense of belonging is one of the core

00:11:37.450 --> 00:11:39.710
human needs so sometimes what will happen is

00:11:39.710 --> 00:11:41.649
kids we just want to be a part of it we want

00:11:41.649 --> 00:11:44.049
to be accepted this is a very important time

00:11:45.210 --> 00:11:47.409
And I think sometimes what happens is then that's

00:11:47.409 --> 00:11:49.610
why certain kids will get involved in the wrong

00:11:49.610 --> 00:11:52.950
things, like games. For you, what was that difference

00:11:52.950 --> 00:11:56.289
of that you found your sense of belonging with,

00:11:56.490 --> 00:11:58.330
you know, getting the praise from the teachers

00:11:58.330 --> 00:12:00.450
and doing great work there and that kind of stuff,

00:12:00.529 --> 00:12:04.009
as opposed to being influenced for doing things

00:12:04.009 --> 00:12:05.950
that would have been more negative, that would

00:12:05.950 --> 00:12:07.429
have gotten you into trouble? What do you think

00:12:07.429 --> 00:12:09.470
was kind of the key for you? I really feel like

00:12:09.470 --> 00:12:11.470
it's sort of like my destiny, to be totally honest,

00:12:11.590 --> 00:12:14.929
right? Because I tried to be. a bad kid. I tried

00:12:14.929 --> 00:12:16.870
to do stuff and I would always get caught. And

00:12:16.870 --> 00:12:19.450
I realized earlier that other kids can do that

00:12:19.450 --> 00:12:21.750
stuff. Other boys can be bad and do this and

00:12:21.750 --> 00:12:24.409
do that. I couldn't get away with it. My higher

00:12:24.409 --> 00:12:26.610
power was like, nope, this is not your path.

00:12:26.830 --> 00:12:29.049
So I was rejected in those ways. And again, looking

00:12:29.049 --> 00:12:31.970
back, I'm so grateful. I was pulled to like,

00:12:32.129 --> 00:12:34.570
because as a kid wanting to belong and looking

00:12:34.570 --> 00:12:36.549
for validation anywhere you can get it, I wasn't

00:12:36.549 --> 00:12:39.090
really getting it from home. But my father was

00:12:39.090 --> 00:12:41.350
doing this thing. My mother, who is my, one of

00:12:41.350 --> 00:12:43.789
my soulmates, was overwhelmed. with having all

00:12:43.789 --> 00:12:47.190
the kids and my father. And I will say that in

00:12:47.190 --> 00:12:50.289
spite of my father's alcoholism, there was tremendous

00:12:50.289 --> 00:12:53.529
love in the household. So I never not felt loved.

00:12:53.750 --> 00:12:56.990
But as a little boy, a little black boy in particular,

00:12:57.190 --> 00:12:59.950
I needed validation. And when I got from the

00:12:59.950 --> 00:13:02.190
teachers, I was like, who cares? I'm getting

00:13:02.190 --> 00:13:03.970
this something that I need that I don't even

00:13:03.970 --> 00:13:08.090
have words for yet. And that propelled me to

00:13:08.090 --> 00:13:11.549
be a fantastic student throughout my entire...

00:13:13.000 --> 00:13:17.460
school years. So I think part of it was just

00:13:17.460 --> 00:13:20.700
my destiny. Because I tried. I tried to be a

00:13:20.700 --> 00:13:22.580
bad kid because I wanted to be a part of a group,

00:13:22.659 --> 00:13:25.000
wanted to be accepted, but I was always isolated

00:13:25.000 --> 00:13:27.419
and like, okay. And that's when my fantasies

00:13:27.419 --> 00:13:30.159
and my dreams really, really took over. You know?

00:13:30.779 --> 00:13:34.139
And you were pulled and called to the stuff that

00:13:34.139 --> 00:13:35.740
you ultimately ended up doing, right? Because

00:13:35.740 --> 00:13:37.779
Memory Serves, one of the things you talked about

00:13:37.779 --> 00:13:40.240
was finding kind of private times and even a

00:13:40.240 --> 00:13:43.679
closet to sing. And you may, and if Memory Serves

00:13:43.679 --> 00:13:45.539
too, you may have even learned some dances. I

00:13:45.539 --> 00:13:47.580
don't know if it was from Michael Jackson. But

00:13:47.580 --> 00:13:50.519
yeah, tell us about that. So, you know, in your,

00:13:50.559 --> 00:13:53.639
you know, being called to something or kind of

00:13:53.639 --> 00:13:56.350
where your destiny was taking you. Talk us through

00:13:56.350 --> 00:13:59.169
how that started to evolve with you feeling drawn

00:13:59.169 --> 00:14:01.370
to the arts and the singing and dancing. Well,

00:14:01.470 --> 00:14:03.649
I'm grateful that as a family, we would watch

00:14:03.649 --> 00:14:06.710
television. We listened to the radio together.

00:14:06.950 --> 00:14:09.669
When we all cleaned the house, we had the radio

00:14:09.669 --> 00:14:12.049
blasting. It was a station that played all kinds

00:14:12.049 --> 00:14:15.809
of music. Pop, rock, jazz, country. Of course,

00:14:15.809 --> 00:14:18.769
the Motown sound. Everything, which influences

00:14:18.769 --> 00:14:22.049
my singing to this day. There was that. We also

00:14:22.049 --> 00:14:25.250
watched TV. And TV was like my best friend. when

00:14:25.250 --> 00:14:26.970
i didn't have friends to play with i would watch

00:14:26.970 --> 00:14:30.389
my favorite shows gilligan's island um a whole

00:14:30.389 --> 00:14:33.169
all day after school stuff but at night we would

00:14:33.169 --> 00:14:37.309
watch variety shows which really sort of saved

00:14:37.309 --> 00:14:39.269
my life because i got to see my favorite performers

00:14:39.269 --> 00:14:42.929
and then i could see them be interviewed after

00:14:42.929 --> 00:14:45.210
they performed and see that they spoke so well

00:14:45.210 --> 00:14:46.909
that they were intelligent they were not just

00:14:46.909 --> 00:14:49.429
performers they were they seemed to be well -rounded

00:14:49.429 --> 00:14:51.909
people and i thought i want to be like that so

00:14:51.909 --> 00:14:54.639
they became my first role model And I don't know

00:14:54.639 --> 00:14:58.620
any young Black boy during the 60s who didn't

00:14:58.620 --> 00:15:00.360
want to be Michael Jackson or one of the Jackson

00:15:00.360 --> 00:15:03.940
5. So we would watch, say we watched the Ed Sullivan

00:15:03.940 --> 00:15:06.899
show, and the Jackson 5 would be on there, and

00:15:06.899 --> 00:15:10.279
I could pick up choreography really easily because

00:15:10.279 --> 00:15:12.759
I was so hungry for it. And I would go to the

00:15:12.759 --> 00:15:14.740
storage closet, which was the only place I had

00:15:14.740 --> 00:15:16.919
to myself, and I'd put on these big concerts

00:15:16.919 --> 00:15:19.899
and pretend I was Michael Jackson and my father

00:15:19.899 --> 00:15:23.539
cleaned buildings for a living. This big thing

00:15:23.539 --> 00:15:27.220
called a buffer. The big circular thing with

00:15:27.220 --> 00:15:29.240
the smaller circle in the middle. It's the perfect

00:15:29.240 --> 00:15:32.320
platform. Top of that was my stage. I would take

00:15:32.320 --> 00:15:34.740
the cord and that was my microphone. And I would

00:15:34.740 --> 00:15:37.000
step down and sing to the girls in the audience

00:15:37.000 --> 00:15:41.480
all in silence. I didn't know that I could sing.

00:15:42.639 --> 00:15:45.200
When I did start to sing, it wasn't because I

00:15:45.200 --> 00:15:47.840
knew I sounded good. I love the sensation of

00:15:47.840 --> 00:15:50.779
singing. I love how it made me feel. So what

00:15:50.779 --> 00:15:53.940
started off as a fantasy. eventually became what

00:15:53.940 --> 00:15:56.399
I was doing for a living. So again, I'm grateful

00:15:56.399 --> 00:15:59.340
that instead of going to fighting against the

00:15:59.340 --> 00:16:00.820
grain and going, no, I'm going to be accepted

00:16:00.820 --> 00:16:03.759
by the bad kids because I so desperately want

00:16:03.759 --> 00:16:08.059
to be a part of them, I'm going to honor my body,

00:16:08.139 --> 00:16:10.919
honor my mind, and take that energy elsewhere.

00:16:11.240 --> 00:16:15.519
And that's where TV and radio and the arts really

00:16:15.519 --> 00:16:17.500
came into play and really helped to save me.

00:16:18.599 --> 00:16:21.279
Yeah. What was the inflection point for you or

00:16:21.279 --> 00:16:24.320
kind of the experience or experiences that helped

00:16:24.320 --> 00:16:27.039
bring that to life? So you're starting to feel

00:16:27.039 --> 00:16:28.419
this and you're doing it, but you're doing it

00:16:28.419 --> 00:16:30.299
in silence and you're not actually out loud.

00:16:30.519 --> 00:16:33.559
When did that finally that that flip that switch

00:16:33.559 --> 00:16:35.759
turn on where it's like, oh, I actually can do

00:16:35.759 --> 00:16:38.220
this. I actually can sing. I actually could perform.

00:16:38.320 --> 00:16:41.740
Oh, man, I joined the church choir and I was

00:16:41.740 --> 00:16:44.159
so terrified of being in front of anybody. I

00:16:44.159 --> 00:16:47.620
mean, really, I. When I talk about it, I feel

00:16:47.620 --> 00:16:50.500
those feelings again of like, oh, my God, I can't

00:16:50.500 --> 00:16:52.799
imagine ever sharing this with anybody because

00:16:52.799 --> 00:16:55.960
it was my secret. But I used to usher it at my

00:16:55.960 --> 00:16:58.700
church, and I would kind of scope the choir out

00:16:58.700 --> 00:17:01.460
and see if it was safe, and then I found out

00:17:01.460 --> 00:17:03.659
that they would take anybody. We didn't have

00:17:03.659 --> 00:17:05.819
to audition. I thought, oh, wow, I can finally

00:17:05.819 --> 00:17:08.119
sing with other people. So I joined the choir,

00:17:08.400 --> 00:17:10.420
and after I joined, they were like, well, you

00:17:10.420 --> 00:17:12.480
know, at some point, everybody has to do a solo.

00:17:12.740 --> 00:17:15.920
I was like, I'll worry about that later. They

00:17:15.920 --> 00:17:17.759
go around the whole choir. They get to me, and

00:17:17.759 --> 00:17:20.319
I'm like, I'll pass. I'm good. They come back

00:17:20.319 --> 00:17:22.519
around again. They're like, Alton, you have to

00:17:22.519 --> 00:17:25.640
do this. And I was like, I can't. They were like,

00:17:25.759 --> 00:17:32.940
you have to. And I mean, the choir teacher was

00:17:32.940 --> 00:17:36.480
so patient with me. I mean, I refused to sing

00:17:36.480 --> 00:17:39.460
in front of anybody. I would wait till everybody

00:17:39.460 --> 00:17:45.250
left and sing with just her. Eventually, it went

00:17:45.250 --> 00:17:47.670
from a whisper to singing louder and singing

00:17:47.670 --> 00:17:50.450
louder. She goes, now you got to sing with the

00:17:50.450 --> 00:17:53.210
choir because I sang the lead and they backed

00:17:53.210 --> 00:17:56.069
me up. And I remember that day came. And at this

00:17:56.069 --> 00:17:57.730
point, everybody in the choir is like, really,

00:17:57.789 --> 00:18:00.630
dude? Because nobody can understand how you feel.

00:18:00.809 --> 00:18:03.490
But they were like, what's the big deal? It was

00:18:03.490 --> 00:18:06.670
a huge deal to me. Because at that point, I was

00:18:06.670 --> 00:18:08.849
being teased and bullied about so many things

00:18:08.849 --> 00:18:11.930
in my young life. I thought, if my secret gets

00:18:11.930 --> 00:18:14.240
out and I'm... teased about this, I don't know

00:18:14.240 --> 00:18:17.400
what I'll do. I might break, you know? And I

00:18:17.400 --> 00:18:19.460
remember, you know, finally kind of whispering

00:18:19.460 --> 00:18:21.960
through it, and they were like, really? We waited

00:18:21.960 --> 00:18:25.380
for this? And I was like, okay. But then came

00:18:25.380 --> 00:18:28.900
the Sunday morning. I remember, like, not sleeping

00:18:28.900 --> 00:18:30.700
the night before, thinking, how am I going to

00:18:30.700 --> 00:18:33.180
listen to all these people? I don't know. I kind

00:18:33.180 --> 00:18:36.420
of trust the choir at this point. And I got up

00:18:36.420 --> 00:18:38.380
there, and they called my name, and I remember

00:18:38.380 --> 00:18:40.880
just looking at the ceiling, and, you know, kind

00:18:40.880 --> 00:18:43.170
of, like, sort of closing my eyes. doing the

00:18:43.170 --> 00:18:45.670
best I could. And it was over. There were some

00:18:45.670 --> 00:18:48.369
amens. There were some pause. And a woman that

00:18:48.369 --> 00:18:51.970
I really trusted who led the children ushers

00:18:51.970 --> 00:18:54.430
came up to me with this look on her face, Ryan.

00:18:54.589 --> 00:18:57.690
Like, she was like, out and wild. I was like,

00:18:57.730 --> 00:19:01.170
what? Did I not do well? She was like, your voice.

00:19:01.869 --> 00:19:03.730
The quality of your voice. I didn't know what

00:19:03.730 --> 00:19:05.569
she was talking about, but she was like, you've

00:19:05.569 --> 00:19:08.529
got something special. I was like, really? And

00:19:08.529 --> 00:19:10.990
that was what I needed. Like, one person that

00:19:10.990 --> 00:19:14.359
I trusted. And the look on her face, the way

00:19:14.359 --> 00:19:17.380
she responded to my voice made me go, wow, like

00:19:17.380 --> 00:19:19.940
this thing I love might actually love me as well.

00:19:21.539 --> 00:19:24.920
And then the journey became, how do I get out

00:19:24.920 --> 00:19:27.799
of the way of it? How do I not go over my fear?

00:19:27.880 --> 00:19:29.960
There's no going over. How do I work through

00:19:29.960 --> 00:19:32.319
this fear and get to the other side and find

00:19:32.319 --> 00:19:35.680
the gift that this is? And it's just a practice,

00:19:35.920 --> 00:19:39.279
you know, humming around the house, humming around

00:19:39.279 --> 00:19:41.519
friends and going, okay, I got to release the

00:19:41.519 --> 00:19:45.500
shame. And eventually, the next time I did a

00:19:45.500 --> 00:19:48.299
solo, I was ready. And then at that point, I

00:19:48.299 --> 00:19:51.539
was in junior high. And they always needed, you

00:19:51.539 --> 00:19:53.140
know, you do a spring festival and a winter festival.

00:19:53.700 --> 00:19:55.240
You know, the choir would do some stuff. And

00:19:55.240 --> 00:19:58.759
it was always female solo and male solo. And

00:19:58.759 --> 00:20:01.259
the male soloist was a year older than me. So

00:20:01.259 --> 00:20:03.559
in my last year of junior high, they needed a

00:20:03.559 --> 00:20:05.940
guy. And I was like, I think I might be able

00:20:05.940 --> 00:20:08.740
to do this. So I auditioned. But I kind of went

00:20:08.740 --> 00:20:10.259
through the same process because now I'm with

00:20:10.259 --> 00:20:12.119
junior high. It's a whole other thing. I'm like.

00:20:12.440 --> 00:20:13.579
I went through the whole thing of, like, you

00:20:13.579 --> 00:20:14.960
know, whispering in her ear and, like, waiting

00:20:14.960 --> 00:20:18.099
until the class dismissed and having to sing

00:20:18.099 --> 00:20:21.039
in front of the whole class. And then the night

00:20:21.039 --> 00:20:23.579
came, and I was like, okay, do it. It's now or

00:20:23.579 --> 00:20:28.779
never. And then it was on from there. So, I mean,

00:20:28.779 --> 00:20:31.380
I just love this journey that you had. And there's

00:20:31.380 --> 00:20:32.700
a couple of things that I heard in there that

00:20:32.700 --> 00:20:34.579
I think are really impactful. And one of those

00:20:34.579 --> 00:20:38.180
is I think the role of, you know, maybe it's

00:20:38.180 --> 00:20:40.019
a mentor. Maybe it's just, you know, somebody

00:20:40.019 --> 00:20:41.940
that you do have some level of trust with that

00:20:41.940 --> 00:20:44.500
shows kindness and encouragement. Yes, absolutely.

00:20:44.940 --> 00:20:47.599
And how impactful that can be. And when you think

00:20:47.599 --> 00:20:51.019
about that. Are there any other moments you think

00:20:51.019 --> 00:20:54.700
about where the care and kind of what I would

00:20:54.700 --> 00:20:56.980
call deep kindness that somebody showed you help

00:20:56.980 --> 00:21:00.000
you feel empowered to kind of find that destiny

00:21:00.000 --> 00:21:02.480
of yours? Oh, God, in so many ways. I mean, really,

00:21:02.559 --> 00:21:05.680
teachers. Teachers are my hero. I mean, really,

00:21:05.759 --> 00:21:07.640
teachers really. I mean, there's certain things

00:21:07.640 --> 00:21:10.700
that I did on my own. I had to tap into my courage

00:21:10.700 --> 00:21:14.160
and go forth. But I had. teachers to guide me,

00:21:14.200 --> 00:21:16.720
teachers to point me out and go, no, you sit

00:21:16.720 --> 00:21:18.640
over here. You're different than the other kids,

00:21:18.799 --> 00:21:21.660
which let me know that I was smarter than I realized.

00:21:23.500 --> 00:21:26.900
And even in terms of talent, I would audition

00:21:26.900 --> 00:21:28.960
for some things and then somebody would go, no,

00:21:29.019 --> 00:21:30.700
no, no. I remember that because I really wanted

00:21:30.700 --> 00:21:33.259
to be a dancer. I love movement. And I would

00:21:33.259 --> 00:21:35.059
go to my dance calls and they'd hear me sing

00:21:35.059 --> 00:21:38.160
and go, no, no, you're over here with the singers.

00:21:38.420 --> 00:21:42.039
You can do both, but not many people can do both

00:21:42.039 --> 00:21:45.900
well. So these were all people who became mentors

00:21:45.900 --> 00:21:48.700
and validation. Somebody who could see things

00:21:48.700 --> 00:21:51.019
in me that I couldn't see myself. That's very,

00:21:51.059 --> 00:21:54.019
very important for anyone to have, for everyone

00:21:54.019 --> 00:21:56.599
to have someone who sees the potential that they

00:21:56.599 --> 00:22:00.500
can't quite see themselves. Yeah, for sure. You

00:22:00.500 --> 00:22:01.799
know, and when you're kind of going through these

00:22:01.799 --> 00:22:04.539
experiences growing up where you did in Cincinnati

00:22:04.539 --> 00:22:07.640
and being bullied, what would you, when you think

00:22:07.640 --> 00:22:09.819
back on that, what do you think is like the hardest?

00:22:10.879 --> 00:22:13.519
Trial that you faced during that time. What was

00:22:13.519 --> 00:22:15.440
the most difficult thing that you had to overcome?

00:22:16.920 --> 00:22:20.319
Okay, are we going to go there? Let's let's go

00:22:20.319 --> 00:22:22.339
there. Let's go there. We want to get deep. We

00:22:22.339 --> 00:22:24.960
want to get a lot of the hardest thing was dealing

00:22:24.960 --> 00:22:28.779
with sexual abuse as a kid. Was being taken advantage

00:22:28.779 --> 00:22:33.880
of because I was such a. I mean, I was pure love

00:22:33.880 --> 00:22:37.440
as a kid. I was naive. And no matter what happened

00:22:37.440 --> 00:22:39.539
to me, I always saw the bright side. I was born

00:22:39.539 --> 00:22:43.079
with an optimism that as an adult, I've learned

00:22:43.079 --> 00:22:46.660
to kind of like balance with realism, but still

00:22:46.660 --> 00:22:51.759
keep my positive attitude. That was tough when

00:22:51.759 --> 00:22:53.220
those things happened and I couldn't tell anyone

00:22:53.220 --> 00:22:57.500
because that made me become an adult faster than

00:22:57.500 --> 00:23:00.220
I needed to. And to have that introduced to me.

00:23:00.890 --> 00:23:03.690
And to not be able to have my own journey with

00:23:03.690 --> 00:23:06.309
that and have it forced upon me, you know, was

00:23:06.309 --> 00:23:08.269
not a cool thing. And then dealing with the secret

00:23:08.269 --> 00:23:10.730
of not being able to tell anyone. And also knowing

00:23:10.730 --> 00:23:14.750
that if I told any adult that, even as a kid,

00:23:14.789 --> 00:23:17.970
before I had the words to describe things, I

00:23:17.970 --> 00:23:21.190
knew that the ripple effect would be amazing

00:23:21.190 --> 00:23:24.849
in a not the best way. So I kept it to myself.

00:23:25.150 --> 00:23:29.470
And again, I believe that I was able to channel

00:23:29.470 --> 00:23:32.990
that into my heart. into my passion um and it's

00:23:32.990 --> 00:23:34.829
something as actors as creative people we get

00:23:34.829 --> 00:23:37.849
to do we get to like work out our stuff and share

00:23:37.849 --> 00:23:39.910
at the same time if we choose to perceive it

00:23:39.910 --> 00:23:43.509
that way yeah well i mean when i when i asked

00:23:43.509 --> 00:23:46.170
that question i i didn't have any idea that was

00:23:46.170 --> 00:23:48.509
actually the case and i'm so first off i'm so

00:23:48.509 --> 00:23:51.609
sorry um that that was something you had to experience

00:23:51.609 --> 00:23:57.529
um and um you know sorry i'm almost have to take

00:23:57.529 --> 00:24:01.130
a moment i just that is such a Oh, it's just

00:24:01.130 --> 00:24:04.349
such a tough thing for somebody to have to experience

00:24:04.349 --> 00:24:07.869
and that you had to go through. What got you

00:24:07.869 --> 00:24:16.470
through that? Faith. You know, a faith that I

00:24:16.470 --> 00:24:19.089
feel like I was just kind of born with. I really

00:24:19.089 --> 00:24:22.130
feel like I was born with a positive attitude.

00:24:22.650 --> 00:24:25.029
And even as an adult, you know, through the help

00:24:25.029 --> 00:24:27.630
of therapy and meditation, I've been able to

00:24:27.630 --> 00:24:29.849
forgive those people because I'm thinking, You

00:24:29.849 --> 00:24:32.849
know, I had this done to me by other kids as

00:24:32.849 --> 00:24:35.970
well as adults. It's like somebody did it to

00:24:35.970 --> 00:24:41.269
them. You know, and it's like so that I'm grateful

00:24:41.269 --> 00:24:43.450
that I was able to work through my stuff and

00:24:43.450 --> 00:24:46.769
then get to the other side of the anger and resentment

00:24:46.769 --> 00:24:51.210
and find compassion. You know, forgiveness came

00:24:51.210 --> 00:24:53.910
at the end of that and then compassion, which

00:24:53.910 --> 00:24:56.390
was like a gift that I didn't expect to go. Oh,

00:24:56.430 --> 00:24:59.559
wow. It didn't do that to me because. who I am.

00:24:59.940 --> 00:25:03.279
They did it because of who they are. And then

00:25:03.279 --> 00:25:05.539
beyond that was like, I wonder if someone did

00:25:05.539 --> 00:25:08.880
that to them. Which is like real forgiveness.

00:25:10.339 --> 00:25:13.640
Yeah. And I'm the kind of person who wants to

00:25:13.640 --> 00:25:15.640
squeeze as much out of life as I possibly can.

00:25:16.019 --> 00:25:17.559
I'm one of those who if there's a problem comes

00:25:17.559 --> 00:25:19.440
up, I'm going to deal with it and I want to get

00:25:19.440 --> 00:25:24.599
back to the good times ASAP. Well, I mean, I

00:25:24.599 --> 00:25:27.779
thank you for your courage to share that, your

00:25:27.779 --> 00:25:30.279
vulnerability in sharing that. You know, it's

00:25:30.279 --> 00:25:32.960
my hope. Whenever on this podcast we talk to

00:25:32.960 --> 00:25:34.460
people who've gone through really hard things,

00:25:34.619 --> 00:25:36.940
it's my hope that somebody that's listening,

00:25:37.059 --> 00:25:40.720
that's going through a hard season, can receive

00:25:40.720 --> 00:25:42.839
kind of that strength from somebody else who's

00:25:42.839 --> 00:25:45.559
gone through it and know that there's light at

00:25:45.559 --> 00:25:47.200
the end of that really dark tunnel. Yeah, absolutely.

00:25:47.299 --> 00:25:50.890
I mean, if nothing else. That little painfully

00:25:50.890 --> 00:25:53.410
shy kid who was abused and teased and bullied

00:25:53.410 --> 00:25:58.150
became the king. You know, and that's one of

00:25:58.150 --> 00:26:00.309
the things I love about Lion King is that, you

00:26:00.309 --> 00:26:03.410
know, we're all Scar, we're all Mufasa, we're

00:26:03.410 --> 00:26:05.549
all Simba. It's all about having to deal with

00:26:05.549 --> 00:26:08.609
different parts of yourself. And we get to define

00:26:08.609 --> 00:26:11.369
who we are. Things happen to us, but we get the

00:26:11.369 --> 00:26:13.809
ultimate decision. Am I going to stay stuck in

00:26:13.809 --> 00:26:17.519
this trauma or am I going to go through it? get

00:26:17.519 --> 00:26:19.859
to the other side and see what what life is beyond

00:26:19.859 --> 00:26:22.559
it that's a choice that we all get to make if

00:26:22.559 --> 00:26:27.799
we choose to do so yeah you know it it kind of

00:26:27.799 --> 00:26:30.880
takes me to and i hope that this isn't um in

00:26:30.880 --> 00:26:34.279
any way um insensitive to that experience that

00:26:34.279 --> 00:26:36.640
you just had because i don't want to compare

00:26:36.640 --> 00:26:37.900
anything to it because nothing can compare to

00:26:37.900 --> 00:26:40.940
it but if we're taking lessons from the lion

00:26:40.940 --> 00:26:44.500
king what it reminds me of is kind of where i

00:26:44.500 --> 00:26:47.339
was actually going to go next which is the experiences

00:26:47.339 --> 00:26:49.539
of Simba, right? Where, you know, at the beginning

00:26:49.539 --> 00:26:51.380
of the show, I mean, Simba's this free loving

00:26:51.380 --> 00:26:54.480
kid who just can't wait to be king, you know,

00:26:54.480 --> 00:26:57.839
and have a great time with his buddies. And he's,

00:26:57.839 --> 00:27:00.319
you know, goofing off in this elephant graveyard

00:27:00.319 --> 00:27:04.680
and all these things. And then his dad dies and

00:27:04.680 --> 00:27:08.380
he believes it's his fault. Even though it wasn't.

00:27:08.380 --> 00:27:09.720
Of course, we all know the story, right? It was

00:27:09.720 --> 00:27:11.400
Scar. It wasn't his fault at all, but he believes

00:27:11.400 --> 00:27:15.279
it was. And Scar has tricked him, has manipulated

00:27:15.279 --> 00:27:18.400
him to think in it. And then Scar says, run away,

00:27:18.500 --> 00:27:23.319
Simba. Run away and never return. And I wonder,

00:27:23.460 --> 00:27:25.220
you know, is that sometimes what we experience

00:27:25.220 --> 00:27:28.619
when we have shame and guilt and it's not actually

00:27:28.619 --> 00:27:31.200
our fault? And yet we do and we feel like we

00:27:31.200 --> 00:27:33.720
have to run away. Was there any part of that

00:27:33.720 --> 00:27:36.160
that you experienced in that difficult time?

00:27:40.359 --> 00:27:43.019
The only running away I did was, I mean, I did

00:27:43.019 --> 00:27:46.140
become, like my mother talks about, she remembers,

00:27:46.279 --> 00:27:48.259
you know, like me going from being happy -go

00:27:48.259 --> 00:27:50.680
-lucky and then suddenly I was very sad. When

00:27:50.680 --> 00:27:53.500
I look at pictures of me as a kid, at a certain

00:27:53.500 --> 00:27:56.799
point, I'm not smiling. I do look kind of like

00:27:56.799 --> 00:28:00.480
detached because I was keeping a secret. I couldn't

00:28:00.480 --> 00:28:02.720
be fully who I was. And it's sort of like when

00:28:02.720 --> 00:28:05.900
it happens with Simba, suddenly there's a cut,

00:28:06.079 --> 00:28:09.599
there's a break in your life. Yes. And there's

00:28:09.599 --> 00:28:14.119
a before the event and an after. And we all have

00:28:14.119 --> 00:28:15.799
those definite moments because we've all experienced

00:28:15.799 --> 00:28:18.079
trauma. We all have that moment when it's like,

00:28:18.099 --> 00:28:22.059
oh, I am no longer the child I used to be, the

00:28:22.059 --> 00:28:24.339
teenager I used to be, the adult I used to be

00:28:24.339 --> 00:28:28.140
because of this kind of trauma. But I feel like,

00:28:28.180 --> 00:28:31.299
and I only speak for myself, that life is always

00:28:31.299 --> 00:28:35.319
trying to push me toward light. So there are

00:28:35.319 --> 00:28:38.500
different signs that I receive over the years

00:28:38.500 --> 00:28:40.400
of like, now might be a time to deal with that.

00:28:40.819 --> 00:28:44.079
Now might be a time to have an even brighter

00:28:44.079 --> 00:28:46.059
life. I know things are great right now, but

00:28:46.059 --> 00:28:48.119
they could actually be better if you go back

00:28:48.119 --> 00:28:50.559
and deal with your personal stuff. Because material

00:28:50.559 --> 00:28:52.859
things, anything outside of us, that's one thing.

00:28:53.359 --> 00:28:57.640
And I think it's really easy to get defined by

00:28:57.640 --> 00:29:00.640
the things outside of us. But the real beauty,

00:29:00.799 --> 00:29:04.539
the real wealth is inner peace. and inner knowledge

00:29:04.539 --> 00:29:06.500
so i feel like life is always trying to get us

00:29:06.500 --> 00:29:08.119
to go okay this is great you've done all of this

00:29:08.119 --> 00:29:10.140
you've got this blah blah but like how are you

00:29:10.140 --> 00:29:14.039
and that's something that i've always wanted

00:29:14.039 --> 00:29:17.640
like great yeah well it actually happened i never

00:29:17.640 --> 00:29:20.680
forget when when i was doing the saigon my first

00:29:20.680 --> 00:29:22.859
broadway show understudying hinton battle the

00:29:22.859 --> 00:29:26.079
great hinton battle um who won his third tony

00:29:26.079 --> 00:29:28.799
award playing john in the saigon i was his understudy

00:29:28.799 --> 00:29:32.059
after he won the tony uh you do eight shows a

00:29:32.059 --> 00:29:34.210
week on broadway After he won the Tony, he went

00:29:34.210 --> 00:29:36.049
down to doing six, and they gave me two of his

00:29:36.049 --> 00:29:38.390
shows. He left after the first year, and then

00:29:38.390 --> 00:29:40.170
I took over the role. And I remember thinking,

00:29:40.329 --> 00:29:42.849
okay, great. Now things are going to finally

00:29:42.849 --> 00:29:45.009
be great. Because at that point, I was kind of

00:29:45.009 --> 00:29:48.730
running, you know, using the arts, using success

00:29:48.730 --> 00:29:52.109
as sort of like a pill to deal with my past.

00:29:52.589 --> 00:29:54.890
I never forget the day after I had breakfast

00:29:54.890 --> 00:29:56.930
with a group of friends to kind of celebrate.

00:29:57.309 --> 00:29:59.250
You take them over the role, and I was like,

00:29:59.390 --> 00:30:00.589
you know, like, what's wrong with you? I was

00:30:00.589 --> 00:30:02.940
like, I don't. I understand. They're like, what's

00:30:02.940 --> 00:30:04.920
up? I said, when are things going to finally

00:30:04.920 --> 00:30:07.740
be okay? I thought that once, you know, getting

00:30:07.740 --> 00:30:10.220
this incredible Broadway show, I thought that

00:30:10.220 --> 00:30:13.680
would do it. Getting two shows a week of Hinton's,

00:30:13.680 --> 00:30:14.940
I thought it would do it. Now I'm taking over

00:30:14.940 --> 00:30:16.819
the role. What is it going to take? That's when

00:30:16.819 --> 00:30:18.259
her friend said, you might want to think about

00:30:18.259 --> 00:30:21.740
therapy. And I thought, okay. And that's when

00:30:21.740 --> 00:30:24.319
I really started to go, okay. It's not about

00:30:24.319 --> 00:30:27.619
what my life looks like. It's about how I feel.

00:30:28.720 --> 00:30:33.059
The real wealth is knowing yourself. So I feel

00:30:33.059 --> 00:30:36.880
like that's a call that we all get. And the more

00:30:36.880 --> 00:30:40.940
successful you become, in some ways, the easier

00:30:40.940 --> 00:30:44.460
it is to use them as distractions, to pull away

00:30:44.460 --> 00:30:47.579
from yourself, to be defied by those. But I want

00:30:47.579 --> 00:30:50.299
both. I want the success, but I also want to

00:30:50.299 --> 00:30:52.700
be present for it. I don't want to be using this

00:30:52.700 --> 00:30:54.680
as an excuse for that. I want to go, no, I'm

00:30:54.680 --> 00:30:57.119
present so I can enjoy the success. I can enjoy

00:30:57.119 --> 00:31:01.119
this trip. I can enjoy this concert and not be

00:31:01.119 --> 00:31:05.240
running away from anything. And I think so many

00:31:05.240 --> 00:31:10.019
times in our culture, we see like it is some

00:31:10.019 --> 00:31:11.839
destination that we're going for and that's going

00:31:11.839 --> 00:31:14.240
to be what brings it. And I think to some degree,

00:31:14.319 --> 00:31:16.539
it's sports that does it, right? And I love sports.

00:31:16.599 --> 00:31:19.059
I enjoy sports really, but it's... You got to

00:31:19.059 --> 00:31:20.640
win the championship. And when you win the championship,

00:31:20.839 --> 00:31:22.759
it is the most elation you could ever have. And

00:31:22.759 --> 00:31:24.559
so that's what you think of, like, oh, it's about

00:31:24.559 --> 00:31:26.940
the championship. And in life, it's just not,

00:31:27.180 --> 00:31:29.259
right? In life, it's what are we doing along

00:31:29.259 --> 00:31:32.880
the path to grow, to be who we really are, right?

00:31:32.920 --> 00:31:35.759
To find our destiny like you did, to find what

00:31:35.759 --> 00:31:39.180
brings that joy to us during the process, in

00:31:39.180 --> 00:31:42.720
the process of becoming, not just the end goal.

00:31:42.900 --> 00:31:44.380
Because there is no there. I mean, I'm in New

00:31:44.380 --> 00:31:46.930
York City, right? The next one. The city was

00:31:46.930 --> 00:31:49.450
on fire that weekend. Oh, my God. And it's like,

00:31:49.470 --> 00:31:51.789
then people go back to their regular lives because

00:31:51.789 --> 00:31:55.170
the celebrations die down and you're left with

00:31:55.170 --> 00:31:59.650
you. We are the constant in our lives. You know,

00:31:59.690 --> 00:32:01.849
things come and go, championships, but, like,

00:32:01.849 --> 00:32:07.509
we are the 24 -7 with ourselves. And that's the

00:32:07.509 --> 00:32:11.039
ultimate. That's the ultimate. Yeah. absolutely

00:32:11.039 --> 00:32:12.980
and you know one of the things going back to

00:32:12.980 --> 00:32:15.700
kind of your role in this saigon in in your book

00:32:15.700 --> 00:32:17.839
one of the things you mentioned was when that

00:32:17.839 --> 00:32:21.700
kind of happened you had some people i believe

00:32:21.700 --> 00:32:23.960
this was the story you had some people some friends

00:32:23.960 --> 00:32:25.960
that maybe during the celebration were a little

00:32:25.960 --> 00:32:27.960
bit negative and kind of warning you like yeah

00:32:27.960 --> 00:32:31.000
you know watch your back or hey you know it's

00:32:31.000 --> 00:32:33.680
gonna be coming for you now and and i think at

00:32:33.680 --> 00:32:36.279
that time you you may have had a mentor who couldn't

00:32:36.279 --> 00:32:37.960
give you the advice of like don't listen to the

00:32:37.960 --> 00:32:41.009
projections of others because that's where that

00:32:41.009 --> 00:32:43.150
negativity comes from yeah that's a huge thing

00:32:43.150 --> 00:32:47.450
that i share with all of my friends the young

00:32:47.450 --> 00:32:50.150
kids that i'm kind of mentoring and my adult

00:32:50.150 --> 00:32:53.970
friends like do not allow yourself to have other

00:32:53.970 --> 00:32:57.009
people's issues projected onto you and it's really

00:32:57.009 --> 00:32:59.769
tricky with artists because we're naturally sensitive

00:32:59.769 --> 00:33:03.950
um and we're always seeking some kind of validation

00:33:03.950 --> 00:33:05.890
as part of the job it's part of like did you

00:33:05.890 --> 00:33:07.849
like it how did i sound would you you know that

00:33:07.849 --> 00:33:10.339
whole thing Which, again, is why I think learning

00:33:10.339 --> 00:33:12.940
to validate yourself is the ultimate, because

00:33:12.940 --> 00:33:14.640
then when somebody compliments you, you can just

00:33:14.640 --> 00:33:18.200
go, thank you. Not with anything. But yeah, at

00:33:18.200 --> 00:33:21.680
this party, I was moving from Chicago to New

00:33:21.680 --> 00:33:25.119
York City to start rehearsals for Miss Saigon,

00:33:25.359 --> 00:33:27.319
the original company, which was already hit before

00:33:27.319 --> 00:33:29.539
it opened. There was a lot of controversy surrounding

00:33:29.539 --> 00:33:32.160
it with the casting, so it drove the box office

00:33:32.160 --> 00:33:36.200
to a $10 million advance, which in 1991 was huge

00:33:36.200 --> 00:33:39.380
and broke all kinds of records. I'm at my party,

00:33:39.440 --> 00:33:43.960
and some friends, these weren't my friends, clearly

00:33:43.960 --> 00:33:46.460
some of my friends brought some guests, and they

00:33:46.460 --> 00:33:47.859
were like, well, you know, just be careful in

00:33:47.859 --> 00:33:49.740
New York, you know, watch out for this, watch

00:33:49.740 --> 00:33:51.180
out for that, watch out for this, watch out for

00:33:51.180 --> 00:33:54.000
that. I remember, like, someone, my mentor was

00:33:54.000 --> 00:33:55.839
at the party, he was like, what's wrong with

00:33:55.839 --> 00:33:58.400
you? I was like, you know, I'm excited, like,

00:33:58.480 --> 00:34:00.140
man, I keep, people keep telling me, like, to

00:34:00.140 --> 00:34:02.720
be scared and, you know, not to wear this because

00:34:02.720 --> 00:34:04.539
somebody will snatch the gold chain off your

00:34:04.539 --> 00:34:07.440
neck, and he was like, Alton? You're not that

00:34:07.440 --> 00:34:10.400
kind of a person. You're a positive person. You're

00:34:10.400 --> 00:34:12.099
a positive thinker. You look for the positive

00:34:12.099 --> 00:34:14.420
things in life. At the same time, you're smart.

00:34:14.659 --> 00:34:17.199
That will not be your experience. So don't take

00:34:17.199 --> 00:34:19.420
that on. And that was just what I needed to hear.

00:34:19.519 --> 00:34:23.300
Like, oh, yeah, I'm not like them. This is their

00:34:23.300 --> 00:34:28.300
own stuff. But up until then, I was really like,

00:34:28.340 --> 00:34:30.679
am I going to go to New York, like, more terrified

00:34:30.679 --> 00:34:33.639
than excited? But again, in terms of mentoring,

00:34:33.960 --> 00:34:37.369
your question earlier. Having validation when

00:34:37.369 --> 00:34:40.449
you trust is priceless. It changed everything

00:34:40.449 --> 00:34:44.369
for me. Yeah. How do you differentiate just for

00:34:44.369 --> 00:34:46.530
you in your life? And maybe this would be advice

00:34:46.530 --> 00:34:47.809
that we're giving to somebody else. How would

00:34:47.809 --> 00:34:50.309
you differentiate between... those who are giving

00:34:50.309 --> 00:34:54.190
you advice that's helpful, right? Because sometimes

00:34:54.190 --> 00:34:55.949
it's helpful to be aware of certain things that

00:34:55.949 --> 00:34:59.329
happen and the stuff that's just negativity that's

00:34:59.329 --> 00:35:02.230
their own projections on you that you shouldn't

00:35:02.230 --> 00:35:03.929
listen to. How do you differentiate between those

00:35:03.929 --> 00:35:08.289
things? Always consider the source. Who's saying

00:35:08.289 --> 00:35:11.769
this? Because when I was younger, somebody would

00:35:11.769 --> 00:35:14.030
say these kind of things to me and I'd get all

00:35:14.030 --> 00:35:16.590
worked up and go, I don't respect this person.

00:35:17.449 --> 00:35:20.860
I don't even know this person. But it triggers

00:35:20.860 --> 00:35:23.039
something in me, but then I go, oh, wait a minute.

00:35:24.739 --> 00:35:26.500
They're trying to project their things onto me,

00:35:26.539 --> 00:35:28.719
and I have a choice to accept it or not. I don't

00:35:28.719 --> 00:35:31.840
accept it. So now, and it takes practice, but

00:35:31.840 --> 00:35:34.360
now I've practiced so much in my life that my

00:35:34.360 --> 00:35:36.579
instincts kick in and I go, oh, I know what this

00:35:36.579 --> 00:35:40.179
is. I know how to excuse myself. Like, I'm not

00:35:40.179 --> 00:35:42.239
going to be an audience for things that you need

00:35:42.239 --> 00:35:45.000
to work on on your own. And I'm not your friend.

00:35:46.049 --> 00:35:48.429
to, to, for you to dump those things on. So I've

00:35:48.429 --> 00:35:50.250
learned to find a nice tactful way to go, oh,

00:35:50.269 --> 00:35:53.230
no, to protect my energy, to set boundaries around

00:35:53.230 --> 00:35:57.570
my positivity. Yeah, I love that. I love that.

00:35:57.710 --> 00:35:59.570
You know, one of the things, too, talking about

00:35:59.570 --> 00:36:00.909
your positivity, one of the things I was struck

00:36:00.909 --> 00:36:04.349
in, in your book was, I think there was a time,

00:36:04.429 --> 00:36:05.650
and I don't remember if it was in New York or

00:36:05.650 --> 00:36:08.429
somewhere else, but that you in essence were

00:36:08.429 --> 00:36:11.130
were robbed or had your your wallet and stuff

00:36:11.130 --> 00:36:13.969
stolen like three times in this really short

00:36:13.969 --> 00:36:16.070
period of time right can you share that with

00:36:16.070 --> 00:36:18.769
us dude it was like my first time in chicago

00:36:18.769 --> 00:36:22.809
at on an agent who wanted me i was doing a tour

00:36:22.809 --> 00:36:25.409
of dream girls and he we were playing in new

00:36:25.409 --> 00:36:29.150
haven which is not far from new york and um the

00:36:29.150 --> 00:36:31.969
female lead the show her agent was she was from

00:36:31.969 --> 00:36:33.909
new york and her agent came up to see us and

00:36:33.909 --> 00:36:35.590
was like hey i think you're talented i would

00:36:35.590 --> 00:36:37.829
love to represent you. And I said, I'm not moving

00:36:37.829 --> 00:36:40.349
to New York without a job. Chicago is a great

00:36:40.349 --> 00:36:42.349
theater town. Whether you're working or not,

00:36:42.389 --> 00:36:43.989
it's still the Midwest, so it's still affordable.

00:36:44.190 --> 00:36:46.590
And it was great regional theater happening there.

00:36:47.090 --> 00:36:49.309
And he said, I said, but if you submit me for

00:36:49.309 --> 00:36:51.530
things, I will come to New York to audition.

00:36:52.010 --> 00:36:55.289
So the first time I took the Greyhound and stopped

00:36:55.289 --> 00:36:57.429
in Cleveland where one of my sisters lived at

00:36:57.429 --> 00:37:01.170
the time. And she brought me a meal and I'm like,

00:37:01.190 --> 00:37:03.110
I got to watch the time. I can't miss this bus.

00:37:03.190 --> 00:37:04.909
And she's talking and talking and talking. And

00:37:04.909 --> 00:37:07.349
we got. Wrapped up, next thing I know, I missed

00:37:07.349 --> 00:37:10.090
the bus. So all of my friends were on the bus.

00:37:10.150 --> 00:37:12.449
So I wanted to join the audition in the clothes

00:37:12.449 --> 00:37:17.809
I had. Second time, I took the train. I was sleeping

00:37:17.809 --> 00:37:21.630
and somebody stole my bag. So for Miss Saigon,

00:37:21.690 --> 00:37:23.849
I thought, I'm going to scrape some money together

00:37:23.849 --> 00:37:26.550
and I'm going to fly. I'm not taking any chances.

00:37:27.070 --> 00:37:30.050
And it's really kind of magical because I was

00:37:30.050 --> 00:37:33.659
doing a show in... And I was in the ensemble

00:37:33.659 --> 00:37:35.739
of a show in Chicago at the time, way out in

00:37:35.739 --> 00:37:39.159
the burbs. And we had two days, Monday and Tuesday.

00:37:39.360 --> 00:37:41.760
So my audition was Monday afternoon. I flew in

00:37:41.760 --> 00:37:44.000
Monday morning, went to the audition that afternoon.

00:37:45.539 --> 00:37:49.380
And they said, hey, your agent said that you're

00:37:49.380 --> 00:37:51.380
supposed to be flying back to Chicago tonight,

00:37:51.559 --> 00:37:53.659
but we want you to come to the dance call. Can

00:37:53.659 --> 00:37:55.059
you change your plans? I was like, absolutely.

00:37:55.360 --> 00:37:59.000
So I got on the phone, changed my flight, went

00:37:59.000 --> 00:38:02.909
to the dance call that evening. and then flew

00:38:02.909 --> 00:38:07.010
back to Chicago. And it was kind of wild because

00:38:07.010 --> 00:38:09.369
because of the controversy with Miss Saigon,

00:38:09.590 --> 00:38:11.949
they were threatening to cancel it because the

00:38:11.949 --> 00:38:14.489
actors' union didn't like certain parts of it.

00:38:14.750 --> 00:38:18.449
And this all drove the box office up. And I remember,

00:38:18.510 --> 00:38:21.170
again, another projection. And one of the guys

00:38:21.170 --> 00:38:23.650
I met at the dance call was like, because I'm

00:38:23.650 --> 00:38:26.230
excited, like, oh, my God, we made it down because

00:38:26.230 --> 00:38:29.860
it went from 50 guys to 20. And I was like, man,

00:38:29.960 --> 00:38:31.440
this is so exciting. He's like, yeah, well, don't

00:38:31.440 --> 00:38:34.619
get too excited. This is my fourth dance call,

00:38:34.860 --> 00:38:36.559
and there's no guarantee that it's even going

00:38:36.559 --> 00:38:38.840
to happen. And I was like, wonk, wonk, wonk.

00:38:39.639 --> 00:38:41.519
I was like, oh, well. So I came back to Chicago

00:38:41.519 --> 00:38:43.559
like, okay, well, who knows if it's even going

00:38:43.559 --> 00:38:46.420
to happen. And I just kind of let it go, which

00:38:46.420 --> 00:38:49.920
is hard to do. And then that same night, I got

00:38:49.920 --> 00:38:52.480
the call, and I booked it, and I will be understudying

00:38:52.480 --> 00:38:55.960
one of my heroes into battle. And looking back

00:38:55.960 --> 00:38:58.920
on it, I see... They were always tested, right?

00:38:59.260 --> 00:39:01.119
So that first time when my stuff was stolen,

00:39:01.300 --> 00:39:04.340
am I still passionate? Do I still want to do

00:39:04.340 --> 00:39:07.280
this? Am I willing to try this again? Okay, let

00:39:07.280 --> 00:39:09.960
me try the train this time. Happened with the

00:39:09.960 --> 00:39:14.059
train. Okay, I get another call. Hmm. Is this

00:39:14.059 --> 00:39:16.400
going to stop me? No, I want this. And this is

00:39:16.400 --> 00:39:19.639
just what I have to do to get it done. I flew.

00:39:19.960 --> 00:39:23.139
So when the reward came, I was able to go, thank

00:39:23.139 --> 00:39:27.340
goodness I stayed present for myself. For my

00:39:27.340 --> 00:39:31.800
passion. I passed the test. And the result was

00:39:31.800 --> 00:39:34.699
beyond my wildest dream. I mean, going from the

00:39:34.699 --> 00:39:37.440
ensemble in the theater in the suburbs of Chicago

00:39:37.440 --> 00:39:40.039
to suddenly I'm going to be understudying my

00:39:40.039 --> 00:39:42.840
hero in the biggest Broadway show at the time.

00:39:44.119 --> 00:39:46.039
Those kind of leaves can only happen if you keep

00:39:46.039 --> 00:39:49.739
showing up for yourself. And have boundaries

00:39:49.739 --> 00:39:53.360
around other people's opinions. Yeah. And then

00:39:53.360 --> 00:39:55.980
when those opportunities do come, That you've

00:39:55.980 --> 00:39:57.719
prepared yourself. Exactly. That you can take

00:39:57.719 --> 00:40:00.539
advantage of. Absolutely. Because sometimes,

00:40:00.760 --> 00:40:02.519
you know, sometimes we miss those because we're

00:40:02.519 --> 00:40:04.880
just, we're not prepared. We're distracted. We

00:40:04.880 --> 00:40:07.579
let other people's negativity bog us down. And

00:40:07.579 --> 00:40:09.199
then suddenly this great opportunity passes us

00:40:09.199 --> 00:40:11.659
by and we don't even realize it. And also, whatever

00:40:11.659 --> 00:40:13.199
your passion is, nobody's going to understand

00:40:13.199 --> 00:40:15.860
it but you. You can explain it to the person

00:40:15.860 --> 00:40:19.079
you love the most, but it's for you. It's specifically

00:40:19.079 --> 00:40:21.920
for you. So I would say, you know, I learned

00:40:21.920 --> 00:40:23.739
early. Instead of trying to prove it to you,

00:40:23.780 --> 00:40:26.480
let me just show you. I'm not going to show you

00:40:26.480 --> 00:40:28.139
because of you. I'm going to show you because

00:40:28.139 --> 00:40:32.179
of me. Before we jump back in, can I ask you

00:40:32.179 --> 00:40:34.599
a quick favor? If you're enjoying the journey

00:40:34.599 --> 00:40:38.119
so far, will you like, rate, and subscribe to

00:40:38.119 --> 00:40:40.840
our show? It helps us reach more people like

00:40:40.840 --> 00:40:44.280
you. We can design and create and build the most

00:40:44.280 --> 00:40:47.139
wonderful place in the world, but it takes people

00:40:47.139 --> 00:40:51.159
to make the dream a reality. One of the things

00:40:51.159 --> 00:40:55.550
that you said in your book is that passion has

00:40:55.550 --> 00:40:58.829
to be harnessed correctly um or it could lead

00:40:58.829 --> 00:41:01.809
to burnout yeah and so when we think about that

00:41:01.809 --> 00:41:04.090
you know obviously we started out this this this

00:41:04.090 --> 00:41:06.110
podcast and one of the things that you're maybe

00:41:06.110 --> 00:41:08.730
most famous for is performing more than 4 000

00:41:08.730 --> 00:41:13.349
times as mufasa which is just so you know exactly

00:41:13.349 --> 00:41:15.769
the number i love this like it's so many and

00:41:15.769 --> 00:41:18.579
so you know one of the things that I was thinking

00:41:18.579 --> 00:41:21.679
about when it comes to this is some work by Dr.

00:41:21.820 --> 00:41:23.960
Angela Duckworth. She wrote a book called Grit,

00:41:23.980 --> 00:41:26.579
which I just love. She talked about the difference

00:41:26.579 --> 00:41:28.420
between high performers or high achievers, and

00:41:28.420 --> 00:41:30.440
she categorizes it as those that have grit, which

00:41:30.440 --> 00:41:32.739
is the power of passion plus perseverance. And

00:41:32.739 --> 00:41:35.559
so I think about this idea of like passion, but

00:41:35.559 --> 00:41:37.480
it could lead to burnout. One of the things she

00:41:37.480 --> 00:41:41.460
said is enthusiasm is common. Endurance is rare.

00:41:42.099 --> 00:41:44.599
So for you, like, take us through, like, first

00:41:44.599 --> 00:41:47.079
off, how did you get to that point where You

00:41:47.079 --> 00:41:49.039
were in the position to be able to get that role

00:41:49.039 --> 00:41:52.820
as the king, as Mufasa. Then also that you didn't

00:41:52.820 --> 00:41:56.619
get burned out with 4 ,308. Is that what we said?

00:41:56.800 --> 00:41:59.360
Yeah. My goodness. Because burnout could come

00:41:59.360 --> 00:42:02.739
so easily with that many performances. Well,

00:42:02.800 --> 00:42:04.940
there's a couple of things that came into play

00:42:04.940 --> 00:42:10.360
with that. I love theater. I loved the validation

00:42:10.360 --> 00:42:14.599
that I got doing my job consistently well. I

00:42:14.599 --> 00:42:18.309
love the benefits. You know, the status, the

00:42:18.309 --> 00:42:20.090
paycheck, all those wonderful things, the beautiful

00:42:20.090 --> 00:42:23.309
life I was able to build. But then beyond that,

00:42:23.570 --> 00:42:25.190
you know, getting back to what we were talking

00:42:25.190 --> 00:42:27.349
about earlier about, like, not letting myself

00:42:27.349 --> 00:42:29.530
be solely defined by the things outside of me.

00:42:30.869 --> 00:42:33.130
In the back of my mind was like, what kind of

00:42:33.130 --> 00:42:36.610
life do I have outside of this? And that's what

00:42:36.610 --> 00:42:39.130
was always knocking at the door. I love showing

00:42:39.130 --> 00:42:40.989
up on time and doing well, blah, blah, blah.

00:42:41.050 --> 00:42:42.710
And that feeling of, I guess I did another great

00:42:42.710 --> 00:42:45.750
show. Then at a certain point, I realized. It's

00:42:45.750 --> 00:42:49.570
not realistic to work at this kind of pace without

00:42:49.570 --> 00:42:53.969
balance. And slowly but surely, knocking on the

00:42:53.969 --> 00:42:55.889
door was like, okay, what else do you want to

00:42:55.889 --> 00:42:58.489
do? What else do you consist of? More than this,

00:42:58.750 --> 00:43:01.190
you know, there's other kinds, there's life still

00:43:01.190 --> 00:43:03.610
happening outside of eight shows a week. And

00:43:03.610 --> 00:43:05.449
that voice got louder and louder. And then I

00:43:05.449 --> 00:43:07.570
found that, okay, well, I'm not ready to leave

00:43:07.570 --> 00:43:11.250
the show. So how can I not sabotage this? Because

00:43:11.250 --> 00:43:13.690
I did get burnout. How can I not sabotage this

00:43:13.690 --> 00:43:16.170
incredible opportunity? Okay, that's when I started

00:43:16.170 --> 00:43:18.650
doing outside. You know, once I got back, when

00:43:18.650 --> 00:43:20.489
I got off tour, when you're on tour, it's great

00:43:20.489 --> 00:43:21.869
because you're going to different cities. You

00:43:21.869 --> 00:43:23.590
get to be a different version of yourself in

00:43:23.590 --> 00:43:25.630
every city. You're meeting new people. The show's

00:43:25.630 --> 00:43:27.269
a hit. People are rolling off the red carpet

00:43:27.269 --> 00:43:30.050
wherever you go. Once I came back into the New

00:43:30.050 --> 00:43:33.289
York company, which was tremendous to take over

00:43:33.289 --> 00:43:35.010
the role on Broadway, I was the second person

00:43:35.010 --> 00:43:38.469
to do it on Broadway. Then it becomes, okay,

00:43:38.550 --> 00:43:41.429
now I'm in New York or I'm back home. I have,

00:43:41.489 --> 00:43:44.710
there's no excuse to not only do the show. And

00:43:44.710 --> 00:43:47.489
I started, okay, now people would do benefits.

00:43:47.610 --> 00:43:51.349
I would donate my voice just to do service in

00:43:51.349 --> 00:43:53.769
that way. I would start doing more cabaret acts

00:43:53.769 --> 00:43:55.869
because I would reach a point where I'm like,

00:43:55.909 --> 00:43:59.630
okay, doing this same thing every time and finding

00:43:59.630 --> 00:44:04.030
new things within is great, but I need, I'm a

00:44:04.030 --> 00:44:06.269
creative. I need to create something else. So

00:44:06.269 --> 00:44:09.730
I would do my own show where I wasn't directed.

00:44:09.809 --> 00:44:11.889
I could sing what I wanted to sing the way I

00:44:11.889 --> 00:44:13.630
wanted to sing it. So that became a balance.

00:44:14.239 --> 00:44:16.199
And then when I get around again, I thought,

00:44:16.280 --> 00:44:19.739
you know what? Maybe I'll do a Disney CD. You

00:44:19.739 --> 00:44:23.219
know, every Broadway star eventually released

00:44:23.219 --> 00:44:24.659
some kind of recording. I thought, maybe I'll

00:44:24.659 --> 00:44:27.239
do some Disney songs and give them my own spin.

00:44:27.519 --> 00:44:30.460
So that took a lot of my time. And that was great

00:44:30.460 --> 00:44:34.360
because, like, I wasn't just Mufasa. I was also

00:44:34.360 --> 00:44:37.119
financing another aspect of my dream, my creativity.

00:44:37.880 --> 00:44:40.780
And that lasted for a long time. And then at

00:44:40.780 --> 00:44:42.980
some point I realized. Which, by the way, that

00:44:42.980 --> 00:44:46.699
album is fantastic. Thank you, man. We're going

00:44:46.699 --> 00:44:49.300
to put a link to that in the show because I listened

00:44:49.300 --> 00:44:51.239
to it and then I listened to it on repeat. It's

00:44:51.239 --> 00:44:53.300
just absolutely fabulous to hear you sing and

00:44:53.300 --> 00:44:57.000
your take on different Broadway Disney songs,

00:44:57.139 --> 00:44:59.420
right? So fun. I mean, it's such a good album.

00:44:59.699 --> 00:45:01.619
Supercalus is probably my favorite because it's

00:45:01.619 --> 00:45:03.559
so different. Is that the one you favorite? Yeah.

00:45:04.099 --> 00:45:05.579
That one and her voice. It's such a great song.

00:45:05.760 --> 00:45:09.300
Her voice is. Yeah. Little Mermaid is my second

00:45:09.300 --> 00:45:11.639
favorite. But yeah, so there are ways. And when

00:45:11.639 --> 00:45:15.280
I do my talk, I talk about balancing your passion.

00:45:15.440 --> 00:45:18.300
It's okay to have more than one passion. And

00:45:18.300 --> 00:45:20.699
if you can find something else to detach, like

00:45:20.699 --> 00:45:23.099
I love this thing, but I'm going to detach from

00:45:23.099 --> 00:45:26.260
that and go to this other thing, I get to come

00:45:26.260 --> 00:45:28.460
back to this thing that I love with fresh eyes.

00:45:28.880 --> 00:45:33.460
So when I was recording my CD during the day

00:45:33.460 --> 00:45:35.500
and then go to the show at night, it was like,

00:45:35.559 --> 00:45:38.820
oh, wow, now I get to do this. already know with

00:45:38.820 --> 00:45:40.400
a different kind of energy as opposed to doing

00:45:40.400 --> 00:45:43.300
the same thing because we all need refreshers

00:45:43.300 --> 00:45:46.360
and when i do my talks i remind people that you're

00:45:46.360 --> 00:45:48.619
allowed to take a break even if you have to schedule

00:45:48.619 --> 00:45:51.579
it it's okay because it's not realistic to go

00:45:51.579 --> 00:45:55.260
like this all the time it's just not we're not

00:45:55.260 --> 00:45:57.800
machines we're human beings and other parts of

00:45:57.800 --> 00:46:01.579
ourselves want attention yeah definitely true

00:46:01.579 --> 00:46:04.840
um you know when you're doing this too so you

00:46:05.769 --> 00:46:09.110
you were you do miss saigon i mean it's this

00:46:09.110 --> 00:46:12.070
huge hit right and then you're the second person

00:46:12.070 --> 00:46:15.449
to do mufasa on broadway which lion king is um

00:46:15.449 --> 00:46:18.630
you know the the most successful uh box office

00:46:18.630 --> 00:46:21.150
wise uh broadway music of all time and my sixth

00:46:21.150 --> 00:46:22.949
broadway show i've done six broadway shows in

00:46:22.949 --> 00:46:27.369
total my goodness right and and how how easy

00:46:27.369 --> 00:46:30.130
it might be for somebody who's done that many

00:46:30.969 --> 00:46:32.670
to let their ego get a little out of control.

00:46:32.769 --> 00:46:35.449
And I want to read you a quote from you. So I'm

00:46:35.449 --> 00:46:36.329
going to quote you to you, and then I want to

00:46:36.329 --> 00:46:39.070
get you down. You said, gratitude is a great

00:46:39.070 --> 00:46:40.829
remedy for when our egos get out of control.

00:46:40.969 --> 00:46:43.389
So tell me more about that, about how gratitude

00:46:43.389 --> 00:46:47.210
played a role for you to help keep that ego in

00:46:47.210 --> 00:46:49.030
check a little bit, recognizing that you still

00:46:49.030 --> 00:46:51.570
have to recognize that you can do a lot and you

00:46:51.570 --> 00:46:53.250
do great things, but not letting it get out of

00:46:53.250 --> 00:46:58.369
control. Well, for me, I mean, I learned a lot

00:46:58.369 --> 00:47:00.800
from my mentors. you know, throughout theater.

00:47:02.019 --> 00:47:03.860
Even when I was in the chorus, I would look at

00:47:03.860 --> 00:47:06.059
the principals, the stars, and see how do they

00:47:06.059 --> 00:47:07.719
behave themselves? How do they take direction?

00:47:07.880 --> 00:47:09.719
How do they... Because when you're the lead of

00:47:09.719 --> 00:47:11.460
a show, people treat you differently. They treat

00:47:11.460 --> 00:47:13.800
you like you're a parent, whether you are or

00:47:13.800 --> 00:47:17.139
not. They just look to you differently. If and

00:47:17.139 --> 00:47:19.739
when I am blessed enough to have the opportunity

00:47:19.739 --> 00:47:22.400
to be one of those kind of people, how do I behave?

00:47:22.980 --> 00:47:26.219
You know, how do I address the cast? How do I,

00:47:26.340 --> 00:47:29.250
you know, how... It's a very real thing. What

00:47:29.250 --> 00:47:33.369
persona do I want to take on? And so once I got

00:47:33.369 --> 00:47:36.289
to that point, and I would talk to these people

00:47:36.289 --> 00:47:38.989
and ask them questions, and they loved it. They

00:47:38.989 --> 00:47:42.329
loved it. I was one of those real serious kids

00:47:42.329 --> 00:47:44.250
who really wanted to do it and really wanted

00:47:44.250 --> 00:47:46.789
to know every aspect of it. They would feed me

00:47:46.789 --> 00:47:48.690
and tell me, well, you do this and you do that,

00:47:48.690 --> 00:47:50.130
and this is appropriate, this isn't appropriate.

00:47:50.630 --> 00:47:53.070
So I had that kind of training from my mentors,

00:47:53.309 --> 00:47:57.420
and I learned then that... It's never about you.

00:47:57.539 --> 00:48:00.840
It's always about the work. The work is the most

00:48:00.840 --> 00:48:04.480
important thing. As an actor, like with Lion

00:48:04.480 --> 00:48:07.460
King or any show that I do, there's a whole team

00:48:07.460 --> 00:48:11.440
of people who crafted this piece of art. And

00:48:11.440 --> 00:48:16.079
every word that they chose, they chose. So I

00:48:16.079 --> 00:48:18.679
can't add to it. All I can do is take what they

00:48:18.679 --> 00:48:21.440
said and try to give it different meaning. You

00:48:21.440 --> 00:48:23.619
know, but still tell the story. So there has

00:48:23.619 --> 00:48:25.699
never been about Eagle. It's always been about

00:48:25.699 --> 00:48:28.039
the work. And again, that came from my mentors.

00:48:28.380 --> 00:48:31.000
In gratitude, I mean, there were many times when

00:48:31.000 --> 00:48:32.880
I would be burnt out. I'd be sitting in my dressing

00:48:32.880 --> 00:48:34.940
room. I have one of the few dressing rooms on

00:48:34.940 --> 00:48:37.679
Broadway that has a window. Because most dressing

00:48:37.679 --> 00:48:39.699
rooms do not have windows. And my window faced

00:48:39.699 --> 00:48:42.460
out, I could see part of Times Square from my

00:48:42.460 --> 00:48:45.340
window. And I'd be sitting there going, you know,

00:48:45.380 --> 00:48:47.960
here I am playing Mufasa in the most incredible

00:48:47.960 --> 00:48:51.579
show ever. And what am I really doing with my

00:48:51.579 --> 00:48:53.420
life? You know what I mean? We all have those

00:48:53.420 --> 00:48:56.860
questions. no matter how successful we are, what

00:48:56.860 --> 00:48:59.639
am I really doing? And I would go, I remember

00:48:59.639 --> 00:49:01.340
those times, and I'd be walking through Times

00:49:01.340 --> 00:49:05.219
Square, not on Broadway, not working and thinking,

00:49:05.400 --> 00:49:07.420
will I ever be a part of this community again?

00:49:07.860 --> 00:49:10.139
Because you never know if your last Broadway

00:49:10.139 --> 00:49:12.860
show was going to be it. Like after Miss Saigon,

00:49:13.079 --> 00:49:15.199
I thought, this may be my one and only Broadway

00:49:15.199 --> 00:49:18.199
show. Thank goodness I got to do five more. But

00:49:18.199 --> 00:49:20.460
I think about that time and that feeling of not

00:49:20.460 --> 00:49:23.119
being a part of this thing I love, and I would

00:49:23.119 --> 00:49:27.730
go, Step out of it. I'm here right now. All right.

00:49:28.150 --> 00:49:30.869
So having gratitude at the foundation is something

00:49:30.869 --> 00:49:33.949
I can always tap into. And I have different levels

00:49:33.949 --> 00:49:37.150
of gratitude. So I will never get so burnt out

00:49:37.150 --> 00:49:39.150
that I can't tap into some kind of gratitude

00:49:39.150 --> 00:49:43.690
because it's that important to me. And I think

00:49:43.690 --> 00:49:45.829
that you may do some meditation. Is that one

00:49:45.829 --> 00:49:47.090
of the ways that you kind of center yourself

00:49:47.090 --> 00:49:48.869
in making sure that you find gratitude? Yeah.

00:49:48.869 --> 00:49:52.510
And to me, meditation isn't just sitting still.

00:49:53.000 --> 00:49:54.440
And this is something, another thing I discuss

00:49:54.440 --> 00:49:56.579
with my, when I do my talks for corporations

00:49:56.579 --> 00:49:58.900
and things, like meditation is whatever takes

00:49:58.900 --> 00:50:01.380
you to that comfortable place. My meditations

00:50:01.380 --> 00:50:04.980
are active, looking at meditation for me. I do

00:50:04.980 --> 00:50:07.699
hot yoga. You know, my best thoughts come to

00:50:07.699 --> 00:50:11.079
me when I'm in a hot room and I do not, I'm a

00:50:11.079 --> 00:50:12.539
fan, I'm a person who's not a fan of summer.

00:50:13.019 --> 00:50:16.239
So like me doing hot yoga is like, I can't believe

00:50:16.239 --> 00:50:18.420
that, you know, 17 years later that I'm a hot

00:50:18.420 --> 00:50:21.420
yogi, but it takes me to the place of like. where

00:50:21.420 --> 00:50:23.460
I go through the fire, I get to the other side,

00:50:23.539 --> 00:50:25.599
every class, and I find this place of, like,

00:50:25.699 --> 00:50:28.300
I never thought I'd be here. And that's where

00:50:28.300 --> 00:50:31.119
the clarity is for me. So whatever takes you

00:50:31.119 --> 00:50:33.239
there, for me, it is that. It is cooking. It

00:50:33.239 --> 00:50:35.320
is taking a beautiful drive. It's being in nature.

00:50:35.579 --> 00:50:38.119
I'm a tree hugger. You know, I have a garden.

00:50:38.519 --> 00:50:40.860
I'm blessed to have, live in a brownstone, have

00:50:40.860 --> 00:50:43.460
a roof garden. They feed me. I think that's something

00:50:43.460 --> 00:50:47.119
I get to nurture. So whatever, meditation doesn't

00:50:47.119 --> 00:50:49.199
have to be still. A lot of us are very busy.

00:50:49.239 --> 00:50:51.400
It could be... Yeah, that could be a beautiful

00:50:51.400 --> 00:50:54.519
drive and great music or sometimes just driving

00:50:54.519 --> 00:50:57.099
and listening to the wind. Whatever calms you

00:50:57.099 --> 00:50:59.920
down is your meditation. Yeah, I think it's a

00:50:59.920 --> 00:51:02.320
really great point. I think for me, it's something

00:51:02.320 --> 00:51:03.980
that I've kind of come to the realization of

00:51:03.980 --> 00:51:05.519
in the last few years. And for me, that's actually

00:51:05.519 --> 00:51:08.480
been running, which is not something I ever would

00:51:08.480 --> 00:51:10.400
have guessed, much like you don't like summer.

00:51:10.420 --> 00:51:12.159
I hated running. Like I thought it was terrible.

00:51:12.280 --> 00:51:14.480
Why would anybody do this torture? And yet I

00:51:14.480 --> 00:51:16.159
had a really good friend who just encouraged

00:51:16.159 --> 00:51:18.920
me to do it. And so I started doing it and I

00:51:18.920 --> 00:51:20.739
just stuck with it. And I finally got to this

00:51:20.739 --> 00:51:23.159
point where when I run, it's, it is an absolute

00:51:23.159 --> 00:51:25.880
meditative state. And I know I can go to that

00:51:25.880 --> 00:51:28.320
when I need to just think, when I need to just

00:51:28.320 --> 00:51:31.139
almost kind of clear my mind and then think really,

00:51:31.219 --> 00:51:34.099
really clearly about things. It's moving my body

00:51:34.099 --> 00:51:35.820
and it's running. And that's absolutely become

00:51:35.820 --> 00:51:38.000
that for me. And I love what you're saying there,

00:51:38.019 --> 00:51:40.869
the advice about. Like find what it is for you

00:51:40.869 --> 00:51:42.510
because it doesn't have to be sitting there,

00:51:42.590 --> 00:51:44.590
you know, doing a particular pose and doing owns,

00:51:44.710 --> 00:51:47.449
right? It doesn't have to be that. It can be

00:51:47.449 --> 00:51:50.309
a lot of things, but find what it is. And then

00:51:50.309 --> 00:51:54.530
be intentional. Yes. Do more of it. Be intentional.

00:51:54.590 --> 00:51:56.789
Do more of it. If you're busy, schedule time.

00:51:56.909 --> 00:52:00.050
Like this is for me. Oh, I'm going to take out

00:52:00.050 --> 00:52:02.670
a half hour, no matter what's going on, to detach

00:52:02.670 --> 00:52:04.510
and go do this thing. And then I'm going to come

00:52:04.510 --> 00:52:07.210
back a better version of myself for everything

00:52:07.210 --> 00:52:09.730
that I touch. Because I've given this to myself.

00:52:09.949 --> 00:52:11.690
I love what you said about running. You think,

00:52:11.750 --> 00:52:13.969
why would anybody do that? I felt the same way

00:52:13.969 --> 00:52:16.170
about yoga. But then when I do it, it's like

00:52:16.170 --> 00:52:18.570
I get the mental stuff, but then I get all the

00:52:18.570 --> 00:52:20.550
physical benefits, all the other stuff that I

00:52:20.550 --> 00:52:24.489
didn't even think about. But the real, the bottom

00:52:24.489 --> 00:52:29.110
line is I'm doing it for me. Yeah. And all those

00:52:29.110 --> 00:52:30.809
other things become great surprise benefits,

00:52:31.130 --> 00:52:34.489
right? Yeah, such a great point. You know, one

00:52:34.489 --> 00:52:37.539
of the things I thought about when you are doing

00:52:37.539 --> 00:52:41.019
all these performances of Mufasa, is that, you

00:52:41.019 --> 00:52:45.320
know, each night, it's like you have to hit such

00:52:45.320 --> 00:52:50.079
heavy emotional beats playing that role as Mufasa,

00:52:50.219 --> 00:52:53.960
right? How do you do that and not have those

00:52:53.960 --> 00:52:56.639
heavy emotional beats take a toll on your personal

00:52:56.639 --> 00:52:58.920
life? Well, this is where training comes in.

00:52:59.000 --> 00:53:02.219
Because, you know, I know a lot of folks. I did

00:53:02.219 --> 00:53:04.300
a show called The Color Purple. I got to play.

00:53:05.019 --> 00:53:06.840
Mister in the color purple. And I got to work

00:53:06.840 --> 00:53:09.420
with Fantasia, who was fantastic. She wanted

00:53:09.420 --> 00:53:12.119
to do the film. She was wonderful. She's naturally

00:53:12.119 --> 00:53:15.699
talented. And, you know, because it was so close

00:53:15.699 --> 00:53:18.539
to her real life, it was really hard for her

00:53:18.539 --> 00:53:21.179
to turn it off. And it was really, as a cast,

00:53:21.300 --> 00:53:23.119
we saw her really go through it, really struggle

00:53:23.119 --> 00:53:28.360
with it. She's such a genuine, sweet, kind. I

00:53:28.360 --> 00:53:30.900
mean, she's what you think she is. Just a Southern

00:53:30.900 --> 00:53:33.099
girl who's just the sweetest can be. And she's

00:53:33.099 --> 00:53:36.570
dealing with all this stuff. And it's like, here's

00:53:36.570 --> 00:53:39.590
a great example of like, you know, if you have

00:53:39.590 --> 00:53:41.710
training, part of your training is learning to

00:53:41.710 --> 00:53:44.530
like be there when you're there, but then turn

00:53:44.530 --> 00:53:47.670
it off once the curtain comes down. That's why

00:53:47.670 --> 00:53:50.289
many people think they can just go from TV and

00:53:50.289 --> 00:53:52.510
film or another medium and go and do eight shows

00:53:52.510 --> 00:53:55.690
a week. They always go, wow, I had no idea it

00:53:55.690 --> 00:53:57.650
was this hard. It's like, yeah, you've got to

00:53:57.650 --> 00:54:00.250
sustain that and you have to have a life beyond

00:54:00.250 --> 00:54:01.730
it. But if you don't have that kind of training,

00:54:01.969 --> 00:54:03.989
you can't help but take it home with you. because

00:54:03.989 --> 00:54:06.690
because you're using real parts of yourself to

00:54:06.690 --> 00:54:09.389
tap into this emotion to communicate to the audience

00:54:09.389 --> 00:54:14.989
so the training definitely helped and i was saying

00:54:14.989 --> 00:54:19.230
earlier about you know not i can't it's not realistic

00:54:19.230 --> 00:54:23.210
for me to only do mufasa and insist on every

00:54:23.210 --> 00:54:27.050
show be perfect i have to like leave some space

00:54:27.050 --> 00:54:30.469
for myself to make mistakes and to be human because

00:54:30.469 --> 00:54:32.429
i'm not a machine even though i'm consistent

00:54:32.429 --> 00:54:35.079
and i Am I proud of myself on that? I am a human

00:54:35.079 --> 00:54:39.260
being. So having a life out of it is very, very

00:54:39.260 --> 00:54:41.719
important. Something to detach to that you enjoy

00:54:41.719 --> 00:54:46.159
is very, very important. And this is with any

00:54:46.159 --> 00:54:50.500
business, right? Yeah. I mean, I think one of

00:54:50.500 --> 00:54:52.500
the things I thought about when I was kind of

00:54:52.500 --> 00:54:54.400
thinking through this and the emotional toll

00:54:54.400 --> 00:54:57.920
things can take and the repetitive. The repetitive

00:54:57.920 --> 00:55:00.519
beats that you have to have. When I think about

00:55:00.519 --> 00:55:02.900
what my profession is, one of the things that

00:55:02.900 --> 00:55:04.599
I struggled with initially when I was first doing

00:55:04.599 --> 00:55:07.800
divorces as a divorce attorney was trying to

00:55:07.800 --> 00:55:11.980
set aside my clients' issues and problems so

00:55:11.980 --> 00:55:14.780
that I didn't take them home as my own. Because

00:55:14.780 --> 00:55:17.460
I was doing those every day. I was counseling

00:55:17.460 --> 00:55:20.039
people every single day about... maybe the most

00:55:20.039 --> 00:55:21.980
difficult emotional thing that they've had to

00:55:21.980 --> 00:55:24.639
do, many of them in their lives. And it was really

00:55:24.639 --> 00:55:26.519
hard because I took it home, right? I took it

00:55:26.519 --> 00:55:29.800
home at first. It was so hard. And it just, over

00:55:29.800 --> 00:55:31.980
time, I learned to start creating better boundaries.

00:55:32.079 --> 00:55:34.900
I learned to start leaving that more at the office

00:55:34.900 --> 00:55:37.679
so that I didn't bring it home, but it took a

00:55:37.679 --> 00:55:39.739
toll initially, right? It was really hard. And

00:55:39.739 --> 00:55:41.460
in essence, that was the training I had to go

00:55:41.460 --> 00:55:42.840
through, I guess, which is kind of on the job

00:55:42.840 --> 00:55:45.739
training, I suppose, and see how the negative

00:55:45.739 --> 00:55:47.960
effects were, but realize I needed to do it a

00:55:47.960 --> 00:55:49.920
little bit differently. year. So was there anything

00:55:49.920 --> 00:55:52.139
particular that happened? Is there a particular

00:55:52.139 --> 00:55:55.119
case that made you go, wait, I can't, this is

00:55:55.119 --> 00:55:57.400
not sustainable. I've got to find, I've got to,

00:55:57.400 --> 00:55:59.559
this is something that, that caused you to really

00:55:59.559 --> 00:56:05.800
go, I need to set boundaries. Yes. And in fact,

00:56:05.920 --> 00:56:08.159
there was a number of like really difficult emotional

00:56:08.159 --> 00:56:10.179
cases that I had to deal with, with some like

00:56:10.179 --> 00:56:12.340
really tough things that happened, but the one

00:56:12.340 --> 00:56:14.739
that really made it clear to me that I needed

00:56:14.739 --> 00:56:17.170
to have the boundaries for. myself and for my

00:56:17.170 --> 00:56:20.289
family was actually the case was relatively innocuous

00:56:20.289 --> 00:56:23.789
but i was at disneyland with my family and i

00:56:23.789 --> 00:56:26.869
had given out my cell phone to some clients and

00:56:26.869 --> 00:56:29.909
i had a client that was just incessantly texting

00:56:29.909 --> 00:56:32.130
me about what they perceived as an emergency

00:56:32.130 --> 00:56:35.570
and i'm sure for them it felt that way for me

00:56:35.570 --> 00:56:38.210
knowing the law i knew that it wasn't right but

00:56:38.210 --> 00:56:39.829
i knew that it was something that didn't need

00:56:39.829 --> 00:56:43.070
to get addressed But it was just like text after

00:56:43.070 --> 00:56:44.949
text. And I'm trying to enjoy this time with

00:56:44.949 --> 00:56:46.469
my kids. I'm trying to be present with them.

00:56:46.730 --> 00:56:49.329
And my phone's getting blown up. And it was kind

00:56:49.329 --> 00:56:53.269
of like, oh, it hit me. The boundary has to be,

00:56:53.369 --> 00:56:56.190
I can't get about myself. I can't be dealing

00:56:56.190 --> 00:56:58.090
with these things when I'm going to be on vacation

00:56:58.090 --> 00:57:00.769
or I'm out of the office. It has to be, it's

00:57:00.769 --> 00:57:02.349
okay for me to set that aside. Does that mean

00:57:02.349 --> 00:57:04.210
that some clients aren't going to hire me because

00:57:04.210 --> 00:57:07.070
they can't access me 24 -7? It sure does. And

00:57:07.070 --> 00:57:09.289
that's okay. And I had to be okay with that.

00:57:09.329 --> 00:57:12.530
Exactly, dude. Know thyself and know what you

00:57:12.530 --> 00:57:16.849
need to perform at a high level. And it's different

00:57:16.849 --> 00:57:18.530
for all of us, but if you don't set it, then

00:57:18.530 --> 00:57:20.949
you leave yourself at the mercy of it. Because

00:57:20.949 --> 00:57:24.130
I feel like that person, if he keeps calling

00:57:24.130 --> 00:57:25.570
and you keep picking up, they think, well, it

00:57:25.570 --> 00:57:29.849
must be okay. That's exactly right. It's up to

00:57:29.849 --> 00:57:33.969
you to go, that is not okay. And also with me

00:57:33.969 --> 00:57:36.230
in those cases, I've learned to really trust

00:57:36.230 --> 00:57:38.590
my instincts. with any friendships, anything,

00:57:38.769 --> 00:57:40.869
even kids who want to be looking for mentorship,

00:57:41.090 --> 00:57:44.630
I can tell if the kid is looking for me to do

00:57:44.630 --> 00:57:46.869
everything for them or if they've already started

00:57:46.869 --> 00:57:50.730
and they just need help. Because I don't like

00:57:50.730 --> 00:57:53.469
wasting my time. You know, I like making good

00:57:53.469 --> 00:57:56.010
investments. And I've learned to go, okay, yeah,

00:57:56.130 --> 00:57:58.329
I'm a loving, giving person, but that has to

00:57:58.329 --> 00:58:00.789
be earned from someone. I'm not going to just

00:58:00.789 --> 00:58:03.769
give it because I've allowed it to be abused

00:58:03.769 --> 00:58:07.099
so many times. So you live and you learn. yeah

00:58:07.099 --> 00:58:09.420
yeah no doubt so one of the other things too

00:58:09.420 --> 00:58:11.199
i wanted to get a little bit more of your take

00:58:11.199 --> 00:58:17.219
on as well is what did you learn from being mufasa

00:58:17.219 --> 00:58:21.920
himself right being the king both the things

00:58:21.920 --> 00:58:23.860
the lessons from that show but also what you

00:58:23.860 --> 00:58:25.960
mentioned a little bit in your in your book which

00:58:25.960 --> 00:58:28.739
is unessence kind of became that for the cast

00:58:28.739 --> 00:58:30.820
at times as well like the leader for the cast

00:58:30.820 --> 00:58:33.760
tell me what lessons you learned from mufasa

00:58:33.760 --> 00:58:38.199
i learned um I learned quiet strength. I learned

00:58:38.199 --> 00:58:39.739
that you don't need a lot of words to make your

00:58:39.739 --> 00:58:43.460
point. Because when I first saw Lion King, I

00:58:43.460 --> 00:58:44.820
first saw Lion King, I was doing a show called

00:58:44.820 --> 00:58:47.639
Ragtime, where I was like the star of the last

00:58:47.639 --> 00:58:50.039
battle of this glorious show that I'm actually

00:58:50.039 --> 00:58:53.619
in the process of directing. I'm making my directorial

00:58:53.619 --> 00:58:57.579
debut with it in September. So I've been in meetings

00:58:57.579 --> 00:59:00.119
for the past month with, you know, costume designers

00:59:00.119 --> 00:59:03.739
and set designers. I had, you know, three meetings

00:59:03.739 --> 00:59:05.789
this morning. But anyway. Where's that going

00:59:05.789 --> 00:59:07.969
to be? I have to digress here. Where's that going

00:59:07.969 --> 00:59:09.550
to be at? It's going to be in Lancaster, Pennsylvania,

00:59:09.789 --> 00:59:11.590
in a place called the Fulton Theater, a beautiful

00:59:11.590 --> 00:59:16.190
theater. No kidding. But I'm doing this big show,

00:59:16.349 --> 00:59:20.170
and I remember that year, the Tonys, it was Ragtime

00:59:20.170 --> 00:59:24.889
and The Lion King. And who's going to win Best

00:59:24.889 --> 00:59:27.690
Musical? The Tonys, one would win something,

00:59:27.750 --> 00:59:29.650
then the other. And they kept going down, and

00:59:29.650 --> 00:59:32.230
then Lion King, of course, took the prize. And

00:59:32.230 --> 00:59:35.190
I remember thinking, Man, when I get a chance

00:59:35.190 --> 00:59:36.730
to see the show, I want to see what the big deal.

00:59:36.889 --> 00:59:38.449
It can't be all of that. And then, of course,

00:59:38.469 --> 00:59:41.329
I saw it. I was like, oh, wow. I remember seeing

00:59:41.329 --> 00:59:44.230
the gentleman who played the original Mufasa

00:59:44.230 --> 00:59:46.489
and being moved by his performance, but thinking,

00:59:46.550 --> 00:59:49.110
man, he doesn't have enough to do. I could never

00:59:49.110 --> 00:59:51.269
play that part because he's just not enough there.

00:59:51.730 --> 00:59:54.630
I was younger then. And then I was cast as Mufasa

00:59:54.630 --> 00:59:56.849
to open the national tour and take it around

00:59:56.849 --> 00:59:59.760
the country for the first time. I complained.

00:59:59.940 --> 01:00:02.460
I was like, man, he's only in the first act.

01:00:02.500 --> 01:00:05.000
He doesn't have a whole lot of lines. But it

01:00:05.000 --> 01:00:07.800
was what it was. And then when I left the show

01:00:07.800 --> 01:00:11.340
to do Mr. in the Color Purple, and then was invited

01:00:11.340 --> 01:00:14.360
back to Lion King to open the Vegas company,

01:00:14.699 --> 01:00:19.679
I was like, wow, I've matured some. And now I

01:00:19.679 --> 01:00:22.800
understand why he says what he says. He doesn't

01:00:22.800 --> 01:00:25.119
need a whole lot of dialogue. It's about his

01:00:25.119 --> 01:00:27.519
presence, about what he represents. It's about

01:00:27.519 --> 01:00:31.369
his inner strength. It's about him taking the

01:00:31.369 --> 01:00:34.269
few words he has to say and saying them with

01:00:34.269 --> 01:00:36.750
meaning. I had enough life experience at that

01:00:36.750 --> 01:00:40.389
point to go, I can just say it like this, and

01:00:40.389 --> 01:00:45.530
that's it. So it taught me that the power of

01:00:45.530 --> 01:00:51.389
words, the power of clarity, strength. It taught

01:00:51.389 --> 01:00:53.730
me that a leader is not just someone who tells

01:00:53.730 --> 01:00:56.369
people what to do. A leader is also a very good

01:00:56.369 --> 01:00:59.889
listener. and a good problem solver and a good

01:00:59.889 --> 01:01:02.349
team player and listens well enough to go, okay,

01:01:02.510 --> 01:01:05.610
given what I've learned, you might be good at

01:01:05.610 --> 01:01:07.809
doing this. You might be good at doing that.

01:01:07.969 --> 01:01:10.070
You might be good at doing this. Let's all do

01:01:10.070 --> 01:01:11.869
this. Let's all make this happen together as

01:01:11.869 --> 01:01:14.449
opposed to I have to make that. So it taught

01:01:14.449 --> 01:01:16.829
me a lot of things about leadership and what

01:01:16.829 --> 01:01:20.389
it takes to really be king. And we all have that

01:01:20.389 --> 01:01:24.559
in us. For sure. Real quick, one of the things

01:01:24.559 --> 01:01:26.820
that I wanted to ask you about as well was one

01:01:26.820 --> 01:01:29.519
of the songs that was unique to the Broadway

01:01:29.519 --> 01:01:33.179
version of Lion King. It's just such an amazing

01:01:33.179 --> 01:01:36.340
song. And just really get your interpretation

01:01:36.340 --> 01:01:39.719
of what the song means for you and what it could

01:01:39.719 --> 01:01:42.460
mean for people. And in the song, and I'm sure

01:01:42.460 --> 01:01:43.599
you know which one I'm going to talk about, but

01:01:43.599 --> 01:01:46.300
the song lines read, He lives in you. He lives

01:01:46.300 --> 01:01:49.739
in me. He watches over everything we see into

01:01:49.739 --> 01:01:52.019
the water, into the truth, in your reflection.

01:01:52.599 --> 01:01:57.599
He lives in you. And so just some wonderful lines

01:01:57.599 --> 01:02:00.239
and the way that it plays out to you is just

01:02:00.239 --> 01:02:02.539
such an emotional song. So, you know, for you,

01:02:02.599 --> 01:02:07.760
what are the meanings of that song in your life?

01:02:07.880 --> 01:02:11.380
And as you were part of that, as you would sing

01:02:11.380 --> 01:02:13.320
and hear others sing that, what did that song

01:02:13.320 --> 01:02:17.500
mean to you? Well, when I first saw the show,

01:02:17.920 --> 01:02:20.699
actually before I saw the show, to be totally

01:02:20.699 --> 01:02:23.909
honest, I heard the soundtrack. And that song

01:02:23.909 --> 01:02:26.929
stood out to me. Something about the lyrics and

01:02:26.929 --> 01:02:28.929
music. I was like, whoa. And I remember back

01:02:28.929 --> 01:02:33.070
in the day, before iPods and things, we had,

01:02:33.309 --> 01:02:35.170
you know, if you liked songs, you would make

01:02:35.170 --> 01:02:38.789
your own playlist on a cassette. And on my cassette,

01:02:38.989 --> 01:02:41.389
on my gym cassette, was They Live In You. I thought

01:02:41.389 --> 01:02:43.449
it was so beautiful. It helped get me up. It

01:02:43.449 --> 01:02:47.670
helped me get motivated for the gym. And then

01:02:47.670 --> 01:02:49.590
when I saw the show and the way it staged, it

01:02:49.590 --> 01:02:52.500
was like, wow. And there's two different versions.

01:02:53.159 --> 01:02:57.539
Mufasa thinks they live in you. Because he's

01:02:57.539 --> 01:02:59.699
explaining, Simba asked him, you know, dad will

01:02:59.699 --> 01:03:02.519
always be together, right? And Mufasa, you know,

01:03:02.519 --> 01:03:04.880
coming out of just having saved him from the

01:03:04.880 --> 01:03:07.500
hyenas, is not expecting, they've had the talk

01:03:07.500 --> 01:03:10.519
about danger. He wasn't expecting to have this

01:03:10.519 --> 01:03:13.780
talk about, yeah, one day I won't be here. So

01:03:13.780 --> 01:03:16.300
he looks up into the stars and taps into the

01:03:16.300 --> 01:03:18.519
energy of his ancestors and sings they live in

01:03:18.519 --> 01:03:21.820
you. And then in act two, when Simba's trying

01:03:21.820 --> 01:03:24.300
to find his own, thinking about going back, he

01:03:24.300 --> 01:03:27.000
sings, he lives in you, which is talking about

01:03:27.000 --> 01:03:30.280
Mufasa. So to me, what the song says, especially

01:03:30.280 --> 01:03:33.380
they live in you, is that energy never dies.

01:03:34.059 --> 01:03:38.719
That we have the opportunity to pull from anyone

01:03:38.719 --> 01:03:43.440
that we've ever heard about, we've ever encountered,

01:03:43.579 --> 01:03:47.869
the lessons, the love, the beauty. Anything we

01:03:47.869 --> 01:03:51.210
want, if we choose to remember, which is the

01:03:51.210 --> 01:03:54.570
recurring theme of Lion King. Remember who you

01:03:54.570 --> 01:03:56.829
are. Remember where you come from. So that song

01:03:56.829 --> 01:04:00.809
means a lot to me, especially as a Black male

01:04:00.809 --> 01:04:04.269
who was pursuing theater, who when I went to

01:04:04.269 --> 01:04:06.190
college, when I started college, I was told that

01:04:06.190 --> 01:04:08.909
there were no roles for me on Broadway. I remember

01:04:08.909 --> 01:04:12.190
being in class as the only Black male in this

01:04:12.190 --> 01:04:15.130
class and the teacher going around the... class

01:04:15.130 --> 01:04:17.289
and going susan when you get to new york you

01:04:17.289 --> 01:04:19.590
got this looking for you waiting for you and

01:04:19.590 --> 01:04:24.130
him you and oh alton unfortunately the only things

01:04:24.130 --> 01:04:25.949
waiting for you are slave type roles like in

01:04:25.949 --> 01:04:28.250
showboat if you said this in front of the class

01:04:28.250 --> 01:04:30.570
i remember thinking she's talking to me did she

01:04:30.570 --> 01:04:33.349
really say this aloud of course i hurt my feelings

01:04:33.349 --> 01:04:35.690
as a young person but again it was another test

01:04:35.690 --> 01:04:40.570
am i gonna let her ignorance be projected onto

01:04:40.570 --> 01:04:43.710
me No. And no matter how much it hurt my feelings,

01:04:43.809 --> 01:04:45.570
I still knew that I wanted to do it. I thought,

01:04:45.630 --> 01:04:48.289
wow, this is a good lesson for me. You know,

01:04:48.309 --> 01:04:51.030
I will be tested, but yeah, I still want to do

01:04:51.030 --> 01:04:52.769
it. And I believe that there is something waiting

01:04:52.769 --> 01:04:54.849
for me. So I think about all those things. I

01:04:54.849 --> 01:04:57.110
think about the Black performers who came before

01:04:57.110 --> 01:04:59.829
me, who were more talented than me, who didn't

01:04:59.829 --> 01:05:01.530
have the opportunity to get to Broadway because

01:05:01.530 --> 01:05:04.349
of the times. And I go, wow, I get to pull from

01:05:04.349 --> 01:05:08.909
their energy. I get to represent them. And not

01:05:08.909 --> 01:05:12.099
just them, but anybody. in history that has inspired

01:05:12.099 --> 01:05:14.699
me, I get to be a present representation of them.

01:05:14.800 --> 01:05:17.440
So they will always live in me as long as I allow

01:05:17.440 --> 01:05:22.139
them to. So that's kind of like a major theme

01:05:22.139 --> 01:05:24.260
of my life. It was when I first heard the song

01:05:24.260 --> 01:05:26.699
and then getting the opportunity to perform it

01:05:26.699 --> 01:05:29.239
nightly and have that meaning behind it, you

01:05:29.239 --> 01:05:30.860
know, in the context of the show and also what

01:05:30.860 --> 01:05:33.440
I felt about it personally was tremendous. A

01:05:33.440 --> 01:05:35.760
tremendous gift to be able to really share that

01:05:35.760 --> 01:05:38.650
in that way. Well, I think part of what's so

01:05:38.650 --> 01:05:41.630
inspirational for me about you and your story

01:05:41.630 --> 01:05:43.889
is, especially hearing some of the things you

01:05:43.889 --> 01:05:47.369
shared today, is that you're keeping those parts

01:05:47.369 --> 01:05:50.769
of inspiration and letting those be what you

01:05:50.769 --> 01:05:54.920
remember as opposed to the things that... a lot

01:05:54.920 --> 01:05:57.739
of people might use as excuses for not doing

01:05:57.739 --> 01:05:59.579
something great and for holding themselves back

01:05:59.579 --> 01:06:02.139
because they experienced something so hard and

01:06:02.139 --> 01:06:03.739
so difficult. And so they have all the excuses

01:06:03.739 --> 01:06:06.139
in the world not to go put themselves out there

01:06:06.139 --> 01:06:08.179
and to do something truly great. And yet what

01:06:08.179 --> 01:06:10.239
you've done is, is something truly great and

01:06:10.239 --> 01:06:12.360
truly inspirational for, for so many people.

01:06:12.420 --> 01:06:15.869
And I thank you for that. Oh, thank you. So one

01:06:15.869 --> 01:06:17.190
of the things we want to end with is we'll do

01:06:17.190 --> 01:06:19.150
a quick little fun segment. We're going to do

01:06:19.150 --> 01:06:20.809
a quick this or that and rapid fire, and then

01:06:20.809 --> 01:06:23.429
we'll wrap up with your three actionable takeaways.

01:06:23.489 --> 01:06:25.809
So buckle up for this, this or that. Okay. Are

01:06:25.809 --> 01:06:27.510
you ready for this? I mean, I'm sitting down.

01:06:27.530 --> 01:06:29.050
I got my nerves together. All right, let's go.

01:06:29.170 --> 01:06:32.769
Let's go. All right. First one, circle of life

01:06:32.769 --> 01:06:39.110
or Hakuna Matata? Circle of life. So good. I'm

01:06:39.110 --> 01:06:40.329
going to digress for a second here, even though

01:06:40.329 --> 01:06:42.030
it's not going to be fast. One of the most brilliant

01:06:42.030 --> 01:06:43.789
things I think that Disney did was when they

01:06:43.789 --> 01:06:46.750
did the initial trailer for the movie, that it

01:06:46.750 --> 01:06:49.250
was just Circle of Life. That's what they did.

01:06:49.349 --> 01:06:51.389
It was literally just that, that whole opening

01:06:51.389 --> 01:06:53.210
scene. There wasn't anything else in the trailer.

01:06:53.329 --> 01:06:55.110
And it was the most brilliant thing because the

01:06:55.110 --> 01:06:57.789
song is so beautifully written and the whole

01:06:57.789 --> 01:07:00.150
thing about it is just so wonderful. I love that.

01:07:00.170 --> 01:07:01.869
And it's about community. That opening is about

01:07:01.869 --> 01:07:04.579
community coming together. which is everything,

01:07:04.800 --> 01:07:06.460
right? Community. Yeah, which we can all relate

01:07:06.460 --> 01:07:08.920
to, right? It's so much of that, like we talked

01:07:08.920 --> 01:07:11.059
about before, the sense of belonging. Yeah. And

01:07:11.059 --> 01:07:12.599
having a sense of belonging because we all can

01:07:12.599 --> 01:07:14.619
work together. We all become something that can

01:07:14.619 --> 01:07:17.880
support each other. And also, can I tell you

01:07:17.880 --> 01:07:19.840
something that just bugs me? It really bugs me.

01:07:20.280 --> 01:07:22.380
Everybody says something, instead of saying,

01:07:22.420 --> 01:07:24.380
excuse me, or no problem, or you're welcome,

01:07:24.480 --> 01:07:26.639
they go, no worries. I'm like, where did this

01:07:26.639 --> 01:07:29.059
no worries thing come from? And now I just go,

01:07:29.199 --> 01:07:30.739
you know what I'm talking about? And they looked

01:07:30.739 --> 01:07:32.460
at me like, what I'm like, means no worries.

01:07:32.940 --> 01:07:34.900
I'm like, where did that, why does everybody

01:07:34.900 --> 01:07:38.219
start saying no worries instead of like other

01:07:38.219 --> 01:07:42.519
words? It seems really lazy to me. Sure. You're

01:07:42.519 --> 01:07:45.800
welcome. No worries. And it's like, who's worried?

01:07:46.360 --> 01:07:47.960
Nobody's worried about anything. But anyway.

01:07:48.659 --> 01:07:53.480
I actually saw a clip a couple of days ago that

01:07:53.480 --> 01:07:55.340
said exactly that, right? Like, we got to all

01:07:55.340 --> 01:07:57.199
stop saying no worries. There's so many other

01:07:57.199 --> 01:07:59.340
things we can say that are more precise and much

01:07:59.340 --> 01:08:02.179
better. Use your vocabulary. You know other words.

01:08:02.780 --> 01:08:04.440
I might have to borrow that. I might have to

01:08:04.440 --> 01:08:06.599
borrow that idea of hakuna matata next time somebody

01:08:06.599 --> 01:08:09.179
says no worries. Hakuna matata? Is that what

01:08:09.179 --> 01:08:11.179
we're talking about? Right, exactly. It always

01:08:11.179 --> 01:08:13.710
throws them and they wind up giggling. Yeah.

01:08:13.710 --> 01:08:15.449
Yeah, I'm like, anyway. I love it. Bring a little

01:08:15.449 --> 01:08:17.470
levity, right? It's always kind of fun to bring

01:08:17.470 --> 01:08:20.590
a little levity. Opening night or closing night?

01:08:21.710 --> 01:08:25.069
Opening night. Closing nights are so hard. Oh,

01:08:25.130 --> 01:08:27.550
I'm sure. Because you become such a family. I

01:08:27.550 --> 01:08:28.930
don't care. Like, even this thing I just sang

01:08:28.930 --> 01:08:30.710
with the Pops last week with the other singers,

01:08:30.869 --> 01:08:33.350
and we had, you know, so little time to put this

01:08:33.350 --> 01:08:36.529
together. You rehearse on your own. You got blocking,

01:08:36.670 --> 01:08:38.989
staging, one day with the orchestra the next

01:08:38.989 --> 01:08:41.199
day, and then you do it. And it's so concentrated.

01:08:41.220 --> 01:08:43.220
You're depending on each other in ways you can't

01:08:43.220 --> 01:08:45.479
even imagine. Then suddenly it's over. It's like

01:08:45.479 --> 01:08:50.300
always sad, no matter how. And it was a triumph,

01:08:50.439 --> 01:08:52.779
but it's still like, oh, man, I don't know when

01:08:52.779 --> 01:08:56.039
I will ever see them again. And the four of us

01:08:56.039 --> 01:08:58.199
may never, ever work together like this. But

01:08:58.199 --> 01:09:00.439
opening is always exciting. It's like you don't

01:09:00.439 --> 01:09:01.680
know what it's going to be. You've rehearsed,

01:09:01.699 --> 01:09:04.020
but you still don't know until that moment what

01:09:04.020 --> 01:09:06.319
it's going to be. So there's an excitement and

01:09:06.319 --> 01:09:09.619
a nervousness that's a part of the opening. Yeah,

01:09:09.640 --> 01:09:12.800
I love that. It's a great answer. Matinee or

01:09:12.800 --> 01:09:16.500
evening show? Evening. Matinees are rough. Oh,

01:09:16.520 --> 01:09:18.560
yeah. I mean, probably just the volume, the sheer

01:09:18.560 --> 01:09:20.800
volume of what you've got to do. Dude, when I

01:09:20.800 --> 01:09:23.439
was doing Ragtime, which is a beast of a show,

01:09:23.539 --> 01:09:25.899
you know, my character sings all these anthems.

01:09:26.060 --> 01:09:28.220
You know, we did a five -show weekend. We did

01:09:28.220 --> 01:09:30.899
those with Lion King, too. So you as an audience

01:09:30.899 --> 01:09:32.439
member, you're seeing the show and going, oh,

01:09:32.479 --> 01:09:34.220
my goodness, you're exhausted from having gone

01:09:34.220 --> 01:09:36.569
on this journey. And we're going to do, if you

01:09:36.569 --> 01:09:38.390
see a 2 o 'clock show, we're going to do that

01:09:38.390 --> 01:09:42.010
again that evening. So a typical five -show weekend

01:09:42.010 --> 01:09:47.689
is Tuesday, Saturday, Sunday. You see no daylight.

01:09:47.810 --> 01:09:51.630
All you see is the dark theater, and you're doing

01:09:51.630 --> 01:09:53.689
what you love to do. So that's a whole other

01:09:53.689 --> 01:09:57.210
set of challenges that the average person doesn't

01:09:57.210 --> 01:10:00.310
know about. And I remember that. Because I see

01:10:00.310 --> 01:10:02.069
a lot of shows now, and I go, Steve, you're really

01:10:02.069 --> 01:10:03.840
good. I go... When I go see an evening show,

01:10:03.880 --> 01:10:05.520
like a Wednesday night, knowing they've done

01:10:05.520 --> 01:10:08.060
a matinee that day, I go, how did they do it?

01:10:08.319 --> 01:10:11.260
And I did it. And I still don't understand, like,

01:10:11.279 --> 01:10:13.720
how did they get all that emotion, all that investment

01:10:13.720 --> 01:10:18.939
twice today? Wow. Yeah. It gives me a greater

01:10:18.939 --> 01:10:21.460
appreciation for, because my wife and I now love

01:10:21.460 --> 01:10:23.600
going to New York because we just absolutely

01:10:23.600 --> 01:10:25.779
love Broadway. And when we're there. We have

01:10:25.779 --> 01:10:27.180
to connect the next time you're here, for sure.

01:10:27.319 --> 01:10:30.899
Oh, 100%. 100%. Whenever I'm there, I always

01:10:30.899 --> 01:10:33.319
kind of bemoan like, oh, it's Monday. There's

01:10:33.319 --> 01:10:35.300
no shows. How come they don't do shows on Monday?

01:10:35.479 --> 01:10:37.640
Well, it's because they're doing so many. Like,

01:10:37.640 --> 01:10:39.920
they have to have a break. They're human, right?

01:10:40.039 --> 01:10:42.300
Like, of course, there's going to be a day. Some

01:10:42.300 --> 01:10:44.520
theaters have gotten smart. Now they do Monday

01:10:44.520 --> 01:10:47.800
shows. They'll have a Thursday off because they

01:10:47.800 --> 01:10:50.659
want to take advantage. They want to be one of

01:10:50.659 --> 01:10:52.579
three things you have an option of seeing. And

01:10:52.579 --> 01:10:54.020
there's always a Broadway happening everywhere.

01:10:54.079 --> 01:10:56.199
But more and more people are doing Monday shows

01:10:56.199 --> 01:10:59.159
for that reason. Yeah. Okay, so I'm going to

01:10:59.159 --> 01:11:00.800
vary from the this or that real quick, and I'm

01:11:00.800 --> 01:11:02.520
going to ask you a quick rapid fire. What's your

01:11:02.520 --> 01:11:05.000
favorite show currently on Broadway that's not

01:11:05.000 --> 01:11:07.279
Lion King? Oh, my favorite show on Broadway,

01:11:07.420 --> 01:11:11.000
that's, oh, that's tough. Man, what have I seen

01:11:11.000 --> 01:11:12.600
that I really love? I'm trying to think of what's

01:11:12.600 --> 01:11:15.800
on Broadway. I see so much theater that I'm trying

01:11:15.800 --> 01:11:17.800
to remember what's Broadway, what's off Broadway.

01:11:18.479 --> 01:11:21.720
My favorite on -Broadway show, it's probably

01:11:21.720 --> 01:11:23.840
- Is Desi Comes Here still playing? No, it just

01:11:23.840 --> 01:11:25.600
closed a couple of weeks ago. I loved it. Did

01:11:25.600 --> 01:11:27.720
you see that? I did. I saw it twice. Oh, it was

01:11:27.720 --> 01:11:30.399
so good. It was great, yeah. I normally say Hadestown.

01:11:30.640 --> 01:11:33.060
Hadestown is really a fantastic show. Hadestown's

01:11:33.060 --> 01:11:34.720
amazing. Yeah, I've seen it like three times.

01:11:34.720 --> 01:11:36.380
You weren't ever in Hadestown, were you? No.

01:11:36.600 --> 01:11:38.399
I always said that if I were to go back to theater,

01:11:38.659 --> 01:11:40.899
that's, Hadestown is a role that I would want

01:11:40.899 --> 01:11:43.229
to play. Because you'd be incredible. In that

01:11:43.229 --> 01:11:44.729
role. Yeah. You'd be absolutely unbelievable.

01:11:44.970 --> 01:11:47.250
That show, I mean, that show takes some singing,

01:11:47.390 --> 01:11:49.789
right? I mean, all Broadway does, but boy, that

01:11:49.789 --> 01:11:52.130
one sure does. And when, every time I've seen

01:11:52.130 --> 01:11:54.130
it, it just blew my socks off. It's so good.

01:11:54.409 --> 01:11:56.109
It's one of those shows where you really feel

01:11:56.109 --> 01:11:58.550
like you're a part of the world. Yeah. You just

01:11:58.550 --> 01:12:00.149
really, like, you forget that you're in a theater

01:12:00.149 --> 01:12:01.770
and you really feel like you're in, you're on

01:12:01.770 --> 01:12:04.609
stage with them, living all of that. Yes. Very

01:12:04.609 --> 01:12:07.430
few shows can take you there. Yeah, it totally

01:12:07.430 --> 01:12:09.670
brings you in. Okay, singing in the shower or

01:12:09.670 --> 01:12:16.079
singing in the car? Both. More in the car. I'm

01:12:16.079 --> 01:12:18.720
always conscious of my neighbors. I'm always

01:12:18.720 --> 01:12:20.779
conscious of that, but in the car, dude. Full

01:12:20.779 --> 01:12:23.600
on. Full concert. For me, it's the car because

01:12:23.600 --> 01:12:26.420
I still do it in the shower, but my kids hear

01:12:26.420 --> 01:12:28.060
it and then they tease me because I'm not a good

01:12:28.060 --> 01:12:31.579
singer at all. Legitimately, I'm not. They're

01:12:31.579 --> 01:12:32.720
always giving me a hard time when I'm singing

01:12:32.720 --> 01:12:35.699
in the shower. Singing in the car, like, hakuna

01:12:35.699 --> 01:12:41.960
matata. Exactly right. Exactly. Okay, backstage

01:12:41.960 --> 01:12:48.699
pass or red carpet? Ooh, backstage pass. Okay,

01:12:48.760 --> 01:12:53.100
tell me more. Red carpet is for showing off,

01:12:53.260 --> 01:12:56.359
which is nice, but it's like, ah, it's more social.

01:12:56.420 --> 01:12:59.640
It's more, it doesn't really mean anything. It's

01:12:59.640 --> 01:13:02.239
temporary, but going backstage to actually talk

01:13:02.239 --> 01:13:05.020
to people and tell them, my goodness, you really

01:13:05.020 --> 01:13:07.479
moved me, or that is a whole other thing. That's

01:13:07.479 --> 01:13:10.100
more personal. Yeah, I love that. That's a great

01:13:10.100 --> 01:13:13.520
answer. And lasting. Yes, for sure. Okay, here's

01:13:13.520 --> 01:13:17.180
a rapid fire. And if you don't have an answer

01:13:17.180 --> 01:13:19.140
on these, that's okay. You can always pass if

01:13:19.140 --> 01:13:20.539
you want, but we're just going to get your first

01:13:20.539 --> 01:13:25.659
take on these, okay? Favorite Disney movie? The

01:13:25.659 --> 01:13:28.119
Lion King. Okay, if it wasn't The Lion King,

01:13:28.159 --> 01:13:29.159
because I thought maybe you would answer that

01:13:29.159 --> 01:13:31.199
way, because I totally get it. If it wasn't The

01:13:31.199 --> 01:13:35.039
Lion King. It would be, I like The Little Mermaid.

01:13:35.739 --> 01:13:38.399
So good. Little Mermaid's got great music, too.

01:13:39.439 --> 01:13:42.640
Phenomenal music. And speaking of music... On

01:13:42.640 --> 01:13:47.199
my CD, her voice, that being one of my top two

01:13:47.199 --> 01:13:50.600
favorites, it's a song that Prince Eric sings

01:13:50.600 --> 01:13:54.180
that was cut from the film. But they did use

01:13:54.180 --> 01:13:56.920
it for the stage production. And I knew when

01:13:56.920 --> 01:13:58.399
I heard it, it's a ballad, but I knew immediately

01:13:58.399 --> 01:14:00.020
that I wanted to speed it up and give it a driving

01:14:00.020 --> 01:14:02.439
beat. And it tends to be people's favorite song.

01:14:03.210 --> 01:14:06.510
yeah i love that yeah um and and so with that

01:14:06.510 --> 01:14:13.590
favorite disney song um her voice okay yeah there

01:14:13.590 --> 01:14:16.470
we go it's so descriptive it's it takes place

01:14:16.470 --> 01:14:19.069
right after you know ariel's rescued him and

01:14:19.069 --> 01:14:21.529
he's like did i dream did someone come save me

01:14:21.529 --> 01:14:24.350
was there a girl where is she i keep hearing

01:14:24.350 --> 01:14:27.550
her voice you know it's you know it's it just

01:14:27.550 --> 01:14:29.970
really lays it out beautifully the song the lyrics

01:14:29.970 --> 01:14:33.010
and the music love it Favorite Disney princess?

01:14:34.270 --> 01:14:40.149
My favorite Disney princess would be probably,

01:14:40.350 --> 01:14:47.470
I can't, this is Tiana. Wonderful princess, right?

01:14:48.130 --> 01:14:51.029
Not to show that when it first came out, it didn't

01:14:51.029 --> 01:14:54.489
do super well, but I think it's gained a lot

01:14:54.489 --> 01:14:56.710
more attention and a lot more people who love

01:14:56.710 --> 01:14:59.659
it. Me and my kids, we love it now. I think it's

01:14:59.659 --> 01:15:02.960
so fun. I love the music in that one, too. Really,

01:15:03.100 --> 01:15:06.020
really fun show. Do you, I should ask before

01:15:06.020 --> 01:15:07.779
I ask this next question, do you ever go to Disneyland

01:15:07.779 --> 01:15:10.560
or Disney World? Yes, I spend a lot of time working

01:15:10.560 --> 01:15:12.840
at Disney World. The Festival of the Arts, I

01:15:12.840 --> 01:15:14.500
helped start that whole thing that's become a

01:15:14.500 --> 01:15:16.899
yearly thing. No kidding. Yeah, it's like, you

01:15:16.899 --> 01:15:18.340
know, they have the Food and Wine Festival. They

01:15:18.340 --> 01:15:22.819
have the whole winter thing. We started what's

01:15:22.819 --> 01:15:24.979
called Festival of the Arts about probably almost

01:15:24.979 --> 01:15:27.800
10 years ago now. It happens at the top of the

01:15:27.800 --> 01:15:29.920
year where they would take four different Broadway

01:15:29.920 --> 01:15:33.460
stars and we'd do concerts in the outdoor space

01:15:33.460 --> 01:15:37.640
at Epcot. Yes, which is a cool space. I did it

01:15:37.640 --> 01:15:40.079
for the first five years. Oh, my goodness. Do

01:15:40.079 --> 01:15:43.319
you ever go down there still for it? I don't.

01:15:43.319 --> 01:15:46.060
I don't go unless I'm being sent for it. Okay.

01:15:46.610 --> 01:15:47.810
That's fair. I was going to say, if you're ever

01:15:47.810 --> 01:15:49.630
going down there, I want to know Wayne because

01:15:49.630 --> 01:15:51.670
I'm going to go meet you down there. Yeah, I

01:15:51.670 --> 01:15:54.130
did. I stepped away from it, then I did it again

01:15:54.130 --> 01:15:56.069
last year. And I might do it again. If I do,

01:15:56.130 --> 01:15:57.609
I'll let you know. And I've also been the narrator

01:15:57.609 --> 01:15:59.970
for the winter thing a couple of times. If I

01:15:59.970 --> 01:16:01.930
do, I'll definitely let you know. That was incredible

01:16:01.930 --> 01:16:03.770
to be there. You as a narrator would be awesome.

01:16:04.250 --> 01:16:08.250
Dude, it was so much fun. So when you go down

01:16:08.250 --> 01:16:09.890
there for things like that, do they give you,

01:16:09.890 --> 01:16:12.430
like, kind of special access to go on rides?

01:16:12.550 --> 01:16:14.770
They kind of give you the VIP? It's the worst.

01:16:14.850 --> 01:16:17.909
I get a tour guide. I get a two -bedroom suite.

01:16:18.329 --> 01:16:22.470
I'm allowed to buy up to eight friends down with

01:16:22.470 --> 01:16:25.609
me. It is the best gig in the world. Oh, man,

01:16:25.750 --> 01:16:27.829
it sounds incredible. I tell you, I've seen every

01:16:27.829 --> 01:16:31.890
inch of Disney World in every kind of way. You

01:16:31.890 --> 01:16:33.569
have. Dude, that's one of the things I'm most

01:16:33.569 --> 01:16:35.510
grateful for because that definitely satisfies

01:16:35.510 --> 01:16:38.409
a little boy. I mean, little Alton watching the

01:16:38.409 --> 01:16:41.270
wonderful world of Disney on Sunday nights after

01:16:41.270 --> 01:16:44.079
the Mutual of Omaha Wild Kingdom. That was it.

01:16:44.180 --> 01:16:45.960
We would watch Mutual Omaha and watch Disney

01:16:45.960 --> 01:16:48.760
World. I was going, wow, one day. And to get

01:16:48.760 --> 01:16:52.079
to do that and find my sisters out and my family

01:16:52.079 --> 01:16:54.720
and go, look at us. It's happening. We're at

01:16:54.720 --> 01:16:59.439
Disney World. Dreams come true. Yeah, no question.

01:16:59.579 --> 01:17:01.840
So with that, related to that, what's your favorite

01:17:01.840 --> 01:17:05.039
Disney ride? Ooh, my favorite Disney ride is

01:17:05.039 --> 01:17:10.659
their latest one. I got to ride it the first

01:17:10.659 --> 01:17:16.539
week it opened. What's it called? It's based

01:17:16.539 --> 01:17:20.840
on a movie. Guardians. I had to write it the

01:17:20.840 --> 01:17:25.180
first week it opened. The first time I wrote

01:17:25.180 --> 01:17:28.399
it, I was done for the day. Have you ever written

01:17:28.399 --> 01:17:32.859
it? Yes. It doesn't just go like this. The whole

01:17:32.859 --> 01:17:36.159
thing turns. I was not ready. It's the first

01:17:36.159 --> 01:17:40.600
ride we did with my family. Because I had guests,

01:17:40.699 --> 01:17:43.819
I had to suffer through it. You can't go on the

01:17:43.819 --> 01:17:45.380
rides or get to the front of the line without

01:17:45.380 --> 01:17:49.260
me. But then when I went back last year, I said,

01:17:49.319 --> 01:17:51.579
let me try it again. And I was like, I love it.

01:17:51.819 --> 01:17:55.000
I took some Dramamine before. There you go. And

01:17:55.000 --> 01:17:56.899
I was like, this is the most thrilling thing

01:17:56.899 --> 01:17:59.239
I've ever done. So that's my favorite. That's

01:17:59.239 --> 01:18:02.260
a great one. We had a really fun experience last

01:18:02.260 --> 01:18:04.960
time we went to Disney World with our two little

01:18:04.960 --> 01:18:08.140
daughters who were 10 and 6. And we had been

01:18:08.140 --> 01:18:09.800
trying to go on it all day, but we went during

01:18:09.800 --> 01:18:11.319
a time of year where it just had rained a lot.

01:18:11.420 --> 01:18:13.579
I mean, it rained incessantly on us that day.

01:18:13.939 --> 01:18:16.119
And Guardians had kept closing down when we were

01:18:16.119 --> 01:18:17.779
going to go. And they were opening it back up,

01:18:17.819 --> 01:18:19.560
and we tried to go, and it closed down. And so

01:18:19.560 --> 01:18:21.760
it's at the end of the day. The park is five

01:18:21.760 --> 01:18:23.640
minutes from closing, and they open it back up.

01:18:23.949 --> 01:18:27.090
yeah and so my one daughter my 10 year old and

01:18:27.090 --> 01:18:29.850
i get in line because my wife is like our six

01:18:29.850 --> 01:18:31.510
-year -old she was toe she was taking her on

01:18:31.510 --> 01:18:34.449
the uh on the bus back we're like hey we gotta

01:18:34.449 --> 01:18:36.770
see if we can get it and so we do and so we're

01:18:36.770 --> 01:18:39.149
going on it after hours by this point time you

01:18:39.149 --> 01:18:41.069
know the park's been closed for 45 minutes almost

01:18:41.069 --> 01:18:44.689
an hour and we get to go on it and we just loved

01:18:44.689 --> 01:18:47.050
it it's such a great memory that she and i have

01:18:47.050 --> 01:18:49.529
now going on that ride and the music all of it

01:18:49.529 --> 01:18:53.779
together yes I got another little story, though,

01:18:53.779 --> 01:18:56.140
that was really great. When they first opened,

01:18:56.399 --> 01:19:00.739
what's the futuristic land? Avatar Land, that

01:19:00.739 --> 01:19:03.560
whole thing. Oh, yeah. I got to go on that before

01:19:03.560 --> 01:19:06.239
it opened, too, because I was down to doing,

01:19:06.439 --> 01:19:08.119
because I've done, especially arts, I've done

01:19:08.119 --> 01:19:11.560
some speaking gigs for teachers, because Disney's

01:19:11.560 --> 01:19:14.140
really good about honoring people, and I was

01:19:14.140 --> 01:19:18.199
brought in to praise teachers, and it happened

01:19:18.199 --> 01:19:19.720
to be around when they were just about to open

01:19:19.720 --> 01:19:22.319
it. And they almost didn't let us do it. They

01:19:22.319 --> 01:19:23.779
were like, you know what, we shouldn't do this,

01:19:23.880 --> 01:19:26.880
but okay. So we got permission to ride the, what

01:19:26.880 --> 01:19:28.600
is it called, Flight of Passage? What is it?

01:19:28.720 --> 01:19:30.439
Yeah, Flight of Passage, yeah. Oh, dude, that

01:19:30.439 --> 01:19:34.979
was like, yeah, that's another one. That probably

01:19:34.979 --> 01:19:37.460
came to your mind. Yeah, you feel like you're

01:19:37.460 --> 01:19:39.739
riding a Banshee when they do it. The way that

01:19:39.739 --> 01:19:42.180
they have it set up, the smells they have come

01:19:42.180 --> 01:19:44.220
when you're doing it, it is incredible. Yeah,

01:19:44.239 --> 01:19:47.779
it's magnificent. Yeah, such a great ride. Yeah.

01:19:48.140 --> 01:19:50.340
Yeah, I love those. Okay, a couple more here.

01:19:50.399 --> 01:19:53.199
Besides Mufasa, what's the favorite role you've

01:19:53.199 --> 01:19:56.460
ever played? It was Mr. in the Color Purple.

01:19:57.319 --> 01:20:01.420
Okay. Yeah, because Mr. really helped me heal

01:20:01.420 --> 01:20:05.180
my relationship with my father. Playing Mr. and

01:20:05.180 --> 01:20:07.220
that whole time period, I realized it helped

01:20:07.220 --> 01:20:09.079
me. I'd already done a lot of healing, but I

01:20:09.079 --> 01:20:11.659
realized, oh, wow, so many of our fathers had

01:20:11.659 --> 01:20:14.520
such limited resources in terms of healing outside

01:20:14.520 --> 01:20:19.840
of alcohol, the bar. sports you know men a lot

01:20:19.840 --> 01:20:22.260
of men are raised to really tap into the other

01:20:22.260 --> 01:20:24.520
parts of themselves and so it really helped me

01:20:24.520 --> 01:20:27.699
give some distance of like wow i have compassion

01:20:27.699 --> 01:20:30.979
a deeper compassion for him and men of his time

01:20:30.979 --> 01:20:35.840
yeah totally i love that that answer um okay

01:20:35.840 --> 01:20:39.199
two more um One, it might be a little bit deeper,

01:20:39.260 --> 01:20:40.560
so it might not be rapid fire really easily,

01:20:40.659 --> 01:20:44.460
but how are you saying yes and in your life right

01:20:44.460 --> 01:20:46.699
now? Because obviously that's our podcast, Yes

01:20:46.699 --> 01:20:49.119
And. How are you saying yes and in your life

01:20:49.119 --> 01:20:53.560
right now? In agreeing to direct Ragtime, to

01:20:53.560 --> 01:20:56.359
make my directorial debut, I directed Ragtime,

01:20:56.479 --> 01:20:59.140
a symphonic version of it, which is different

01:20:59.140 --> 01:21:01.739
because the symphonic version is the focus on

01:21:01.739 --> 01:21:04.329
the magnificent music. so i did a lot of staging

01:21:04.329 --> 01:21:07.050
i got to design what it's going to look like

01:21:07.050 --> 01:21:10.270
and the projections and screens to to set where

01:21:10.270 --> 01:21:13.989
we are it was very fulfilling and but i was also

01:21:13.989 --> 01:21:16.350
playing cold house i was directing and starring

01:21:16.350 --> 01:21:18.989
in it which was a lot i remember thinking you

01:21:18.989 --> 01:21:21.270
know this is great to sing this music again after

01:21:21.270 --> 01:21:24.270
25 years and that i still can sing it and hit

01:21:24.270 --> 01:21:26.930
those notes after 25 years but i really would

01:21:26.930 --> 01:21:28.890
rather just kind of stood back and watch the

01:21:28.890 --> 01:21:32.590
whole thing come together then Last fall, I got

01:21:32.590 --> 01:21:35.909
a call from somebody that I did my first equity

01:21:35.909 --> 01:21:37.970
show with many years ago, who's now running a

01:21:37.970 --> 01:21:40.449
theater and said, would you be interested in

01:21:40.449 --> 01:21:47.689
directing Ragtime? And I was like, yes. And what

01:21:47.689 --> 01:21:49.810
do I need to learn? And I said, I've not directed

01:21:49.810 --> 01:21:53.670
for a theater before. I've not dealt with, I

01:21:53.670 --> 01:21:56.829
mean, I have dealt with different. when I did

01:21:56.829 --> 01:21:59.329
the concert version, but this is different. You're

01:21:59.329 --> 01:22:02.329
talking about set design and this and that. And

01:22:02.329 --> 01:22:04.310
he goes, working with first -time directors,

01:22:04.529 --> 01:22:06.529
we love nurturing them. It's something we do.

01:22:07.289 --> 01:22:09.909
I appreciate your expertise, not only with your

01:22:09.909 --> 01:22:12.149
journey with Ragtime, but your whole career.

01:22:12.210 --> 01:22:13.689
And I thought, wow, it's a chance for me to take

01:22:13.689 --> 01:22:16.810
my overall experience, the accumulation of my

01:22:16.810 --> 01:22:20.430
life, and put it into art. And it's been very

01:22:20.430 --> 01:22:22.439
challenging because I'm learning a lot. I have

01:22:22.439 --> 01:22:24.060
a different appreciation for what it takes to

01:22:24.060 --> 01:22:26.180
put a show together. I've never been in so many

01:22:26.180 --> 01:22:29.000
meetings in my entire life. And I'm very much

01:22:29.000 --> 01:22:32.500
an introvert. So, like, I'm going, yes, and,

01:22:32.619 --> 01:22:35.180
and then I'm coming out of myself. Yeah. Even

01:22:35.180 --> 01:22:37.060
with this. Like, normally, you know, I'm a busy

01:22:37.060 --> 01:22:40.699
guy. And I thought, past, yes. I have an opportunity

01:22:40.699 --> 01:22:44.239
to share. Yes, and. So, even this is something

01:22:44.239 --> 01:22:48.600
that is into that category. Yeah, great answer.

01:22:48.800 --> 01:22:51.180
Okay, here's our last rapid -fire question. What

01:22:51.180 --> 01:22:53.460
is a question I should have asked you that I

01:22:53.460 --> 01:22:58.539
didn't? Or any story you had wanted to share

01:22:58.539 --> 01:23:00.600
that we didn't get to? That's a good question.

01:23:01.739 --> 01:23:09.920
I guess something that you could have asked me

01:23:09.920 --> 01:23:11.640
that you didn't. Something kind of really basic,

01:23:11.680 --> 01:23:17.119
but like, am I happy? Are you happy? Yeah. And

01:23:17.119 --> 01:23:22.600
the answer is I am joyful. Oh, I love that. Because

01:23:22.600 --> 01:23:24.739
I feel like happiness comes and goes, but I feel

01:23:24.739 --> 01:23:27.159
like the accumulation of my experiences have

01:23:27.159 --> 01:23:31.960
taught me for my life that joy is more important

01:23:31.960 --> 01:23:35.439
than happiness. That joy is something I can,

01:23:35.479 --> 01:23:37.619
no matter how challenging the day, I can detach

01:23:37.619 --> 01:23:39.979
from it and go, let me tap back into my joy.

01:23:40.899 --> 01:23:42.640
As opposed to like, what's going to make me happy

01:23:42.640 --> 01:23:45.359
right now? No, let me tap into that reservoir

01:23:45.359 --> 01:23:48.560
of joy and sort of like gratitude, having that

01:23:48.560 --> 01:23:52.739
at my foundation. I can rest in that. I can lay

01:23:52.739 --> 01:23:54.520
in that. I can find peace and solace in that

01:23:54.520 --> 01:23:58.189
and then get back up and go back at it. Yeah,

01:23:58.250 --> 01:24:02.449
that's such a wonderfully put. I love the way

01:24:02.449 --> 01:24:03.909
that you describe that and the difference between

01:24:03.909 --> 01:24:07.289
joy and happiness. Terrific answer. All right.

01:24:07.289 --> 01:24:09.710
Well, as we finish up here, what we always ask

01:24:09.710 --> 01:24:13.189
our guests for is what are three actionable takeaways

01:24:13.189 --> 01:24:14.590
that somebody could put into effect in their

01:24:14.590 --> 01:24:18.710
life today or this week? So what are three actionable

01:24:18.710 --> 01:24:24.210
takeaways? Dream. Allow yourself to dream. Dreams

01:24:24.210 --> 01:24:27.850
are a gateway to things actually happening. Creating

01:24:27.850 --> 01:24:31.409
space for things to happen, for your wildest

01:24:31.409 --> 01:24:33.750
dreams to come true. I would say tap into your

01:24:33.750 --> 01:24:37.250
courage. Courage is a thing that I respect most

01:24:37.250 --> 01:24:40.050
in anyone. Courage to be who you are. Courage

01:24:40.050 --> 01:24:43.489
to tell the truth. Courage to tell your truth

01:24:43.489 --> 01:24:46.850
and live your truth. And I would say action.

01:24:47.289 --> 01:24:49.409
Putting those things into action. You can sit

01:24:49.409 --> 01:24:51.590
and talk about it, but at some point you have

01:24:51.590 --> 01:24:54.569
to do something for things to change, for things

01:24:54.569 --> 01:24:59.579
to shift. I love it. Courage action. Great takeaways.

01:25:00.600 --> 01:25:02.840
Alton, it's been such a pleasure visiting with

01:25:02.840 --> 01:25:04.520
you. And thank you so much for taking the time

01:25:04.520 --> 01:25:07.180
to visit with us to share who you are and your

01:25:07.180 --> 01:25:09.479
experiences with our audience. I think people

01:25:09.479 --> 01:25:13.100
will be so richly blessed that listen. Anybody

01:25:13.100 --> 01:25:15.399
who's listening, pick up his book. You've got

01:25:15.399 --> 01:25:18.220
to read his book. It really was a joy to read.

01:25:18.479 --> 01:25:21.520
Honestly, buy the book and listen to the audio

01:25:21.520 --> 01:25:23.579
book because hearing him read the book too is

01:25:23.579 --> 01:25:25.939
an experience in and of itself that I just absolutely

01:25:25.939 --> 01:25:28.319
love. So thank you so much for your time. your

01:25:28.319 --> 01:25:30.140
kindness for your generosity and for inspiring

01:25:30.140 --> 01:25:32.399
many, many people. Well, let me, one more thing.

01:25:32.600 --> 01:25:35.720
You can get my book at altonfitzgeraldwhite .com.

01:25:36.039 --> 01:25:38.340
If you get it from my website, because I now

01:25:38.340 --> 01:25:39.960
own the rights to my book, which is a tremendous

01:25:39.960 --> 01:25:44.239
thing as an author, I will sign it, personalize

01:25:44.239 --> 01:25:46.340
it, and send it to you. Same as you would pay

01:25:46.340 --> 01:25:51.340
on Amazon, but you get my signature and it's

01:25:51.340 --> 01:25:55.539
sent to you postage free. Also, my Disney CD.

01:25:56.270 --> 01:25:57.789
It's available on our website. You can get a

01:25:57.789 --> 01:25:59.729
signed copy of that, Disney My Way, where I've

01:25:59.729 --> 01:26:01.710
taken these Disney songs and given them my own

01:26:01.710 --> 01:26:03.949
arrangements, which has been really, really fun.

01:26:04.229 --> 01:26:07.609
And I want to leave one last thing. Yes. No matter

01:26:07.609 --> 01:26:10.489
how discouraged you may get, no matter how lonely

01:26:10.489 --> 01:26:13.270
or isolated you ever may feel, just like Mufasa

01:26:13.270 --> 01:26:16.069
says to Simba in The Lion King, if you remember

01:26:16.069 --> 01:26:18.829
those who came before you, you will also remember

01:26:18.829 --> 01:27:00.409
that... Watching oh Absolutely wonderful. So

01:27:00.409 --> 01:27:03.550
moving. Thank you for sharing that with us. Well,

01:27:03.569 --> 01:27:05.989
what a great opportunity we had today to speak

01:27:05.989 --> 01:27:10.029
with Alton. What an inspiration that he is. And

01:27:10.029 --> 01:27:13.510
some things that he shared with us that honestly

01:27:13.510 --> 01:27:16.689
we had no idea going into it. And we appreciated

01:27:16.689 --> 01:27:19.750
his vulnerability and willingness to share some

01:27:19.750 --> 01:27:22.350
really personal things with us today. And I think

01:27:22.350 --> 01:27:23.829
there's a lot of lessons that can be learned

01:27:23.829 --> 01:27:26.029
from somebody that grew up in a really tough,

01:27:26.069 --> 01:27:28.710
difficult situation. grew up in the projects,

01:27:28.869 --> 01:27:31.989
alcoholic father, dealt with some sexual abuse,

01:27:32.170 --> 01:27:35.649
and yet he found a way to push past those things,

01:27:35.710 --> 01:27:39.050
found encouragement through mentors, through

01:27:39.050 --> 01:27:41.210
teachers, through people who helped him to see

01:27:41.210 --> 01:27:45.079
what his passion was, what he... was good at

01:27:45.079 --> 01:27:47.979
give him that encouragement put the work in both

01:27:47.979 --> 01:27:51.399
in therapy and in the work towards honing the

01:27:51.399 --> 01:27:54.760
craft that he was in to be Mufasa on Lion King

01:27:54.760 --> 01:27:57.180
in Lion King for more than 4 ,000 performances

01:27:57.180 --> 01:27:59.960
what an inspiration to anybody going through

01:27:59.960 --> 01:28:02.020
something difficult through a hard season in

01:28:02.020 --> 01:28:05.159
life that there is light at the end of the tunnel

01:28:05.159 --> 01:28:08.489
that we can Keep a positive outlook. We can accept

01:28:08.489 --> 01:28:11.109
the fact that things are hard and know that going

01:28:11.109 --> 01:28:12.869
through those things are difficult. Accept the

01:28:12.869 --> 01:28:14.989
emotions that come when things are really difficult

01:28:14.989 --> 01:28:19.630
and also have the hope for something more and

01:28:19.630 --> 01:28:22.829
have the hope that we can find the thing that

01:28:22.829 --> 01:28:25.609
continues to bring us joy and happiness. I also

01:28:25.609 --> 01:28:27.859
think there's so many lessons for him. from him

01:28:27.859 --> 01:28:31.119
in the endurance and perseverance more than 4

01:28:31.119 --> 01:28:33.659
000 performances in a show like lion king as

01:28:33.659 --> 01:28:38.439
the king mufasa really shows a great depth of

01:28:38.439 --> 01:28:43.359
of character of ability to endure to show up

01:28:43.359 --> 01:28:47.079
day after day and bring the same emotional beats

01:28:47.079 --> 01:28:50.300
to bring the same passion to what he was doing

01:28:51.000 --> 01:28:52.699
And I think one of the lessons we have there

01:28:52.699 --> 01:28:55.060
as well is finding moments to find other passions

01:28:55.060 --> 01:28:58.840
as well, to get the break, to not just have it

01:28:58.840 --> 01:29:04.159
become too routine. And that there's real benefit

01:29:04.159 --> 01:29:06.560
in that, in finding other things that you can

01:29:06.560 --> 01:29:10.430
come back renewed. and we really appreciate his

01:29:10.430 --> 01:29:13.390
time and spending with us. I strongly encourage

01:29:13.390 --> 01:29:16.649
you to read his book, My Pride. What a wonderful

01:29:16.649 --> 01:29:18.989
book it was, and it goes into far greater depth

01:29:18.989 --> 01:29:21.710
as to his journey that he had, both growing up

01:29:21.710 --> 01:29:24.090
when he was in elementary school, junior high

01:29:24.090 --> 01:29:25.670
school, and high school, what his journey was

01:29:25.670 --> 01:29:28.369
like to get to Broadway, and then throughout

01:29:28.369 --> 01:29:30.909
his experiences on Broadway and further lessons

01:29:30.909 --> 01:29:33.710
that he's learned. Again, what a joy it was to

01:29:33.710 --> 01:29:38.270
have him on with us. As you leave this conversation,

01:29:38.630 --> 01:29:42.010
remember that yes, the past can hurt and you

01:29:42.010 --> 01:29:44.250
can either run from it or you can learn from

01:29:44.250 --> 01:29:47.949
it. So here's to learning and finding joy in

01:29:47.949 --> 01:29:49.750
the journey. See you real soon.